| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
In a Frenzy [CEZ4273 - 32] |
0 | 2'10 | Junior Rodriguez | Stoner rock. Obstinate, nervous & percussive. Rock band. | relentless disturbing extreme & fighting sport 1990 | Bm | 80 | |||
|
Busy Things [UBM2251 - 4] |
0 | 2'16 | Daniel Backes, Peter Moslener | Fast ticking track, loopable, suitable for images of rational | arpeggiator sci-fi disturbing investigation | Dm | 105 | |||
|
Dark Facts [UBM2251 - 6] |
0 | 2'04 | Daniel Backes, Peter Moslener | Dark and ticking sound with deep bass, good for sense of menace and | suspense crime movie disturbing investigation | Bbm | 97 | |||
|
Turnable [UBM2251 - 20] |
0 | 2'20 | Daniel Backes, Peter Moslener | Fast and driving rhythm determined by synthesizer. Time is ticking. | disturbing loop steady industry | D | 76 | |||
|
Blindspot [UBM2258 - 1] |
0 | 2'05 | Felix Halbe | Energetic track with piano, synthesizer, strings and a dramatic | disturbing investigation destiny epic | Gm | 161 | |||
|
Research [UBM2258 - 3] |
0 | 1'54 | Felix Halbe | Time is running out. This track that is accentuated by piano, | investigation building suspense destiny | Em | 113 | |||
|
Organized Crime [UBM2258 - 5] |
0 | 1'41 | Felix Halbe | This track start with electronic sounds. Overall negative mood. Works | disturbing suspense scary cold | Eb | 86 | |||
|
Stay on the Line [CEZ4251 - 8] |
0 | 3'24 | Sham Makdessi, Morgan Sansous | Constant & powerful. Rock band & electronics. Industrial metal. | industrial metal mechanical sport distorted electric guitar disturbing | Em | 131 | |||
|
Uncontrolled Violence [CEZ4251 - 9] |
0 | 3'40 | Sham Makdessi, Morgan Sansous | Jerking & weird powerful riff. Rock band & electronics. Industrial | industrial metal fiery riff jerky | Em | 95 | |||
|
Nemesis [CEZ4251 - 11] |
0 | 3'17 | Sham Makdessi, Morgan Sansous | Urgent, percussive & jerky. Rock band & electronics. Industrial metal. | industrial metal aggressive & violent percussive distorted electric guitar | Em | 149 | |||
|
Gotham [CEZ4250 - 11] |
0 | 3'39 | Luigi Marletta, Morgan Sansous | Percussive & agressive. Rock band. Alternative/nu metal. | nu metal aggressive & violent distorted electric guitar percussive | Am | 91 | |||
|
Heavy and Dirty [CEZ4250 - 12] |
0 | 3'56 | Luigi Marletta, Morgan Sansous | Bass guitar intro 0'32. Massive & tense. Rock band. Alternative/nu | nu metal aggressive & violent fiery distorted electric guitar | Dbm | 148 | |||
|
Busy Toms [UBM2205 - 7] |
0 | 1'26 | Daniel Backes, Peter Moslener | Powerful & imposing. Percussion, kick drum, tom, rimshot, synth. | crystalline percussion exotic percussive powerful & imposing | Bm | 124 | |||
|
Dirty Bass Groove [UBM2205 - 14] |
0 | 1'55 | Daniel Backes, Peter Moslener | Determined & attitude. Electric bass, drums, synth, percussion. | driving electric bass attitude police comedy | Dm | 92 | |||
|
Snowflakes and Snowballs [UBM2201 - 4] |
0 | 2'25 | Reinhard Schaub | Carefree & interrogative. Kalimba, timpani, glockenspiel, pizzicato | kalimba final lazy carefree | Em | 156 | |||
|
Heavy Cavalry [UBM2243 - 2] |
0 | 1'43 | Reinhard Schaub | Urgent & dramatic. Cinematic orchestra. String section, percussion, | adventure cinematic driving epic | D | 92 | |||
|
Black Weapon [UBM2243 - 3] |
0 | 2'06 | Reinhard Schaub | Warlike & tense. Military orchestra. String section, percussion, | adventure cinematic cinematic percussion building | Dm | 126 | |||
|
Battle Morning [UBM2243 - 4] |
0 | 1'45 | Andreas Kolinski | Progressive & determined. Cinematic orchestra. String section, | adventure cinematic driving warlike | Ab | 144 | |||
|
Super Agent [UBM2243 - 5] |
0 | 1'48 | Anselm Kreuzer | Powerful & imposing. Cinematic orchestra. String section, percussion, | adventure cinematic final cinematic orchestra | Em | 140 | |||
|
Dawn of the Assassin [UBM2243 - 8] |
0 | 1'56 | Reinhard Schaub | Changing & urgent. Cinematic orchestra. String section, piano, | epic adventure cinematic driving | Ebm | 103 |