| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Time Square [CEZ4297 - 3] |
0 | 3'11 | André Charlier, Benoît Sourisse | Relax & carefree. 50s. Jazz quintet with trumpet, sax, piano & rhythm. | hard bop jazz club jazz quintet trumpet | Gm | 118 | |||
|
The Yacht Club [CEZ4297 - 9] |
0 | 3'28 | André Charlier, Benoît Sourisse | Confident & nocturnal. Jazz quartet with hammond organ, guitar & | jazz club jazz quartet 1950 groovy | Dm | 137 | |||
|
The First Beer [CEO2044 - 29] |
1'27 | Gréco Casadesus | Suspense. Calm & regular. Keyboard & string orchestra. | spy insidious atmospheric destiny | Db | 111 | ||||
|
The First Beer Alternate
[CEO2044 - 59] |
Alt. | 1'41 | Gréco Casadesus | Suspended & disturbing. Solo clarinet. | desolate destiny wandering disturbing | Em | 111 | |||
|
A Strange Traveller [EOS20 - 7] |
0 | 3'22 | Anthony Mowat | Patient & rhythmic. Drums, bass, synth, electric guitar. | film noir neutral drums steady | Dm | 162 | |||
|
A Stranger Traveller [EOS20 - 15] |
0 | 3'28 | Anthony Mowat | Patient & rhythmic. Drums, bass, synth, electric guitar. | film noir drums steady investigation | Dm | 162 | |||
|
The Explosion of Forms [CEZ4281 - 25] |
0 | 1'52 | Marc-Olivier Dupin | Abstract & sudden. Alto sax, piano & percussion. | arty contemporary jazz complex film noir | A | 100 | |||
|
Weegee's New-York Street [CEZ4281 - 32] |
0 | 1'09 | Marc-Olivier Dupin | Sad & wandering. Tenor sax, piano & cymbals. | wandering film noir 1950 crime movie | Bb | 106 | |||
|
No Half Stepping [CEZ4278 - 11] |
0 | 2'24 | Gabriel Saban, Philippe Briand | Urban drama. Frightning & dark. Synth, cinematic string & hip hop | cinematic beat social drama sinister disturbing | Cm | 120 | |||
|
A Storm is Brewing [CEZ4267 - 2] |
0 | 3'59 | Laurent Couson | Dramatic & warlike. Symphony orchestra. Constant progression. | adventure hollywood classic historical narrative inexorable | F | 140 | |||
|
So Little Time [CEZ4267 - 4] |
1'23 | Laurent Couson | Dramatic & threatening. Symphony orchestra. | historical narrative hollywood classic film noir inexorable | G | 140 | ||||
|
So Little Time 2 [CEZ4267 - 18] |
Alt. | 1'20 | Laurent Couson | Urgent & threatening. Symphony orchestra. Constant progression. | hollywood classic symphony orchestra inexorable majestic | Dm | 140 | |||
|
So Little Time 3 [CEZ4267 - 19] |
Alt. | 0'40 | Laurent Couson | Threatening & norcturnal. Symphony orchestra. | fantasy hollywood classic French cinema disturbing | Gm | 78 | |||
|
An Ill Wind [CEZ4267 - 14] |
0 | 1'12 | Laurent Couson | Disturbing & nocturnal. String orchestra & woodwind. Constant | changing building hollywood classic spy | Dm | 62 | |||
|
What Makes Him Tick [UBM2249 - 12] |
0 | 2'36 | Elias Cadre | Threatening, criminal, thrilling, frightening, dark sound for secret | complex film noir sci-fi abyss | Bm | 104 | |||
|
Signals From Underground [UBM2249 - 14] |
0 | 1'49 | Elias Cadre | Technical, snarring, threatening, loopable electronic spheres for | sci-fi film noir abyss complex | Ab | 112 | |||
|
The Burden [UBM2262 - 6] |
0 | 2'18 | Anselm Kreuzer, Sebastian Parche | Track that works for images of dramatic strokes of fate and stressful | film noir disturbing mysterious desolate | Em | 100 | |||
|
Dull Skies [UBM2260 - 10] |
0 | 2'41 | Carl Koenig, Anselm Kreuzer, Sebastian Parche | Deep and slow strings create a profound atmosphere of threat or a | film noir disturbing mysterious string orchestra | Cm | 102 | |||
|
Dust of Warfare [CEZ4124 - 33] |
0 | 1'41 | Baptiste Thiry | Sad & desolate. String orchestra. | string orchestra suspended atmosphere film noir tragic | Eb | 62 | |||
|
Staggering Revelation [CEO2016 - 9] |
0 | 1'09 | Pierre Adenot | Scaring, high-pitched and dissonant. String orchestra with harp. | film noir disturbing string orchestra high-pitched | Abm | 114 | |||
|
Close Shadow [CEZ4109 - 15] |
0 | 1'21 | Daniel Diaz | Urgent & tense. Walking bass & drums. | walking bass snare drum with brushes film noir chase | Gm | 95 | |||
|
Run Don't Walk [CEZ4109 - 17] |
1'01 | Paul Martin Pritchard | Threatening, interrogative & urgent @ 0'24. Vibraphone, brass, piano | B movie cinematic jazz spy film noir | Fm | 104 | ||||
|
Run Don't Walk 2 [CEZ4109 - 18] |
Alt. | 1'22 | Paul Martin Pritchard | Tense & urgent. Walking bass, vibraphone, organ & drums. | B movie cinematic jazz spy film noir | Fm | 105 | |||
|
Secrets Unfold [CEZ4109 - 24] |
0 | 0'53 | Paul Martin Pritchard | Suspense. Saxophone, vibraphone, trumpet double bass & drums. | film noir tenor saxophone insidious mysterious | A | 154 |