| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
La Route du Rosé 4 [CEO2063 - 9] |
1'24 | Pablo Pico | Jazzy & interrogative. Piano, double bass, snaps, vibraphone, strings | snare drum with brushes suspended atmosphere jazz shuffle interrogative | Em | 120 | ||||
|
La Route du Rosé [CEO2063 - 1] |
Alt. | 1'26 | Pablo Pico | Jazzy & confident. Pizz, glockenspiel, musical glasses, strings & | do-it-yourself confident dramedy jazzy | Em | 100 | |||
|
Les Vignerons 3 [CEO2063 - 14] |
1'21 | Pablo Pico | Determined & confident. Harpsichord, electric guitar, brass & rhythm. | suspended atmosphere film noir interrogative Italian cinema | Fm | 136 | ||||
|
Les Vignerons [CEO2063 - 4] |
Alt. | 1'30 | Pablo Pico | Confident & determined. Strings, harpsichord, percussion & rhythm. | arts & crafts confident carefree relentless | F | 136 | |||
|
Rainstorm [CEZ4325 - 3] |
0 | 2'37 | Barthélémy Corbelet, Yoann le Dantec | Suspended, menacing & obsessive. Classical guitar, piano, wood-block | geopolitics interrogative suspended atmosphere relentless | A | 89 | |||
|
Volte Face [CEO2056 - 9] |
2'08 | Elisabeth Skornik, Guy Skornik | Suspended, doubtful & ominous. Piano, electronics & string ensemble. | docu fiction contemporary history action movie disturbing | Dm | 62 | ||||
|
Volte Face Alternate 1 [CEO2056 - 23] |
Alt. | 2'19 | Elisabeth Skornik, Guy Skornik | Dark, ominous & inexorable. Piano & electronics. | suspended atmosphere disturbing suspense steady | Dm | 62 | |||
|
Volte Face Alternate 2 [CEO2056 - 24] |
Alt. | 1'23 | Elisabeth Skornik, Guy Skornik | Dark,inexorable & doubtful. Pizzicato strings, electronics & piano. | docu fiction contemporary history disturbing scansion | Dm | 62 | |||
|
Getting to the Point [CEZ4319 - 13] |
0 | 1'58 | Gregory Cotti | Investigation. Crime Series. Interrogative & determined. Piano & | investigation interrogative social drama politics | C | 86 | |||
|
A Year of Fog [CEO2052 - 12] |
0 | 2'36 | Baptiste Thiry | Patient & mysterious. Sudden & powerful @ 0'50. Determined & | adventure panorama crime movie disturbing | Am | 62 | |||
|
Stange Apocalypse [EOS24 - 3] |
0 | 2'40 | Clinton Charles, Sandy Mahut | Introspective & desolate. Acoustic guitar, synth choir, piano, | abyss social drama acoustic guitar nocturnal | D | 93 | |||
|
Logical Conclusion Alternate 1 [CEZ4312 - 38] |
2'04 | Elisabeth Skornik, Guy Skornik | Obstinate, nocturnal & introspective. Piano & electronics. | social drama disturbing arpeggio calm | Cm | 145 | ||||
|
Logical Conclusion [CEZ4312 - 15] |
Alt. | 2'32 | Elisabeth Skornik, Guy Skornik | Serious, determined & punctuated. Fx delay, electronics & strings @ | contemporary history investigation relentless calm | Cm | 144 | |||
|
Chasing the Time [EOS23 - 3] |
0 | 2'41 | Laurent Rochelle | Interrogative & mysterious. Piano, vibraphone, saxophone. | arpeggio interrogative acoustic piano steady | B | 153 | |||
|
Spare Time [EOS23 - 4] |
0 | 2'23 | Laurent Rochelle | Constant & cyclic. String section, piano, chimes. | interrogative acoustic piano post-classical steady | Gm | 68 | |||
|
The Things I Love [CEZ4297 - 7] |
0 | 3'23 | André Charlier, Benoît Sourisse | Dreamy & nostalgic. 50s. Jazz quartet with sax, piano & rhythm. | hard bop jazz club jazz quartet groovy | Cm | 129 | |||
|
Springtime for Lovers [CEZ4297 - 11] |
3'10 | André Charlier, Benoît Sourisse | Nostalgic & sensual. 60s. Jazz quartet with trumpet, piano & rhythm. | jazz club jazz quartet hard bop new wave (cinema) | Bbm | 90 | ||||
|
Springtime for Lovers
[CEZ4297 - 23] |
Alt. | 1'53 | André Charlier, Benoît Sourisse | Nostalgic & sensual. 60s. Solo piano. | jazz ballad jazz club acoustic piano cool jazz | Bbm | 67 | |||
|
A Climate of Distrust [CEZ4284 - 3] |
0 | 1'19 | Julien Baril | Uncertain, suspenseful & mysterious. Hybrid orchestra with pizz. | interrogative insidious investigation crime movie | Bm | 155 | |||
|
Lonesome Groove [UBM2271 - 12] |
0 | 2'50 | Daniel Backes, Peter Moslener | Groovy track with a relaxed undertone. Synthesizer. | erotic sensual striptease urban landscape | Cm | 75 | |||
|
Sinister Scene [UBM2270 - 15] |
0 | 2'13 | Daniel Backes, Peter Moslener | Gloomy, heavy track with a deep piano. Ideal for dark images and | interrogative investigation film noir disturbing | Em | 75 | |||
|
Dangerous Path [UBM2266 - 2] |
0 | 3'00 | Achim Zweschper | Gloomy sound, ideal for images of destruction and threat. Percussion. | complex beds intermittent film noir | Gm | 88 | |||
|
Hopeless Beggars [EOS20 - 6] |
0 | 3'00 | Anthony Mowat, Olivier Samouillan | Strange & mysterious. Violin, drums, Sequencing, synth, bass, | investigation violin film noir crime movie | Em | 93 | |||
|
Pollock [CEZ4281 - 24] |
0 | 2'13 | Marc-Olivier Dupin | Jazzy, questionning & sensual. Tenor sax, piano & cymbals. | tenor saxophone sparse film noir 1960 | Bb | 113 | |||
|
Art District [CEZ4281 - 34] |
0 | 2'21 | Marc-Olivier Dupin | Lonely, nocturnal & sparse. Solo tenor sax. | introspective tenor saxophone wandering film noir | Am | 62 | |||
|
Clouds of Destiny [CEZ4267 - 1] |
0 | 1'56 | Laurent Couson | Sad & moving. Symphony orchestra. | hollywood classic symphony orchestra romantic adventure | F | 94 |