| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Dark Forest [CEZ4269 - 11] |
0 | 3'19 | Jonathan Boye, Patrice Duthoo, Raphaël Glatz | Old School Black Metal. Heavy, imposing & changing. Rock band. | black metal heavy distorted electric guitar sport drama | Em | 118 | |||
|
Life [MAG6018 - 7] |
0 | 3'46 | Chloé Arnaud, Anthony Batlle | Electro song. Moving, tense & sensual. Synth, female singer & rhythm.Lyrics | modern female singer sung in English electro beat | Gm | 70 | |||
|
Gold Moon Rising [CEZ4250 - 4] |
3'51 | Luigi Marletta, Morgan Sansous | Agressive & powerful. Rock band. Alternative/nu metal. | alternative metal extreme & fighting sport mechanical sport aggressive & violent | Am | 135 | ||||
|
Gold Moon Rising (Extended
[CEZ4250 - 15] |
Alt. | 4'23 | Luigi Marletta, Morgan Sansous | Threatening intro 0'30. Agressive & powerful. Rock band & | alternative metal sport drama extreme & fighting sport aggressive & violent | Am | 135 | |||
|
The Question of Doping [CEO2022 - 6] |
0 | 1'30 | Bruno Alexiu | Mechanical & grave. Slowing down @ 0'47. Orchestra & electronic. | jerky sport drama contemporary history investigation | Gm | 123 | |||
|
The Dark Side of the Tour [CEO2022 - 17] |
0 | 0'58 | Bruno Alexiu | Threatening & heavy. Orchestra & electronic. | scansion sport drama war (movies) inexorable | Bm | 122 | |||
|
Apocalyptica [CEZ4129 - 1] |
1'21 | Baptiste Thiry | Inexorable & tough. Strings & electronic percussion @ 0'23. | cinematic action movie fiery percussive | Bm | 120 | ||||
|
Apocalyptica 2 [CEZ4129 - 17] |
Alt. | 0'32 | Baptiste Thiry | Loop. Inexorable & tough. Strings & electronic percussion. | cinematic disturbing urgent action movie | Bm | 120 | |||
|
Apocalyptica 3 [CEZ4129 - 18] |
Alt. | 0'16 | Baptiste Thiry | Loop. Electronic percussion. | cinematic fiery industry powerful & imposing | Bm | 120 | |||
|
Apocalyptica 4 [CEZ4129 - 19] |
Alt. | 0'10 | Baptiste Thiry | Logo. Strings & electronic percussion. | cinematic final industry powerful & imposing | Bm | 152 | |||
|
Apocalyptica 5 [CEZ4129 - 20] |
Alt. | 0'03 | Baptiste Thiry | Link. Strings & electronic percussion. | cinematic fiery powerful & imposing industry | Bm | 119 | |||
|
Ruthless 2 [CEZ4129 - 21] |
0'30 | Baptiste Thiry | Loop. Determined & tense. Electronics & electronic percussion. | cinematic disturbing corporate (all) jerky | Dm | 150 | ||||
|
Ruthless [CEZ4129 - 2] |
Alt. | 1'58 | Baptiste Thiry | Tense & disturbing. Constant progression. Strings & electronic | cinematic action movie disturbing trailer | Dm | 150 | |||
|
Unchained 2 [CEZ4114 - 13] |
1'45 | Baptiste Thiry | Epic rock. Powerful & uplifting. Orchestra, electric guitar & rhythm. | fiery powerful & imposing relentless building | Dbm | 144 | ||||
|
Unchained [CEZ4114 - 2] |
Alt. | 1'46 | Baptiste Thiry | Epic rock. Powerful & uplifting. Orchestra, choir @ 0'56, electric | action movie adventure powerful & imposing team sport | Dbm | 144 | |||
|
Driving Force [CEZ4101 - 5] |
0 | 1'32 | Thierry Caroubi | Majestic & moving. Piano, orchestra, choir & percussion. | adventure corporate video final historical narrative | Em | 120 | |||
|
Oil Refinery [CEZ4100 - 5] |
0 | 2'02 | John Greaves | Inexorable & grating. Electronics & bass. | inexorable investigation industry confident | Gb | 83 | |||
|
Time's Running Out [CEZ4090 - 5] |
0 | 2'08 | Elisabeth Skornik, Guy Skornik | Obsessive tick-tock. Electronics, electric guitar & strings @ 0'34 | crime movie time (tick-tock) investigation relentless | Dm | 102 | |||
|
Stalking [CEZ4090 - 7] |
0 | 2'26 | Elisabeth Skornik, Guy Skornik | Mysterious & disturbing. Keyboard, percussion & Fx. | investigation anticipation spy insidious | F | 120 | |||
|
The Fly on the Wall [CEZ4090 - 8] |
0 | 2'12 | Elisabeth Skornik, Guy Skornik | Scary & tragic. Strings, electronics & "Fly Fx" | action movie disturbing investigation tragic | Am | 108 | |||
|
Bitter-Sweet Destiny [CEZ4084 - 2] |
0 | 2'28 | Daniel Finot, Jean-Francois Morin, Arnaud Rozenblat | Tense & decided. Electric guitar & electronics. | contemporary series destiny clean electric guitar melancholic | Cm | 123 | |||
|
Excessive Risks [CEZ4074 - 3] |
0 | 2'27 | Elisabeth Skornik, Guy Skornik | Heavy, percussive & tense. Muted electric guitar & cinematic | heavy suspense historical conflict anticipation | C | 116 | |||
|
The Good Life [CEZ4067 - 1] |
0 | 1'55 | Vincent Leibovitz | Light & relaxed but melancholic. Acoustic guitar, keyboard & rhythm. | urban social drama open air team sport | Bm | 93 | |||
|
Blue Neon [CEZ4067 - 9] |
0 | 2'13 | Nicolas Mizrachi, Jean-Francois Morin | Obstinate, melancholic & constant. Electric guitar, bass & | investigation urban landscape destiny narrative | Em | 104 | |||
|
Spaceheart [CEZ4059 - 16] |
0 | 2'56 | Christian Zanesi | Ambient soundscape. Ethereal. Empty drones with waves of digital FX. | abyss disturbing pulsation science | Bm | 82 | |||
|
Caught Red-Handed [CEZ4056 - 4] |
0 | 1'55 | Nicolas Mizrachi, Jean-Francois Morin | The thrill of crime. Funky & dark guitar riff with loose groove. | investigation action movie relentless urban landscape | Em | 100 | |||
|
Identikit [CEZ4056 - 5] |
0 | 1'40 | Nicolas Mizrachi, Jean-Francois Morin | Serious consideration. Sub-bass with filtered drums & synth/guitar fx. | investigation mysterious social drama disturbing | Em | 148 |