| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Factory of Shame [CEO2026 - 5] |
1'04 | Gréco Casadesus | Dramatic & urgent. Symphony orchestra. | warlike disturbing symphony orchestra urgent | G | 141 | ||||
|
Factory of Shame 2 [CEO2026 - 29] |
Alt. | 1'02 | Gréco Casadesus | Dramatic & urgent. Symphony orchestra. | historical conflict war (movies) disturbing urgent | G | 141 | |||
|
Evidence or Intuition [CEO2025 - 5] |
0 | 1'13 | Selma Mutal | Interrogative & mysterious. Electronics. | wandering contemporary series social drama suspended atmosphere | Gm | 108 | |||
|
Lima By Night [CEO2025 - 7] |
0 | 1'22 | Selma Mutal | Wandering, sparse & lonely. Piano & electronics. | geopolitics urban landscape prepared piano contemporary series | Cm | 69 | |||
|
Night Birds [MAG6003 - 3] |
0 | 2'59 | DoubtingThomas | Ambiant. Efficient & floating. Trumpet, synth & rhythm. | crime movie cinematic jazz driving nocturnal | G | 117 | |||
|
View From on High [CEO2021 - 1] |
0 | 1'27 | Bruno Alexiu | Suspended & mysterious. Orchestra & electronics. | airy natural disaster suspended atmosphere docu fiction | Abm | 117 | |||
|
Approaching Target [CEO2021 - 7] |
0 | 1'40 | Bruno Alexiu | Suspended, tense & haunting. Orchestra with piano & electronics. | scary inexorable suspense cinematic | Ab | 115 | |||
|
France Under Allied Bombs [CEO2021 - 9] |
0 | 1'26 | Bruno Alexiu | Sad & desolate. Orchestra with accordion & clarinet. | desolate French cinema sad suspended atmosphere | E | 86 | |||
|
Innocent Victims [CEO2021 - 18] |
0 | 1'36 | Bruno Alexiu | Sad & tragic. Orchestra with clarinet. | inexorable historical narrative historical conflict war (movies) | Cm | 61 | |||
|
Obstacle Course [CEZ4171 - 4] |
0 | 1'49 | Christophe Zurfluh | Suspense. Urgent & restrained. Electronic percussion & synth. | time (tick-tock) electronic percussion percussive investigation | Fm | 152 | |||
|
A Girl From Istanbul [CCB1019 - 2] |
0 | 5'01 | Derya Turkan, Renaud Garcia-Fons | Determined & thrilling. Kemançe, double-bass & percussion. | kemençe Andalusi classical music Armenia geopolitics | Dm | 104 | |||
|
Istanbul'da Bir Ispanyol [CCB1019 - 3] |
0 | 4'59 | Derya Turkan, Renaud Garcia-Fons | Confident & lively. Kemançe & double-bass. | kemençe Andalusi classical music bowed double bass Armenia | Dm | 83 | |||
|
Ringo el Gringo [CEZ4163 - 17] |
0 | 2'27 | Julien Vega | Carefree & relax. Tempo changing @ 1'30. Guitar, banjo, jew's harp, | Italian western jew's harp ballad wandering | Am | 96 | |||
|
Tanami Tribes [CEZ4161 - 15] |
0 | 2'07 | David Reyes | Wild & inhospitable. Didgeridoo, ethnic voice, percussion & wind fx. | adventure natural disaster introduction undefined percussion | Am | 117 | |||
|
The Emotion of Movement [CEZ4151 - 3] |
1'48 | Guy Skornik, Elisabeth Skornik | Passionate & determined. Intro 0'24. String orchestra & woodwind | string orchestra corporate (all) moving neo-classical music | Dbm | 162 | ||||
|
The Emotion of Movement 2 [CEZ4151 - 21] |
Alt. | 2'13 | Elisabeth Skornik, Guy Skornik | Passionate & determined. String orchestra & woodwind ensemble. | politics neo-classical music repetitive music steady | E | 162 | |||
|
The Emotion of Movement 3 [CEZ4151 - 22] |
Alt. | 2'06 | Elisabeth Skornik, Guy Skornik | Constant, lyrical & determined. Piano & string orchestra. | moving corporate video politics strict | Dbm | 162 | |||
|
Change and Continuity [CEZ4151 - 5] |
2'09 | Elisabeth Skornik, Guy Skornik | Constant & insistent. String orchestra, pizz & electronics. | corporate (all) driving neo-classical music politics | Ab | 120 | ||||
|
Change and Continuity 2 [CEZ4151 - 25] |
Alt. | 2'07 | Elisabeth Skornik, Guy Skornik | Constant & determined. Piano & string orchestra. Pizz. | cyclic uplifting corporate video acoustic piano | Ab | 120 | |||
|
Change and Continuity 3 [CEZ4151 - 26] |
Alt. | 1'36 | Elisabeth Skornik, Guy Skornik | Constant & determined. String orchestra. Pizz. | neo-classical music politics strict corporate convention | Ab | 120 | |||
|
Change and Continuity 4 [CEZ4151 - 27] |
Alt. | 2'07 | Elisabeth Skornik, Guy Skornik | Constant & determined. Solo piano. | cyclic architecture & design corporate video neo-classical music | Cm | 120 | |||
|
The Future Past 3 [CEZ4151 - 31] |
2'01 | Elisabeth Skornik, Guy Skornik | Urgent but melancholic. Solo piano. Forward fx @ 1'18. | steady repetitive music acoustic piano tracking shot | Am | 172 | ||||
|
The Future Past [CEZ4151 - 7] |
Alt. | 1'47 | Guy Skornik, Elisabeth Skornik | Urgent, mysterious & determined. String orchestra & woodwind | neo-classical music corporate (all) driving string orchestra | Am | 167 | |||
|
Palermo Notturno [CCB1018 - 1] |
0 | 6'25 | Renaud Garcia-Fons | Wandering & melancholic. Double bass duet. | driving tracking shot virtuoso moving | Am | 120 | |||
|
Kalimbass [CCB1018 - 3] |
0 | 5'54 | Renaud Garcia-Fons | Wandering then urgent & obstinate @ 1'23. Double bass duet. | panoramic building crescendo driving | Gm | 79 | |||
|
La Silhouette [CCB1017 - 6] |
0 | 5'14 | Renaud Garcia-Fons | Inexorable & melancholic. Double-bass, accordion, acoustic guitar & | world music double bass bowed double bass classical guitar | Gm | 101 | |||
|
Vere [CCB1017 - 10] |
0 | 6'27 | Renaud Garcia-Fons | Urgent & tumultuous. Melancholic & moving @ 1'11. Bowed double-bass, | world music bowed double bass traditional instrumental ensemble Spain | Cm | 98 |