| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Stroke of Fate [UBM2244 - 13] |
0 | 2'01 | Tony Delmonte, Anselm Kreuzer | Strange & cold. Underscore. Strings, percussion. | mysterious abyss calm steady | Dm | 60 | |||
|
In a Police Car [CEO2032 - 1] |
0 | 1'01 | Selma Mutal | Weird, whirling & tragicomic. Like a merry-go-round music. | ironical & mischievous circus music whirling funfair | Bbm | 98 | |||
|
In a Police Car (Ending) [CEO2032 - 9] |
4'00 | Selma Mutal | Weird, whirling & bitter-sweet. Accordion, barrel organ & electronics. | weird whirling funfair circus music | Em | 89 | ||||
|
In a Police Car (Ending) [CEO2032 - 14] |
Alt. | 3'59 | Selma Mutal | Remastered version. Weird, whirling & bitter-sweet. Accordion, barrel | ironical & mischievous whirling funfair tragi-comic | Am | 89 | |||
|
En Douce [CEO2030 - 7] |
0 | 2'53 | Renaud Garcia-Fons | Suspense like in a comedy. Pizzicato & accordion @ 1'12. Tempo | suspense tragi-comic animation & cartoons bandoneon | Gm | 113 | |||
|
Montage Percussion [UBM2237 - 7] |
0 | 1'20 | Felix Halbe | Abstract soundscape and wild drums implying situations of danger and | action movie cinematic percussion percussive scary | Gm | 90 | |||
|
Collapse [UBM2237 - 11] |
0 | 1'30 | Felix Halbe | Cinematic orchestral theme for highly dramatic situations of | inexorable cinematic crescendo scary | Em | 117 | |||
|
Ligeti Style Choir [UBM2237 - 16] |
0 | 2'16 | Felix Halbe | Post-modern, avantgarde vocals with lots of reverb. Abstract and | airy synth choir fantasy paranormal | Ebm | 152 | |||
|
Dark Force [UBM2229 - 3] |
0 | 2'08 | Bernhard Hering | Menacing drums, eerie strings and an overall gloomy vibe that would | spy inexorable action movie disturbing | Dbm | 128 | |||
|
Presentiment of Danger [UBM2174 - 17] |
0 | 2'45 | Anselm Kreuzer | Haunting, dark, dangerous; with climax. | final interrogative marimba mysterious | Bb | 80 | |||
|
East European Plain 2 [CEO2023 - 9] |
1'50 | Marc-Olivier Dupin | Anguish & desolate. Solo violin playing tremolo. | desolate harmonics paranormal natural disaster | Cm | 86 | ||||
|
East European Plain [CEO2023 - 7] |
Alt. | 1'21 | Marc-Olivier Dupin | Poignant, sad & desolate. Solo violin. | violin desolate destiny moving | Cm | 110 | |||
|
The Invincible Citadel [CEO2027 - 21] |
0 | 1'59 | Frédéric Dunis, Bernard Grimaldi | Epic, warlike & oppressive. Orchestra with choir & timpanies. | antiquity men's chorus mystical cinematic | F | 86 | |||
|
The Brown Pestilence [CEO2026 - 15] |
1'24 | Gréco Casadesus | Sinister & atmospheric. String orchestra & timpani. | historical narrative scary string orchestra sinister | Gm | 89 | ||||
|
The Brown Pestilence 2 [CEO2026 - 34] |
Alt. | 1'24 | Gréco Casadesus | Sinister & atmospheric. String orchestra. | suspended atmosphere atmospheric scary historical narrative | Gm | 90 | |||
|
Between the Words [CEO2025 - 14] |
0 | 1'59 | Selma Mutal | Sparse suspended atmosphere. Synth pads & electronics. | synth pad toxic space ufo | G | 74 | |||
|
Waves of Memories [CEO2025 - 17] |
1'33 | Selma Mutal | Panoramic, dark & cold. Synth waves & electronics. | atmospheric abyss synth pad toxic | G | 72 | ||||
|
Waves of Memories 2 [CEO2025 - 22] |
Alt. | 1'08 | Selma Mutal | Introspective & sparse. Synth pads & treated piano @ 0'32. | sinister destiny wandering atmospheric | Gm | 107 | |||
|
Neverland [UBM2221 - 15] |
0 | 2'21 | Anselm Kreuzer, Queens Road | Sinister & patient. Piano & synth. | sinister suspense desolate sparse | Gb | 76 | |||
|
Oxygen Voice [UBM2216 - 9] |
0 | 2'07 | Achim Zweschper | Intriguing & suspended. Synth & rhythm. | intermittent suspended atmosphere disturbing interrogative | Fm | 120 | |||
|
Freak [UBM2211 - 11] |
0 | 1'11 | Christoph Lienemann | Insidious & suspect. Synth, piano, strings & rhythm. | insidious investigation inexorable disturbing | C | 119 | |||
|
Twilight [UBM2211 - 12] |
0 | 1'01 | Christoph Lienemann | Heavy & sinuous. Synth & strings. | cold natural disaster disturbing beds | Cm | 60 | |||
|
View From on High [CEO2021 - 1] |
0 | 1'27 | Bruno Alexiu | Suspended & mysterious. Orchestra & electronics. | airy natural disaster suspended atmosphere docu fiction | Abm | 117 | |||
|
Electro Ruined Landscape [CEZ4171 - 21] |
0 | 2'22 | Christophe Zurfluh | Disturbing & inexorable. Electronic percussion & synth. | electronic percussion percussive industry beds | G | 116 |