| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
A Special Job [UBM2227 - 4] |
0 | 2'38 | Daniel Backes, Peter Moslener | Slightly mysterious atmosphere meets funky guitar and a | beds spy mysterious driving | Gbm | 114 | |||
|
Ticking Threat [UBM2227 - 20] |
0 | 1'56 | Daniel Backes, Peter Moslener | Nervous track suggesting time pressure and approaching danger. | suspense spy fx timer disturbing | Dm | 114 | |||
|
Time is Running Out [UBM2241 - 2] |
0 | 2'15 | Bernhard Hering, Matthias Krüger-Wendel | Nervous atmosphere, vaguely threatening. Also works for scientific | interrogative suspense suspended atmosphere spy | Gbm | 103 | |||
|
Frightening Evidence A [UBM2241 - 4] |
0 | 2'16 | Bernhard Hering, Matthias Krüger-Wendel | Suspenseful electronic track. Ticking, percussive, neutral, | suspense spy disturbing beds | Bb | 114 | |||
|
Undercover Investigation A [UBM2241 - 7] |
0 | 1'54 | Bernhard Hering, Matthias Krüger-Wendel | Mysterious electronic track; artificial and scientific; ideal for | spy metallic mysterious beds | Am | 110 | |||
|
Drifting Clockwise [UBM2241 - 15] |
0 | 2'12 | Bernhard Hering, Matthias Krüger-Wendel | Nerve-wrecking, unsteady and suspenseful. For images of stress, time | time (tick-tock) spy fx tick-tock disturbing | Em | 110 | |||
|
Eyewitness [UBM2241 - 18] |
0 | 2'48 | Bernhard Hering, Matthias Krüger-Wendel | Guitar and electronics; soundtrack for undercover spy activities. | spy insidious mysterious beds | Gm | 110 | |||
|
Angle of View [UBM2238 - 5] |
0 | 1'52 | Daniel Backes, Peter Moslener | Obstinate & serious. Synth. | investigation relentless driving spy | Dbm | 120 | |||
|
Chabada [CEZ4169 - 7] |
0 | 3'38 | Yann Beguin, Roland Bocquet | Serious & obstinate. Analog synth & rhythm. | kitsch & cheesy 1970 1980 interrogative | Gbm | 134 | |||
|
Ice Cavern [CEZ4184 - 26] |
0 | 2'52 | Mathias Delplanque | Cold & bare. Solo cymbalum. | historical conflict cold desert disturbing electro organic | C | 89 | |||
|
Scourge of Humanity [UBM2174 - 7] |
0 | 1'54 | Anselm Kreuzer | Cinematic & solemn with increasing action; deeply dramatic. | spy uplifting disturbing interrogative | Am | 124 | |||
|
False Alarm [CEO2026 - 23] |
0 | 0'45 | Gréco Casadesus | Restrained & interrogative. String orchestra. | historical narrative suspended atmosphere wandering interrogative | Am | 65 | |||
|
The Unthinkable 2 [CEO2026 - 40] |
1'01 | Gréco Casadesus | Desolate & distressful. String orchestra & timpani. Heartbeat fx. | desolate suspended atmosphere spy string orchestra | Am | 115 | ||||
|
The Unthinkable [CEO2026 - 24] |
Alt. | 1'51 | Gréco Casadesus | Desolate & distressing. String orchestra. | sinister historical conflict natural disaster disturbing | Dbm | 72 | |||
|
Savior [UBM2225 - 7] |
0 | 2'09 | Axel Coon, Linus Sandberg | Febrile & urban. Electric guitar, synth & rhythm. | action movie lively spy investigation | Cm | 140 | |||
|
Industrial Production [UBM2223 - 8] |
0 | 1'57 | Anselm Kreuzer, Queens Road | Serious & constant. Synth & rhythm. | mysterious strict spy inexorable | Dbm | 102 | |||
|
Growing Competition [UBM2223 - 17] |
0 | 2'25 | Anselm Kreuzer, Queens Road | Determined & serious. Synth & rhythm. | driving spy interrogative investigation | D | 118 | |||
|
Test Tube [UBM2223 - 18] |
0 | 1'56 | Anselm Kreuzer, Queens Road | Desolate & inexorable. Synth, xylophone, strings @ 1'10 & rhythm. | spy steady destiny inexorable | Gm | 110 | |||
|
Day X [UBM2221 - 4] |
0 | 1'59 | Anselm Kreuzer, Queens Road | Disturbing & inexorable. Piano, strings, synth & rhythm. | inexorable disturbing investigation building | Ebm | 120 | |||
|
Utter Risk [UBM2221 - 8] |
0 | 2'37 | Anselm Kreuzer, Queens Road | Stressful then intriguing. Climax @ 1'24. Piano, synth & rhythm. | mysterious spy disturbing suspense | Am | 140 | |||
|
Foreboding Progress [UBM2221 - 9] |
0 | 2'01 | Anselm Kreuzer, Queens Road | Inexorable & interrogative. Piano, strings & rhythm. | pulsation spy interrogative investigation | Dm | 120 |