| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Network of Proof [CEZ4090 - 17] |
0 | 2'18 | Elisabeth Skornik, Guy Skornik | Suspended & mysterious. Pizz, electronics & string Fx. | insidious spy relentless scansion | Ebm | 76 | |||
|
Eye Witness [CEZ4090 - 18] |
0 | 2'26 | Elisabeth Skornik, Guy Skornik | Enigmatic intro. Chimes & electric guitar. Marimba @ 0'44. Faster & | sport drama social drama action movie insidious | Em | 120 | |||
|
Private Eye [CEZ4090 - 22] |
0 | 1'45 | Elisabeth Skornik, Guy Skornik | Blues like in a detective film. Solo piano. | film noir spy interrogative nocturnal | Em | 71 | |||
|
Public Lives [CEZ4090 - 23] |
0 | 2'33 | Elisabeth Skornik, Guy Skornik | Confident & serious. Staccato strings & electronics. | confident spy swaying industry | G | 60 | |||
|
Life Goes By [CEZ4084 - 19] |
0 | 2'15 | Daniel Finot, Jean-Francois Morin, Arnaud Rozenblat | Introspective & desolate. Electric guitar. | introspective desolate social drama contemporary series | Em | 86 | |||
|
The Me Inside [CEZ4084 - 25] |
0 | 1'47 | Daniel Finot, Jean-Francois Morin, Arnaud Rozenblat | Insistent & oppressive. Electric Guitar. | natural disaster tormented social drama flash back | Eb | 74 | |||
|
Negotiations [CEZ4082 - 10] |
0 | 2'26 | Bruno Letort | Insidious. Progression. Symphony orchestra & percussion @ 1'30. | historical movie contemporary serious music (all) historical narrative spy | Db | 111 | |||
|
The Machinery of War [CEZ4082 - 20] |
0 | 1'33 | Bruno Letort | Emphatic & insistent. Orchestra & electric distorted guitar @ 1'02. | scansion historical movie relentless historical conflict | Fm | 112 | |||
|
Camouflage [CEZ4083 - 5] |
0 | 0'46 | Bruno Letort | Sudden & tense.Symphony orchestra & bass marimba. | historical movie spy action movie disturbing | Bb | 107 | |||
|
Speculative Mania [CEZ4074 - 1] |
2'20 | Guy Skornik, Elisabeth Skornik | Confident & obstinate. Cash register fx. Break @ 0'39. | news politics strict social drama | Bbm | 100 | ||||
|
Speculative Mania Again [CEZ4074 - 33] |
Alt. | 2'16 | Elisabeth Skornik, Guy Skornik | Positive & determined. Break @ 0'38. | strict scansion driving mechanical | Bbm | 100 | |||
|
Straw Man [CEZ4074 - 28] |
0 | 1'58 | Elisabeth Skornik, Guy Skornik | Threatening & uncomfortable. Wandering & thoughtful @ 1'02. | disturbing investigation social drama wandering | Bbm | 78 | |||
|
La Mondaine [CEZ4075 - 10] |
0 | 1'55 | André Charlier, Benoît Sourisse | French 60's police TV series . Piano, accordion, horns & woodblock. | crime movie chromatic accordion retro cinema interrogative | Abm | 129 | |||
|
Champagne [CEZ4075 - 14] |
0 | 2'19 | André Charlier, Benoît Sourisse | Private club atmosphere. Sexy & late night. Hammond organ, vibes, | jazz club Hammond organ police comedy crime movie | Gm | 112 | |||
|
Poursuite [CEZ4075 - 15] |
0 | 0'52 | André Charlier, Benoît Sourisse | Tense & urgent. Hammond organ & drums. | driving new wave (cinema) chase crime movie | Ab | 96 | |||
|
Femme Fatale [CEZ4075 - 25] |
0 | 2'42 | André Charlier, Benoît Sourisse | Late night moody jazz ballad. Piano, muted trumpet @ 0'41 & drums. | jazz ballad nocturnal new wave (cinema) wandering | E | 65 | |||
|
Quai Des Orfèvres [CEZ4075 - 28] |
0 | 2'42 | André Charlier | « Nick the lot of 'em ». harmonica & drums. | film noir bluesy wandering crime movie | Dm | 118 | |||
|
B2B [CEZ4059 - 2] |
0 | 2'59 | Arnaud Rebotini, Christian Zanesi | Builds up gradualy. Random electro/synth patterns with grainy sound | cybernetics electro industrial industry robotic | Bm | 107 | |||
|
No Respect [CEZ4056 - 9] |
0 | 1'52 | Nicolas Mizrachi, Jean-Francois Morin | Increasing Tension. Aggressive guitars & synths with funky Groove. | inexorable investigation disturbing urban landscape | Gm | 94 | |||
|
Repression [CEZ4056 - 15] |
0 | 2'13 | Nicolas Mizrachi, Jean-Francois Morin | Intrigue & power. Brass swells & loop drums with slow tension. | relentless aggressive & violent action movie rumbling | Bm | 109 | |||
|
Empty Ghetto [CEZ4056 - 20] |
0 | 2'06 | Nicolas Mizrachi, Jean-Francois Morin | Soulless & sad. Reflective arpeggio guitar with ambient fx. | distorted electric guitar interrogative investigation wandering | Am | 89 |