| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Changing the Borders [CEG5010 - 3] |
2'14 | Abaji | Desolate & sad. Kamancheh, strings, synths, daf & percussion. | geopolitics kemençe desolate panorama | Gm | 60 | ||||
|
Changing the Borders
[CEG5010 - 20] |
Alt. | 2'14 | Abaji | Aftermath. Desolate & sad. Strings, percussion & sequencing. | geopolitics disturbing panorama desolate | Bb | 60 | |||
|
Changing the Borders
[CEG5010 - 21] |
Alt. | 2'14 | Abaji | Aftermath. Investigation. Desolate & obstinate. Kamancheh, strings & | geopolitics kemençe desolate panorama | D | 72 | |||
|
De Profondis [CEG5009 - 13] |
0 | 2'16 | Abaji | Underscore. Sad & suspended. Strings, keyboard & sequencing. | desolate wandering social drama historical narrative | Em | 70 | |||
|
The Control Room [CEG5009 - 20] |
0 | 2'20 | Abaji | Underscore. Threatening, dark & insidious. Sequencing. | atmospheric space muffled toxic | A | 117 | |||
|
Cyber Espionage [CEG5009 - 23] |
0 | 2'24 | Abaji | Underscore. Threatening, panoramic & sparse. Strings & sequencing. | atmospheric historical conflict sinister desolate | C | 118 | |||
|
Switched on [EOS32 - 5] |
0 | 2'56 | Stéphane Augier de Moussac, Eric Volpatti | Underscore / horror movie. Strange, disturbing & suspended. | investigation mysterious suspense disturbing | Bbm | 120 | |||
|
Actors Studio [CEO2081 - 2] |
0 | 2'04 | Barthélémy Corbelet | Cinematic jazz in the spirit of the 50's & 60's. Cool, urban & | film noir cinematic jazz jazz guitar jazz club | Gbm | 118 | |||
|
Betrayal Alternate [CEO2081 - 22] |
1'22 | Barthélémy Corbelet | Alternate version without trumpet & drums. | suspended atmosphere wandering disturbing nocturnal | Eb | 63 | ||||
|
Betrayal [CEO2081 - 6] |
Alt. | 1'26 | Barthélémy Corbelet | Wandering, nocturnal & introspective. Muted trumpet with acoustic | cinematic jazz wandering suspended atmosphere film noir | Eb | 125 | |||
|
It s All About Space [CEZ4351 - 2] |
0 | 2'20 | Elisabeth Skornik, Guy Skornik | Suspended, moving & tense. Pulsing synth sequence, timer & string | moving suspended atmosphere acoustic piano sad | Am | 150 | |||
|
In Another Space [CEZ4351 - 6] |
2'44 | Elisabeth Skornik, Guy Skornik | Punctuated, narrative, vibrating & constant. Electronics with delay | corporate (all) anticipation ironical & mischievous electronics | C | 60 | ||||
|
In Another Space Alternate [CEZ4351 - 36] |
Alt. | 2'12 | Elisabeth Skornik, Guy Skornik | Alternate version. Strings & sampled voice only. | interrogative steady fantasy nocturnal | Gm | 60 | |||
|
The Space Factor [CEZ4351 - 21] |
2'22 | Elisabeth Skornik, Guy Skornik | Introspective, suspended & atmospheric. Piano, electronics, female | introspective investigation suspended atmosphere string section | Cm | 100 | ||||
|
The Space Factor Alternate [CEZ4351 - 50] |
Alt. | 2'18 | Elisabeth Skornik, Guy Skornik | Alternate atmospheric version without piano. | desolate natural disaster suspended atmosphere string section | Cm | 132 | |||
|
Echoes of Images [MAG6032 - 13] |
0 | 2'45 | Christof Déjean | Electro minimalism/underscore. Nocturnal, strange & static. Reverse | nocturnal science electro minimalism suspended atmosphere | Cm | 61 | |||
|
Un Bout de Moi Alternative
[CEO2047 - 9] |
2'41 | Patrick Franchomme | Sad & desolate. Electric guitar & sequencing. | relentless introspective acoustic piano scansion | Am | 105 | ||||
|
Un Bout de Moi [CEO2047 - 4] |
Alt. | 3'41 | Patrick Franchomme | Atmospheric & desolate. Build up. Synth & electric guitar. Drums @ | wandering rock ballad desolate suspended atmosphere | Am | 105 | |||
|
Sound of Sorrow [UBM2271 - 4] |
0 | 1'47 | Daniel Backes, Peter Moslener | Dramatic track, that still conveys hope. Piano, strings. | patient acoustic piano arpeggio cyclic | Gm | 66 | |||
|
Reverse Strings [UBM2270 - 5] |
0 | 1'43 | Daniel Backes, Peter Moslener | Heavy, slower track that is ideal for investigative images with a | string section fx backwards disturbing investigation | Dm | 111 | |||
|
Big Cats [UBM2235 - 57] |
0 | 0'54 | Vincent Nguyen, Sebastian Parche | Hard Rock sound featuring electric guitar but no drums. | fiery distorted electric guitar contemporary western attitude | D | 95 | |||
|
Questionable Advisor [UBM2249 - 4] |
0 | 1'48 | Elias Cadre | Electronic sound with elements of echo, characterized by modern and | abyss film noir cold mysterious | Dbm | 117 | |||
|
Heavy Hit [UBM2205 - 10] |
0 | 1'34 | Daniel Backes, Peter Moslener | Powerful & determined. Cinematic percussion, synth. | percussive chase urgent driving | Cm | 90 | |||
|
Mystic Pulse [UBM2205 - 11] |
0 | 2'11 | Daniel Backes, Peter Moslener | Nocturnal & strange. Arpeggiator, electronic percussion, bass. | nocturnal arpeggiator loop steady | Cm | 156 | |||
|
Anticipation [UBM2204 - 16] |
0 | 3'22 | Citokid, Anselm Kreuzer | Strange & mysterious. Underscore. Piano, electronic drums, | arpeggio steady social drama mysterious | Gm | 120 | |||
|
Hero From Another World [UBM2243 - 6] |
0 | 2'22 | Andreas Kolinski | Determined & passionate. Cinematic orchestra. String section, | cinematic driving adventure game cinematic orchestra | Cm | 130 |