| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Hologram [MAG6014 - 11] |
0 | 4'15 | Johnathan Fitoussi | Repetitive music. Sudden & disturbing. Analog synth. | analog synth wandering unstable interrogative | Gbm | 129 | |||
|
Antelope Chase [CEZ4225 - 13] |
0 | 1'29 | Baptiste Thiry | Cinematic. Urgent & tribal. Percussion ensemble. | wild historical conflict driving percussion ensemble | Gm | 140 | |||
|
Monsieur Le Maire [CEO2029 - 6] |
0 | 1'18 | Christophe Guiot, Sylvaine Helary | Solemn & driving. String ensemble & flute & piano. | heritage neo-classical music punctuated old-fashioned | Am | 118 | |||
|
Business Angel [CEZ4223 - 10] |
0 | 2'00 | Sebastijan Duh | Corporate. Exhilarating & joyful. Constant progression. Piano, | corporate convention happy & joyful confident driving | C | 92 | |||
|
Leone Ginzburg Variation 8 [CEO2028 - 8] |
0 | 0'57 | Baptiste Thiry | Sad & calm String ensemble. | destiny string orchestra sad historical narrative | Gm | 77 | |||
|
Leone Ginzburg Variation 10 [CEO2028 - 10] |
0 | 1'07 | Baptiste Thiry | Sad & solitary. String ensemble. | destiny string orchestra sad moving | Cm | 98 | |||
|
Como Sueno Infantil [CCB1024 - 6] |
0 | 4'43 | David Dorantes, Renaud Garcia-Fons | Flamenco-Jazz. Siguirilla. Intriguing & constant. Piano & double bass | world jazz double bass suspended atmosphere Spain | Em | 118 | |||
|
El Rio Os Espera [CCB1024 - 7] |
0 | 9'15 | David Dorantes, Renaud Garcia-Fons | Flamenco-Jazz. Tangos (flamenco). Changing & questioning. Piano & | jamming double bass world jazz changing | Dm | 143 | |||
|
Electoral Victory [CEZ4208 - 2] |
0 | 1'42 | Sophia Domancich | Unifying & panoramic. Piano & strings. | corporate convention unifying neo-classical music politics | C | 112 | |||
|
Collapse [UBM2237 - 11] |
0 | 1'30 | Felix Halbe | Cinematic orchestral theme for highly dramatic situations of | inexorable cinematic crescendo scary | Em | 117 | |||
|
Money [UBM2237 - 14] |
0 | 1'48 | Felix Halbe | Shady deals in dark backrooms...this track expresses the power of | investigation disturbing politics string section | B | 140 | |||
|
Hidden Cam [UBM2237 - 17] |
0 | 2'03 | Felix Halbe | Electronic track with acoustic guitar bits. For science, research, | intermittent disturbing interrogative suspended atmosphere | Em | 130 | |||
|
Soundscape [UBM2237 - 20] |
0 | 1'12 | Felix Halbe | Neutral; abstract underscore. Technical, artificial, serious. | atmospheric beds spy strict | E | 120 | |||
|
Lions Symphony [UBM2227 - 11] |
0 | 2'38 | Daniel Backes, Peter Moslener | Calm and reflective. Bells and strings develop into a cinematic theme | beds uplifting string section romantic comedy | C | 156 | |||
|
Tropicana [CEZ4200 - 7] |
0 | 1'26 | Señor Ortegón & his Orchestra, Sr Ortegon, Stan Galouo | Mambo in the Cuban big-band style of the 50's with a James Bond | mambo country ball lively Puerto Rico | C | 120 | |||
|
Agents Nightshift [UBM2241 - 9] |
0 | 2'13 | Bernhard Hering, Matthias Krüger-Wendel | Subtle electronic sounds for images of research, forensics, data | beds atmospheric spy disturbing | C | 108 | |||
|
Under Pressure [UBM2241 - 10] |
0 | 2'50 | Bernhard Hering, Matthias Krüger-Wendel | Uneasy mood...something is brewing. Strings, percussions and ambient | beds mysterious inexorable disturbing | Ebm | 86 | |||
|
Spy Out [UBM2241 - 11] |
0 | 2'14 | Bernhard Hering, Matthias Krüger-Wendel | Unnerving and suspenseful. Busy electronics and slightly bizarre | beds disturbing suspense atmospheric | Fm | 100 | |||
|
Visual Observation [UBM2241 - 12] |
0 | 3'01 | Bernhard Hering, Matthias Krüger-Wendel | Jazzy brushed drums, classy bass and e-piano. Tasteful suspense music | mysterious nocturnal beds spy | Gb | 95 | |||
|
Secret Memories [UBM2241 - 17] |
0 | 2'13 | Bernhard Hering, Matthias Krüger-Wendel | Neutral and abstract electronic pulse. | beds steady mysterious synthesizer | Em | 120 |