| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Candlelight Dinner [CEZ4203 - 20] |
0 | 3'46 | Arno Riva, Woodentrees | Electro pop song. Sentimental & feminine. Synth, female singer & Lyrics | electro pop sung in English female singer feminine | F | 96 | |||
|
Historic Endgame [UBM2229 - 11] |
0 | 1'25 | Bernhard Hering | Epic, tense, very dynamic. Determined strings and forceful drums. | action movie inexorable disturbing chaotic | Gbm | 139 | |||
|
Nervous Timeflow [UBM2229 - 12] |
0 | 2'15 | Bernhard Hering | Hectic, fast, accentuated. For images of stress, high energy and | action movie inexorable disturbing suspense | D | 83 | |||
|
Virtual Search A [UBM2241 - 1] |
0 | 2'22 | Bernhard Hering, Matthias Krüger-Wendel | Ticking percussion and ominous strings create suspense and an air of | suspense spy interrogative investigation | Gm | 100 | |||
|
No Freedom [UBM2240 - 3] |
0 | 2'05 | Sebastian Parche | Rough & distressing. Synth. | scary disturbing horror rough | C | 93 | |||
|
Can't Stop [UBM2240 - 4] |
0 | 2'12 | Sebastian Parche | Nocturnal & wandering. Synth, strings & trumpet @ 0'47. | nocturnal mysterious urban wandering | Cm | 60 | |||
|
50 Grand in the Back Seat [UBM2240 - 5] |
0 | 3'28 | Sebastian Parche | Urban & interrogative. Synth, strings @ 2'26 & rhythm. | interrogative nocturnal crime movie strict | Gm | 120 | |||
|
Undercover in Slums [UBM2240 - 13] |
0 | 2'27 | Sebastian Parche, Rainer Quade | Disturbing & sparse. Synth & sparse electric guitar. | disturbing spy interrogative nocturnal | E | 75 | |||
|
Submissive [UBM2240 - 15] |
0 | 2'18 | Sebastian Parche, Rainer Quade | Constant & mysterious. Synth & rhythm. | investigation spy mysterious driving | Em | 149 | |||
|
Another Place in Nothingness [UBM2240 - 17] |
0 | 2'33 | Sebastian Parche, Rainer Quade | Desolate but bustling. Piano & synth. | desolate sparse suspense social drama | Fm | 86 | |||
|
Obscure Observation [UBM2238 - 3] |
0 | 1'54 | Daniel Backes, Peter Moslener | Distressing & interrogative. Piano, synth & rhythm. | investigation interrogative steady social drama | Em | 88 | |||
|
Explanatory Thing [UBM2238 - 7] |
0 | 2'24 | Daniel Backes, Peter Moslener | Enigmatic & nocturnal. Synth. | spy metallic nocturnal science | Em | 128 | |||
|
Thrilling Thing [UBM2238 - 12] |
0 | 1'56 | Daniel Backes, Peter Moslener | Mysterious & stressful. Synth & rhythm. | disturbing interrogative spy investigation | Bbm | 109 | |||
|
Zooming In [UBM2238 - 13] |
0 | 2'01 | Daniel Backes, Peter Moslener | Suspicious & disturbing. Synth & heart fx. | disturbing science spy fx heartbeat | Dm | 114 | |||
|
Rotational Energy [UBM2238 - 16] |
0 | 2'09 | Daniel Backes, Peter Moslener | Serious & questioning. Synth & electric guitar @ 1'01. | investigation spy inexorable science | Am | 127 | |||
|
Falling in Love [CEZ4198 - 6] |
2'02 | Grand David, Mister Fluo | Sensual & sentimental doo wap track. Falcet male choir, horn section Lyrics | sentimental 1960 advertising rhythm and blues | Am | 64 | ||||
|
Falling in Love 2 [CEZ4198 - 18] |
Alt. | 2'02 | Grand David, Mister Fluo | Sensual & sentimental doo wap track. Horn section & rhythm. | sentimental advertising rhythm and blues 1960 | Am | 64 | |||
|
Soul Lady [CEZ4198 - 9] |
1'37 | Grand David | Pop song with a touch of Motown style. Relax & uplifting. Male & Lyrics | pop song carefree motown teen drama | A | 142 | ||||
|
Soul Lady 2 [CEZ4198 - 21] |
Alt. | 1'35 | Grand David | Motown. Relax & uplifting. Electric guitar & rhythm. | pop song carefree motown 1960 | A | 143 | |||
|
Love [EOS18 - 4] |
0 | 4'21 | Damien Poupart-Taussat | Sentimental & peaceful. Solo piano. | romantic charming peaceful tender | Am | 99 | |||
|
Message Personnel [EOS18 - 5] |
0 | 3'29 | Damien Poupart-Taussat | Sweet & serene. Solo piano. | romantic charming peaceful restrained | Eb | 72 | |||
|
The Cameraman [EOS18 - 18] |
0 | 2'00 | Damien Poupart-Taussat | Happy & carefree. Solo piano. | silent movie happy & joyful carefree changing | Am | 102 |