| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
A Global Challenge [CEZ4303 - 1] |
2'11 | Pascal Hautois | Advertisement. Unifying, cyclic & determined. Build up. Piano & | corporate convention neo-classical music suspended atmosphere unifying | B | 125 | ||||
|
A Global Challenge Alternate
[CEZ4303 - 22] |
Alt. | 2'11 | Pascal Hautois | Unifying, cyclic & determined. Build up. Violin & string orchestra. | neo-classical music whirling cyclic corporate video | B | 125 | |||
|
East Wind [CEZ4289 - 18] |
3'24 | Timothée Couteau | Sad & languid. As time goes by. Cello duet. Pizz & bowed. | cello time (tick-tock) sad acoustic organic | D | 123 | ||||
|
East Wind Alternate Version [CEZ4289 - 32] |
Alt. | 1'10 | Timothée Couteau | Sad & languid. As time goes by. Cello duet. Pizz & bowed. | cello time (tick-tock) harmonics mechanical | A | 124 | |||
|
East Wind Alternate Version 2 [CEZ4289 - 33] |
Alt. | 0'59 | Timothée Couteau | Sad & plaintive. Solo cello. | cello sad destiny social drama | D | 61 | |||
|
East Wind Alternate Version 3 [CEZ4289 - 34] |
Alt. | 0'31 | Timothée Couteau | Undulating & suspended. Solo cello. | cello melancholic tragic destiny | Em | 60 | |||
|
In the Old Days [CEZ4265 - 21] |
0 | 1'34 | Anne-Sophie Versnaeyen | Pastoral & carefree. Piano, strings, percussion & electronics. | gardening open air everyday life arts & crafts | G | 90 | |||
|
Testing Results [UBM2251 - 10] |
0 | 1'43 | Daniel Backes, Peter Moslener | Sound with medium-fast tempo, with a clicking sound in the | investigation science steady interrogative | Dm | 96 | |||
|
Turnable [UBM2251 - 20] |
0 | 2'20 | Daniel Backes, Peter Moslener | Fast and driving rhythm determined by synthesizer. Time is ticking. | disturbing loop steady industry | D | 76 | |||
|
Fumbling in the Dark [UBM2249 - 10] |
0 | 2'14 | Elias Cadre | Synthesizer, bass and echoes create a dynamic sound, ideal for | atmospheric complex muffled rumbling | G | 74 | |||
|
No Time Like the Present [UBM2248 - 16] |
0 | 1'24 | Luke Davoll | Fast tempo, energetic, solo piano, works good for quick cuts, fast | arpeggio whirling industry cyclic | C | 140 | |||
|
Feeling Fine [MAG6017 - 4] |
0 | 2'58 | Suzanne Ciani | Electronica / Ambient electro. Peaceful, patient & seascape. Analog | electronica modular synth underwater electro organic | F | 145 | |||
|
Science Infinite [CEZ4242 - 10] |
0 | 2'49 | Gréco Casadesus, Gregory Cotti | Suspended & minimalist. Electronics. | underwater science electro minimalism space | Am | 68 | |||
|
Clockwork [MAG6014 - 9] |
0 | 2'01 | Jonathan Fitoussi | Repetitive music. Percussive & constant. Cristal Baschet. | cristal Baschet steady percussive time (tick-tock) | Bbm | 86 | |||
|
Glimmer of Success [CEZ4224 - 5] |
0 | 1'30 | Lucas Napoleone | Corporate. Interrogative & airy. Piano, electronics & string ensemble. | arts & crafts blossoming neo-classical music dreamy | Cm | 102 | |||
|
Unity Makes Strength [CEZ4223 - 7] |
0 | 2'05 | Baptiste Thiry | Corporate. Determined & exhilarating. Constant progression. Acoustic | sport event arts & crafts corporate convention destiny | Gm | 140 | |||
|
What Van Gogh Saw [CEZ4222 - 2] |
0 | 3'20 | Michel Redolfi | Magical & crystalline. Cosmic electronic sound. | space cosmic music underwater science | C | 67 | |||
|
Salacious Revelations [CEZ4213 - 14] |
0 | 2'07 | Baptiste Thiry | Suspense. Dark & inexorable. Electronics & rhythm. | disturbing investigation mysterious chase | D | 125 | |||
|
Gerrymandering [CEZ4208 - 16] |
0 | 2'45 | Eric Lohrer | Obstinate & cyclic. Strings, snare drum & piano. | relentless industry politics strict | Dbm | 113 | |||
|
In a Mist [CEZ4191 - 1] |
0 | 2'48 | Mathias Delplanque, Denis Levaillant | Nocturnal & curious. Falling @ 2'05. Clarinet, electronics & rhythm. | downtempo lazy industry investigation | Bb | 69 | |||
|
Sphere MG 02 [UBM2140 - 15] |
0 | 2'40 | Ralv Gielen | Melodic arpeggio, making progress, new device. | fx delay disturbing patient science | Dbm | 88 | |||
|
Computer Friendly [CEZ4175 - 2] |
0 | 3'06 | Emmanuel Geoffroy | Delicate & celestial. Electronics & female voices. | science crystalline luminous delicate | C | 60 | |||
|
Marathon [CEZ4171 - 6] |
2'26 | Christophe Zurfluh | Panoramic & determined. Electronic percussion. | industry electronic percussion percussive disturbing | Fm | 161 | ||||
|
Marathon 2 [CEZ4171 - 30] |
Alt. | 2'02 | Christophe Zurfluh | Electronic percussion & synth. | electronic percussion percussive beds industry | Fm | 161 | |||
|
Dreams Come True [CEZ4159 - 1] |
2'08 | Baptiste Thiry | Positive & uplifting. Constant progression. Piano & strings. Reverse | corporate (all) unifying confident uplifting | Em | 125 | ||||
|
Dreams Come True 2 [CEZ4159 - 25] |
Alt. | 1'39 | Baptiste Thiry | Positive & simple. Piano & guitar. | simple confident steady cyclic | G | 110 | |||
|
Dreams Come True 3 [CEZ4159 - 26] |
Alt. | 0'32 | Baptiste Thiry | Positive & simple. Piano & backwards fx. | flash back suspended atmosphere fx backwards wandering | Em | 126 | |||
|
Dreams Come True 4 [CEZ4159 - 27] |
Alt. | 0'40 | Baptiste Thiry | Sparse & peaceful. Solo piano. | fx backwards acoustic piano suspended atmosphere sparse | Em | 63 | |||
|
Dreams Come True 5 [CEZ4159 - 28] |
Alt. | 0'07 | Baptiste Thiry | Sting. Interrogative. Piano & fx. | sting acoustic piano atmospheric destiny | Em | 89 | |||
|
Dreams Come True 6 [CEZ4159 - 29] |
Alt. | 0'06 | Baptiste Thiry | Sting. Positive. Backwards & fx. | sting driving suspended atmosphere uplifting | Em | 125 | |||
|
Dreams Come True 7 [CEZ4159 - 30] |
Alt. | 0'06 | Baptiste Thiry | Sting. Positive. Piano & fx. | sting driving uplifting corporate video | Em | 124 |