| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Penetration [AUD034 - 5] |
2'04 | Dominique Grimaldi | Edgy mysterious piano intro building into a syncopated reflective | relentless mysterious acoustic piano vibraphone | Em | 143 | ||||
|
Penetration Edit [AUD034 - 10] |
Alt. | 0'49 | Dominique Grimaldi | 40 second cut. | relentless mysterious acoustic piano vibraphone | Em | 141 | |||
|
Penetration Alternate [AUD034 - 15] |
Alt. | 5'16 | Dominique Grimaldi | Alternate extended version. | relentless mysterious acoustic piano vibraphone | Em | 141 | |||
|
Reign Of The Machine [AUD031 - 1] |
2'02 | Alexandre Koneski | Fast - Bouncy and energetic Trance. Build up with fat synth, vocal | trance club danceable lively | Bb | 138 | ||||
|
Reign Of The Machine Edit [AUD031 - 6] |
Alt. | 0'32 | Alexandre Koneski | 30 Second Cut. | trance club danceable lively | Bbm | 139 | |||
|
Reign Of The Machine Alternate [AUD031 - 11] |
Alt. | 2'02 | Alexandre Koneski | Alternate version without drums. | trance club danceable lively | Bb | 138 | |||
|
Fullon [AUD031 - 3] |
2'01 | Alexandre Koneski | Very fast - Intense and powerful Trance / Gabber. Beat acceleration | trance club relentless lively | Ebm | 148 | ||||
|
Fullon Edit [AUD031 - 8] |
Alt. | 0'31 | Alexandre Koneski | 30 Second Cut. | trance club relentless lively | Ebm | 148 | |||
|
Fullon Alternate [AUD031 - 13] |
Alt. | 2'01 | Alexandre Koneski | Alternate version without drums. | trance relentless mechanical sport urgent | Ebm | 148 | |||
|
Summer Trance [AUD031 - 5] |
2'07 | Alexandre Koneski | Fast - Sunny and springy Trance. Build up with bouncy bass, lead | club lively trance driving | Abm | 136 | ||||
|
SummerTrance Edit [AUD031 - 10] |
Alt. | 0'28 | Alexandre Koneski | 30 Second Cut. | club lively trance driving | Abm | 136 | |||
|
SummerTrance Alternate [AUD031 - 15] |
Alt. | 2'07 | Alexandre Koneski | Alternate version without drums. | club lively retrogaming trance | Ebm | 136 | |||
|
Kocktail Fever [AUD030 - 5] |
2'01 | Frederic Sicart | Medium-fast - Bouncy and groovy 1960's easy-listening in a modern | opening credits TV 1960 funny daytime TV | Cm | 130 | ||||
|
Kocktail Fever Edit [AUD030 - 10] |
Alt. | 0'33 | Frederic Sicart | 30 second cut. | opening credits TV 1960 funny daytime TV | Cm | 130 | |||
|
Kocktail Fever Alternate [AUD030 - 15] |
Alt. | 2'02 | Frederic Sicart | Alternate version. | opening credits TV 1960 funny daytime TV | Cm | 130 | |||
|
Memoria Del Corazon [AUD027 - 2] |
2'04 | Frederic Langlais, Matthieu Rabaté | Medium - Classy, passionate and seductive electro-tango. Bandoneon, | electro tango melancholic Argentina danceable | Dm | 95 | ||||
|
Memoria Del Corazon Edit [AUD027 - 7] |
Alt. | 0'26 | Frederic Langlais, Matthieu Rabaté | 20 second cut. | electro tango melancholic Argentina danceable | Am | 95 | |||
|
Memoria Del Corazon Alternate [AUD027 - 12] |
Alt. | 2'04 | Frederic Langlais, Matthieu Rabaté | Alternate version. | melancholic steady electro tango relentless | Dm | 95 | |||
|
The Future Is Retro [UBM2531 - 6] |
0 | 2'29 | Alexander Hoeffken, Conrad Oleak | Ice skating in the park. A strange silence surrounds the lively | atmospheric lofi hip hop synthesizer beds | Fm | 100 | |||
|
Being Together [MPMA0028 - 10] |
1'31 | Gregg Allen, Camille Thomas, Carmen Thomas | A vibrant fusion of pop and funk beats, tailor-made for infusing | lively pop song unifying triumphant | Gm | 150 | ||||
|
Being Together - Instrumental [MPMA0028 - 47] |
Alt. | 1'31 | Gregg Allen, Camille Thomas, Carmen Thomas | A vibrant fusion of pop and funk beats, tailor-made for infusing | lively pop song unifying triumphant | Gm | 150 | |||
|
Being Together - 30 Sec [MPMA0028 - 48] |
Alt. | 0'30 | Gregg Allen, Camille Thomas, Carmen Thomas | A vibrant fusion of pop and funk beats, tailor-made for infusing | lively pop song unifying triumphant | Gm | 151 | |||
|
Being Together - 60 Sec [MPMA0028 - 49] |
Alt. | 1'01 | Gregg Allen, Camille Thomas, Carmen Thomas | A vibrant fusion of pop and funk beats, tailor-made for infusing | lively pop song unifying triumphant | Gm | 150 | |||
|
Being Together - Beat and Bass [MPMA0028 - 50] |
Alt. | 1'31 | Gregg Allen, Camille Thomas, Carmen Thomas | A vibrant fusion of pop and funk beats, tailor-made for infusing | lively pop song unifying triumphant | Gm | 150 | |||
|
Challenger [MPMA0027 - 5] |
2'06 | Ivan Virijevic | Anthemic, electronic beats that are a perfect fit for atmosphere of a | eSports attitude cinematic beat heavy | Gm | 163 | ||||
|
Challenger - 60 Sec [MPMA0027 - 24] |
Alt. | 1'00 | Ivan Virijevic | Anthemic, electronic beats that are a perfect fit for atmosphere of a | eSports attitude cinematic beat heavy | Gm | 163 | |||
|
Challenger - 30 Sec [MPMA0027 - 25] |
Alt. | 0'30 | Ivan Virijevic | Anthemic, electronic beats that are a perfect fit for atmosphere of a | eSports attitude cinematic beat heavy | Gm | 162 | |||
|
Challenger - 15 Sec [MPMA0027 - 26] |
Alt. | 0'15 | Ivan Virijevic | Anthemic, electronic beats that are a perfect fit for atmosphere of a | eSports attitude cinematic beat heavy | Gm | 163 | |||
|
Kingston Opera [AMS5030 - 10] |
2'13 | SHIFUMI | Hip hop opera in a dramedy spirit. Attitude, lively & tragi-comic. | urban urban landscape synthesizer percussive | Bm | 128 | ||||
|
Kingston Opera Alternate 1 [AMS5030 - 47] |
Alt. | 2'13 | SHIFUMI | Version without percussion. | urban urban landscape synthesizer string section | Bm | 128 | |||
|
Kingston Opera Alternate 2 [AMS5030 - 48] |
Alt. | 2'13 | SHIFUMI | Version without choir. | urban urban landscape synthesizer percussive | Bm | 129 | |||
|
Kingston Opera Edit 1 (30 sec) [AMS5030 - 49] |
Alt. | 0'30 | SHIFUMI | 30 second cut. | urban urban landscape synthesizer percussive | Em | 129 | |||
|
Kingston Opera Edit 2 (15 sec) [AMS5030 - 50] |
Alt. | 0'15 | SHIFUMI | 15 second cut. | urban urban landscape synthesizer percussive | Em | 128 | |||
|
Serendipity [EOS118 - 2] |
0 | 2'47 | Astronotes | Waiting, suspended & cold. Serious and almost tense. Synth, keyboard | atmospheric suspended atmosphere mysterious beds | A | 75 | |||
|
Bee's Knees [AUD023 - 4] |
3'48 | Bertrand Richard | Downtempo. Late night jazz in a piano bar mood. Lonely, wistful and | calm jazzy nocturnal acoustic piano | Bb | 60 | ||||
|
Bee's Knees Alternate 1 [AUD023 - 9] |
Alt. | 0'28 | Bertrand Richard | Alternative short version. | calm jazzy nocturnal acoustic piano | Fm | 61 | |||
|
Bee's Knees Alternate 2 [AUD023 - 14] |
Alt. | 3'48 | Bertrand Richard | Alternative version with only piano. | piano bar calm nocturnal acoustic piano | F | 118 | |||
|
Warehouse Rendevous [UBM2465 - 3] |
0 | 2'39 | Achim Zweschper | In the shadow of the warehouses near the docks in the harbour | cyclic synthesizer electronica sci-fi | Cm | 88 | |||
|
Off The Cob [UBM2465 - 14] |
0 | 2'47 | Achim Zweschper | The blockbuster is over and the audience leaves the thickly carpeted | retrogaming lively analog synth 1980 | Cm | 117 | |||
|
Agressive Bend SFX 4 From A
[CSDL1007 - 25] |
0 | 0'56 | Salvador Casais, Thomas Dubreuil | Sound Design element. Sudden, evolving & imposing distorted synth | aggressive & violent punctuated benders scary | Bm | 139 | |||
|
Agressive Bend SFX 13 From A
[CSDL1007 - 97] |
0 | 0'40 | Salvador Casais, Thomas Dubreuil | Sound Design element. Distorted pitched up & down deep bass filtered | aggressive & violent benders scary epic | Bm | 148 | |||
|
Agressive Bend SFX 14 From A
[CSDL1007 - 105] |
0 | 0'59 | Salvador Casais, Thomas Dubreuil | Sound Design element. Hitting & wobbling synth bends from A to G | aggressive & violent benders noisy scary | Fm | 129 | |||
|
Agressive Bend SFX 15 From A
[CSDL1007 - 113] |
0 | 0'56 | Salvador Casais, Thomas Dubreuil | Sound Design element. Threatening & ominous swell bends with long | aggressive & violent punctuated benders scary | Em | 114 | |||
|
Agressive Bend SFX 16 From A
[CSDL1007 - 121] |
0 | 1'10 | Salvador Casais, Thomas Dubreuil | Sound Design element. Pitched down, distorted & frightening | anticipation aggressive & violent benders scary | Em | 152 | |||
|
Agressive Bend SFX 19 From A
[CSDL1007 - 145] |
0 | 0'56 | Salvador Casais, Thomas Dubreuil | Sound Design element. Violent, distorted & destroying bends from A to | sudden aggressive & violent benders scary | Em | 114 |