| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Aral Sea [CEZ4057 - 18] |
0 | 1'38 | Cyrille Aufort | Static & uneasy. Long atmospheric chords & waterphone. | cold disturbing desolate suspended atmosphere | G | 71 | |||
|
Premeditation [CEZ4056 - 2] |
0 | 2'01 | Nicolas Mizrachi, Jean-Francois Morin | Plotting & intense. Slow suspense chords, muted guitars @ 0'35 & drum | disturbing crime movie urban landscape chaotic | C | 110 | |||
|
Identikit [CEZ4056 - 5] |
0 | 1'40 | Nicolas Mizrachi, Jean-Francois Morin | Serious consideration. Sub-bass with filtered drums & synth/guitar fx. | investigation mysterious social drama disturbing | Em | 148 | |||
|
Insider Dealing [CEZ4056 - 22] |
0 | 1'32 | Nicolas Mizrachi, Jean-Francois Morin | Opaque. Quirky throbbing beat with dynamic cello improvisation. | pulsation tormented muffled crime movie | Abm | 106 | |||
|
Eyes in the night [CEZ4055 - 10] |
0 | 0'59 | Pierre Bernard | Organic, mysterious & abstract. Percussion. | tropical forest mysterious primitive art shamanistic | E | 126 | |||
|
Staccanite Aigüe 1 [CEZ4009 - 24] |
1'19 | Bernard Parmegiani | Vibrating & haunting. Electro-acoustic & violin. | electroacoustic music vibrating bustling relentless | Em | 148 | ||||
|
Staccanite Aigüe 2 [CEZ4009 - 27] |
Alt. | 1'10 | Bernard Parmegiani | Vibrating & hypnotic. Electro-acoustic & violin. | instrumental | Em | 103 | |||
|
Citizen Band [CEZ4054 - 13] |
0 | 1'58 | Nicolas Mizrachi, Jean-Francois Morin | Hypnotic. Slow & strong rock groove with powerful vibrating guitars. | urban landscape steady proud fx distorsion | Em | 74 | |||
|
Ill Wind [CEZ4051 - 24] |
0 | 1'30 | Denis Levaillant | Seismic. Wind drone with large shifting ambient chords. | sci-fi cold fx wind toxic | Dbm | 123 | |||
|
Ruins & Tears [CEZ4051 - 34] |
0 | 2'27 | Bruno Alexiu | Aftermath of battle. Shimmering empty drone & military drum. | historical conflict atmospheric military drum desolate | C | 111 | |||
|
Ruta de la Serpiente [CEZ4049 - 28] |
0 | 2'11 | Pajaro Canzani | Urban jungle. Suspense. Dark & determined. Electric & acoustic | exotic confident driving latin pop | Em | 130 | |||
|
Danca Da Cobra [CEZ4047 - 3] |
0 | 1'44 | Césarius Alvim | Powerful & rhythmic. Double bass ensemble. | world jazz geopolitics wild primitive art | Em | 93 | |||
|
L'Inquietude [CEZ4047 - 45] |
0 | 1'43 | Denis Levaillant | Intriguing, uneasy & cerebral. Bass clarinet solo. | abstract art unstable interrogative contemporary jazz | Gm | 96 | |||
|
Night Escape [CEZ4042 - 7] |
0 | 2'08 | Silvano Michelino | Exciting & edgy. Fast wooden congas with Tibetan bells & singing pipe. | rhythmic primitive art undefined percussion wild | Abm | 140 | |||
|
Neverending [CEZ4041 - 25] |
0 | 1'22 | Bruno Letort | Bad fairytale. Quirky celeste with dark odd strings. | insidious celesta intermittent disturbing | Ab | 90 | |||
|
Repression [CEZ4041 - 32] |
0 | 2'03 | Bruno Letort | Odd emotive feel. Internal dialogue. Quirky strings & clarinet. | psychological drama contemporary serious music (all) tormented abstract art | Am | 99 | |||
|
Murder One [CEZ4040 - 1] |
0 | 1'43 | Elisabeth Skornik, Guy Skornik | Investigative & dark ambient cityscape with hard groove. | social drama investigation urban landscape action movie | Eb | 60 | |||
|
Night Patrol [CEZ4040 - 3] |
0 | 2'23 | Elisabeth Skornik, Guy Skornik | Mid-paced. Moody bass with dark strings & loops. | downtempo nocturnal double bass spy | Gm | 134 | |||
|
Closing In [CEZ4040 - 11] |
0 | 2'09 | Elisabeth Skornik, Guy Skornik | Intriguing Rhodes & strings over insistent rhythm. | investigation spy action movie interrogative | Dm | 100 | |||
|
Phone Tapping [CEZ4040 - 20] |
0 | 1'38 | Elisabeth Skornik, Guy Skornik | Layered voices and scanner FX over synth drone. | spy fx radio fx phone mysterious | C | 127 | |||
|
Sentence [CEZ4040 - 23] |
0 | 1'46 | Elisabeth Skornik, Guy Skornik | Slow & serious. Strings & woodwind with synth pad. | investigation sinister anticipation social drama | Am | 103 |