| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Letter from Mom I [UBM2260 - 2] |
0 | 2'53 | Carl Koenig, Anselm Kreuzer, Sebastian Parche | Slow, dramatic strings have a sad sound and the feeling of drama, | mysterious intermittent suspended atmosphere film noir | A | 98 | |||
|
Terror Training Camp [UBM2258 - 7] |
0 | 2'08 | Felix Halbe | A threatful sound is created by synthesizer. Works for images of | driving investigation synthesizer scary | C | 90 | |||
|
AutobahnKirche [MAG6017 - 1] |
0 | 5'00 | Clemens Hourriere | Electronica / Ambient electro. Mysterious suspended & suspense. | electro ambient electronic score suspended atmosphere cyclic | Bb | 82 | |||
|
Into a Dark Forest [CEZ4243 - 11] |
0 | 3'09 | Piotr Moss | Introspective, nocturnal & delicate. Solo harp. | temperate forest harp introspective arts | A | 117 | |||
|
Unsolved Mystery [CEZ4243 - 17] |
0 | 3'35 | Piotr Moss | suspenseful & parse. Solo harp. | harp mysterious interrogative sparse | Cm | 86 | |||
|
Live Events 2 [CEZ4239 - 48] |
1'08 | Lucas Napoleone | Breaking news. Bed. Punchy & serious. Strings, rhythm & electronics. | beds breaking news disturbing mysterious | C | 120 | ||||
|
Live Events [CEZ4239 - 9] |
Alt. | 0'23 | Lucas Napoleone | Breaking news. Opening & closing. Punchy & exhilarating. Orchestra, | breaking news corporate convention urgent driving | Cm | 120 | |||
|
Eyewitness Report 2 [CEZ4239 - 76] |
0'37 | Lucas Napoleone | Breaking news. Bed. Punchy & urgent. Electronics, strings & rhythm. | scansion breaking news steady strict | Gm | 162 | ||||
|
Eyewitness Report [CEZ4239 - 19] |
Alt. | 0'22 | Lucas Napoleone | Breaking news. Opening & closing. Punchy & epic. Orchestra, choir, | breaking news corporate convention epic uplifting | C | 120 | |||
|
Tous Risques [CEO2034 - 6] |
0 | 2'28 | Vincent Leibovitz | Mysterious, repetitive & cristalline. Electronics & piano. | post-classical cyclic cold desert social drama | Em | 102 | |||
|
Heavy Hit [UBM2205 - 10] |
0 | 1'34 | Daniel Backes, Peter Moslener | Powerful & determined. Cinematic percussion, synth. | percussive chase urgent driving | Cm | 90 | |||
|
Red Light District [UBM2204 - 3] |
0 | 1'43 | Citokid, Anselm Kreuzer | Triumphant & determined. Cinematic orchestra. String section, | action movie extreme & fighting sport cinematic driving | Cm | 92 | |||
|
Action Drive [UBM2204 - 6] |
0 | 1'40 | Citokid, Anselm Kreuzer | Rough & powerful. Cinematic orchestra. String section, electronic | driving powerful & imposing cinematic action movie | Cm | 95 | |||
|
Dark Side [UBM2204 - 9] |
0 | 1'42 | Citokid, Anselm Kreuzer | Powerful & imposing. Cinematic orchestra. String section, brass | climax epic cinematic driving | Em | 90 | |||
|
Psycho Leaders [UBM2244 - 18] |
0 | 2'11 | Tony Delmonte, Anselm Kreuzer | experimental & weird. Underscore. Strings, violin, percussion. | noisy dissonant horror disturbing | G | 114 | |||
|
Heavy Cavalry [UBM2243 - 2] |
0 | 1'43 | Reinhard Schaub | Urgent & dramatic. Cinematic orchestra. String section, percussion, | adventure cinematic driving epic | D | 92 | |||
|
Super Agent [UBM2243 - 5] |
0 | 1'48 | Anselm Kreuzer | Powerful & imposing. Cinematic orchestra. String section, percussion, | adventure cinematic final cinematic orchestra | Em | 140 | |||
|
Entering the Battle [UBM2243 - 7] |
0 | 2'53 | Anselm Kreuzer | Progressive & epic. Cinematic orchestra. String section, percussion, | adventure cinematic driving epic | Dm | 95 | |||
|
War in Waiting [CEZ4231 - 7] |
0 | 3'05 | Matteo Michelino, Silvano Michelino | Electro Middle East. Dark & inexorable. Ud & electronic percussion. | geopolitics Arab world modern Non Arab Middle East | C | 96 | |||
|
War Business [CEZ4231 - 11] |
0 | 2'36 | Christophe Zurfluh | Travelling. Disturbing but decided. Duduk & electronics. | geopolitics Arab world modern Non Arab Middle East | C | 118 | |||
|
Money Troubles [CEO2033 - 13] |
0 | 1'08 | Selma Mutal | Interrogative & disturbing. Steel drum, xylophone, synthesizer, | cyclic disturbing interrogative time (tick-tock) | Dm | 76 | |||
|
El Rio Os Espera [CCB1024 - 7] |
0 | 9'15 | David Dorantes, Renaud Garcia-Fons | Flamenco-Jazz. Tangos (flamenco). Changing & questioning. Piano & | jamming double bass world jazz changing | Dm | 143 |