| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Premeditation [CEZ4056 - 2] |
0 | 2'01 | Nicolas Mizrachi, Jean-Francois Morin | Plotting & intense. Slow suspense chords, muted guitars @ 0'35 & drum | disturbing crime movie urban landscape chaotic | C | 110 | |||
|
Sewer Chase [CEZ4000 - 7] |
0 | 2'20 | Bruno Letort, Romuald Tual | Chase. Thriller. String & keyboard orchestra. | cyclic fantasy disturbing urgent | Em | 172 | |||
|
Leonardo's Dream [CEZ4052 - 20] |
0 | 2'16 | Jean-François Vrod | Calculation. Low mechanical noise with spinning sound design. | pulsation complex drone luminous | Gbm | 98 | |||
|
Place de Brouckere [CEZ4045 - 27] |
0 | 1'56 | Denis Levaillant | Intense & fast. Busy bass figure with snatched melody. Solo piano. | silent movie confident cyclic industry | Abm | 132 | |||
|
Scandal [CEZ4040 - 16] |
0 | 1'44 | Elisabeth Skornik, Guy Skornik | Bold insistent synth rhythm with strings & loops. | politics urgent chase industry | Gbm | 111 | |||
|
Binary Complex [CEZ4034 - 3] |
0 | 1'15 | Elisabeth Skornik, Guy Skornik | Dark groove with drones & fantasy harp & sound design. | investigation steady industry patient | Cm | 162 | |||
|
Epidemic Control [CEZ4034 - 12] |
0 | 1'50 | Elisabeth Skornik, Guy Skornik | Pulsing & expectant. Dark cyclic groove. | disturbing investigation industry pulsation | B | 121 | |||
|
Stereoscopy [CEZ4034 - 26] |
0 | 1'45 | Elisabeth Skornik, Guy Skornik | Hopeful. Busy & exciting groove with science Fx. | industry robotic mechanical sport 1970 | Db | 120 | |||
|
Double Helix [CEZ4034 - 27] |
0 | 1'45 | Elisabeth Skornik, Guy Skornik | Organic & pulsing. Sequential synths with Fx. | pulsation industry 1970 1980 | G | 172 | |||
|
Sequential Experiment [CEZ4034 - 31] |
1'48 | Elisabeth Skornik, Guy Skornik | Experimental & pulsing with melodic counterpoint & voice Fx. | industry unclassifiable 1980 1990 | F | 136 | ||||
|
Sequential Experiment 2 [CEZ4034 - 32] |
Alt. | 1'46 | Elisabeth Skornik, Guy Skornik | Alternate version of tr 31 without voice. | robotic 1970 1980 confident | F | 136 | |||
|
Machine Code [CEZ4033 - 13] |
0 | 3'52 | Christian Zanesi | Robotic & emotionless. Machine. Rhythmic pulse with cyclic stabs. | industry mechanical electro industrial space | Ab | 123 | |||
|
Elaboration [CEZ4566 - 7] |
2'28 | Louis Edlinger | Patient, regular, minimalist & introspective. Electronics & light | medecine atmospheric mysterious patient | Gm | 113 | ||||
|
Elaboration Alternate 1 [CEZ4566 - 35] |
Alt. | 2'27 | Louis Edlinger | Reduced alternate version | atmospheric cyclic medecine mysterious | Gm | 113 | |||
|
Elaboration Alternate 2 [CEZ4566 - 36] |
Alt. | 2'28 | Louis Edlinger | Minimalist alternate version (light percussion & drone) | spy industry investigation cybernetics | Eb | 113 | |||
|
Elaboration Alternate 3 [CEZ4566 - 37] |
Alt. | 1'54 | Louis Edlinger | Sparse alternate version | sparse science atmospheric medecine | Gm | 76 | |||
|
Fast Checking [CEZ4171 - 7] |
2'13 | Christophe Zurfluh | Determined & cut-up. Electronic percussion. | electronic percussion percussive jerky urgent | Bm | 162 | ||||
|
Fast Checking 2 [CEZ4171 - 31] |
Alt. | 1'01 | Christophe Zurfluh | Electronic percussion & synth. | electronic percussion percussive industry beds | Bm | 162 | |||
|
Getting the Best out of You [CEZ4160 - 8] |
1'59 | Pascal Hautois | Urgent & uplifting. Constant progression. Piano, cello & marimba. | unifying corporate convention arts & crafts confident | Am | 172 | ||||
|
Getting the Best out of You 2 [CEZ4160 - 33] |
Alt. | 2'03 | Pascal Hautois | Urgent & uplifting. Constant progression. Solo piano. | corporate convention destiny driving uplifting | Am | 167 | |||
|
In the Run-Up [CEZ4101 - 11] |
2'20 | Laurent Rochelle | Cyclic, urgent & inexorable. Piano & string quartet. | cyclic corporate video whirling driving | Cm | 133 | ||||
|
In the Run-Up 2 [CEZ4101 - 31] |
Alt. | 2'20 | Laurent Rochelle | Cyclic, urgent & inexorable. Solo piano. | cyclic industry whirling corporate (all) | Cm | 133 | |||
|
Another Mutation [CEG5060 - 4] |
3'15 | Arttu Silvast | Hybrid Scoring. Urgent, tense, dark & relentless. Low pulse & | inexorable relentless disturbing investigation | Cm | 128 | ||||
|
Another Mutation Alternate [CEG5060 - 19] |
Alt. | 3'15 | Arttu Silvast | Version without percussion | inexorable relentless disturbing investigation | Cm | 128 | |||
|
Metamorphosis [EOS147 - 7] |
0 | 2'13 | Simon Gruwé | Whirling, luminous & hypnotic. Strings, electric guitar, piano, | cyclic acoustic piano synthesizer arpeggiator | Am | 133 | |||
|
Smartdust [UBM2600 - 4] |
0 | 2'35 | Florian Thaller | Technological innovations, compactly presented for an audience of | daytime TV patient beds driving | Em | 109 | |||
|
Regular Health Check [UBM2600 - 8] |
0 | 2'14 | Florian Thaller | Overcrowded waiting rooms and sometimes months-long waits for an | beds daytime TV lively medecine | C | 124 | |||
|
Lost In The Seconds [CEG5058 - 14] |
1'00 | Les Cosmonotes | Creepy Clockwork. Punctuated, suspenseful & insidious. Clocklike & | sinister anticipation horror fx tick-tock | Bm | 85 | ||||
|
Lost In The Seconds Alternate [CEG5058 - 18] |
Alt. | 1'01 | Les Cosmonotes | Alternate without FX. | sinister anticipation horror fx tick-tock | B | 86 |