| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Tropicana [CEZ4200 - 7] |
0 | 1'26 | Señor Ortegón & his Orchestra, Sr Ortegon, Stan Galouo | Mambo in the Cuban big-band style of the 50's with a James Bond | mambo country ball lively Puerto Rico | C | 120 | |||
|
Agents Nightshift [UBM2241 - 9] |
0 | 2'13 | Bernhard Hering, Matthias Krüger-Wendel | Subtle electronic sounds for images of research, forensics, data | beds atmospheric spy disturbing | C | 108 | |||
|
Spy Out [UBM2241 - 11] |
0 | 2'14 | Bernhard Hering, Matthias Krüger-Wendel | Unnerving and suspenseful. Busy electronics and slightly bizarre | beds disturbing suspense atmospheric | Fm | 100 | |||
|
Visual Observation [UBM2241 - 12] |
0 | 3'01 | Bernhard Hering, Matthias Krüger-Wendel | Jazzy brushed drums, classy bass and e-piano. Tasteful suspense music | mysterious nocturnal beds spy | Gb | 95 | |||
|
Secret Memories [UBM2241 - 17] |
0 | 2'13 | Bernhard Hering, Matthias Krüger-Wendel | Neutral and abstract electronic pulse. | beds steady mysterious synthesizer | Em | 120 | |||
|
Restless Glide [UBM2241 - 20] |
0 | 2'08 | Bernhard Hering, Matthias Krüger-Wendel | Busy, fast track. Minimal, nervous and restless. | steady beds atmospheric investigation | Am | 162 | |||
|
A Voice in the Crowd [CEZ4185 - 17] |
2'03 | Airelle Besson, Eric Daniel | Disturbing & interrogative. Muted trumpet, tablas, electronics, | interrogative muted trumpet disturbing geopolitics | Fm | 100 | ||||
|
A Voice in the Crowd 2 [CEZ4185 - 26] |
Alt. | 2'03 | Airelle Besson, Eric Daniel | Disturbing & interrogative. Percussions, tablas, electronics, rhythm | interrogative disturbing time (tick-tock) spy | Em | 100 | |||
|
Baku [CEZ4184 - 2] |
0 | 1'32 | Arnaud de Boisfleury | Sad & plaintive. Duduk, piano, cymbalum & kemence. | geopolitics Balkans desolate sad | B | 98 | |||
|
Refusenik [CEZ4184 - 7] |
0 | 2'20 | Selma Mutal | Gentle & melancholic. Strings & electronics. | geopolitics Russia destiny melancholic | Cm | 152 | |||
|
Balaton [CEZ4184 - 9] |
0 | 2'08 | Selma Mutal | Stripped & interrogative. Saz, piano & electronics. | geopolitics Hungary cimbalom sad | Gm | 76 | |||
|
Hidden in His Own Country [CEO2026 - 7] |
1'00 | Gréco Casadesus | Interrogative & tense. Strings & cimbalom. | melancholic string orchestra cimbalom cyclic | Gm | 106 | ||||
|
Hidden in His Own Country 2 [CEO2026 - 30] |
Alt. | 0'38 | Gréco Casadesus | Interrogative & tense. String orchestra & piano. | delicate social drama blossoming suspended atmosphere | D | 80 | |||
|
The Question of Doping [CEO2022 - 6] |
0 | 1'30 | Bruno Alexiu | Mechanical & grave. Slowing down @ 0'47. Orchestra & electronic. | jerky sport drama contemporary history investigation | Gm | 123 | |||
|
Profiler [UBM2225 - 20] |
0 | 2'50 | Axel Coon, Linus Sandberg | Impatient & suspended. Cinematic orchestra with synth & rhythm. | fx timer suspense team sport atmospheric | D | 107 | |||
|
Deadly Bubbles [UBM2223 - 7] |
0 | 1'52 | Anselm Kreuzer, Queens Road | Patient & humid. Synth & rhythm. Bubbles & river fx. | patient desolate wandering beds | Am | 98 | |||
|
Those Are the Facts [UBM2222 - 16] |
0 | 2'01 | Daniel Backes, Peter Moslener | Percussive & sustained. Synth & rhythm. | atmospheric disturbing beds investigation | A | 124 | |||
|
Entering Mystic Lands [UBM2219 - 14] |
0 | 2'24 | Tony Delmonte, Anselm Kreuzer | Determined & intrigant. Strings & synth. Pizzicato. | driving investigation mysterious pizzicato | Dm | 120 | |||
|
Stasi Follows [UBM2218 - 20] |
0 | 2'27 | Felix Halbe | Disturbing & tense. Strings & percussion. | inexorable insidious scansion spy | Em | 140 | |||
|
Departure [EOS09 - 6] |
0 | 2'25 | David Poirier | Inevitable & jerky. Bell, strings, vibraphone & percussion. | building bell spy inexorable | Ab | 120 | |||
|
One Stroke Song [UBM2207 - 3] |
0 | 1'57 | Daniel Backes, Peter Moslener | Suspenseful tune. Solemn, chilled out mood. Ticking beat. Perfect for | atmospheric interrogative science beds | Gb | 116 | |||
|
Dark Strokes [UBM2207 - 8] |
0 | 1'45 | Daniel Backes, Peter Moslener | Choppy piano and a nervous electronic beat. Slightly aggressive and | beds scary disturbing interrogative | Em | 116 |