| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Time is Money [CEZ4074 - 29] |
0 | 1'56 | Elisabeth Skornik, Guy Skornik | Determined & punctuated. | fx heartbeat suspense sport drama spy | Fm | 111 | |||
|
Waiting for Better Days [CEZ4074 - 30] |
0 | 2'25 | Elisabeth Skornik, Guy Skornik | Suspended & uncertain. | social drama disturbing investigation sinister | C | 90 | |||
|
Pendulum [CEZ4068 - 7] |
0 | 3'28 | Didier Goret | Mysterious & haunting. Piano duet | cyclic repetitive music narrative historical narrative | Ab | 136 | |||
|
The Commitment [CEZ4070 - 14] |
0 | 2'43 | Daniel Diaz | Serious and determined. Bass guitar & electronics. | social drama strict corporate video investigation | Am | 100 | |||
|
Cold Comfort [CEZ4067 - 3] |
0 | 2'23 | John Greaves | Wandering, bizarre & introspective. Musical saw, electric guitar & | lazy urban landscape musical saw melancholic | Dm | 68 | |||
|
Hounded [CEZ4067 - 30] |
0 | 2'29 | Didier Petit | Urgent & plaintive. Cello duo. | historical narrative tragic social drama inexorable | Em | 129 | |||
|
Solitary [CEZ4067 - 32] |
0 | 2'33 | Christof Déjean | Desolate, cold & nocturnal. Piano & electronics. | interrogative desolate science slow motion | Dbm | 105 | |||
|
Snake Eye [CEZ4066 - 35] |
0 | 2'14 | Piotr Moss | Threatening & harrowing. Percussion, string & woodwind. | geopolitics mysterious silence primitive art | Dm | 112 | |||
|
Assembly Line [CEZ4062 - 26] |
0 | 1'55 | Jean-Francois Morin, Nicolas Mizrachi | Industrial. Repetitive movement. Backwards guitar with shimmering | cybernetics industry robotic steady | Gbm | 116 | |||
|
On Strike [CEZ4062 - 32] |
0 | 2'46 | Renaud Garcia-Fons | Determined, energetic & serious. Neo-classical. Bowed double-bass | politics double basses (all) driving corporate video | Am | 139 | |||
|
Pi (3,1415) [CEZ4059 - 23] |
0 | 2'29 | Arnaud Rebotini | Abstract & mysterious. Random rhythmic pulses of synth sounds. | contemporary art psychotic 2000 architecture & design | D | 66 | |||
|
Dawn Of A New Country [CEZ4060 - 28] |
0 | 2'24 | Teddy Lasry | Meditative & hopeful. Accordion, drone & percussion. | social drama anticipation investigation mysterious | D | 72 | |||
|
Premeditation [CEZ4056 - 2] |
0 | 2'01 | Nicolas Mizrachi, Jean-Francois Morin | Plotting & intense. Slow suspense chords, muted guitars @ 0'35 & drum | disturbing crime movie urban landscape chaotic | C | 110 | |||
|
Secret Network [CEZ4056 - 7] |
0 | 1'45 | Nicolas Mizrachi, Jean-Francois Morin | Mysterious & furtive. Slow tremolo guitar arpeggio & fuzz guitar @ | distorted electric guitar interrogative trash (texture) noisy | Em | 69 | |||
|
Ready for Anything [CEZ4056 - 8] |
0 | 2'24 | Nicolas Mizrachi, Jean-Francois Morin | Gang warfare. Menacing aggressive guitars & busy drum loops. | crime movie relentless aggressive & violent action movie | Em | 162 | |||
|
Emotional Blackmail [CEZ4056 - 13] |
0 | 2'41 | Nicolas Mizrachi, Jean-Francois Morin | Emotional & manipulative. Slow & mysterious beat with sustained notes. | downtempo nocturnal sport drama scary | Gbm | 92 | |||
|
Repression [CEZ4056 - 15] |
0 | 2'13 | Nicolas Mizrachi, Jean-Francois Morin | Intrigue & power. Brass swells & loop drums with slow tension. | relentless aggressive & violent action movie rumbling | Bm | 109 | |||
|
Contestation [CEZ4056 - 16] |
0 | 2'14 | Nicolas Mizrachi, Jean-Francois Morin | Confusing. Acoustic guitar & aggressive synths riff with strings. | crime movie disturbing relentless investigation | Bm | 118 | |||
|
Economic Slavery [CEZ4056 - 18] |
0 | 2'33 | Nicolas Mizrachi, Jean-Francois Morin | Desperate & unpleasant. Bass organ riff with broken beats & fx. | crime movie psychotic hypnotic investigation | Ebm | 140 | |||
|
Insider Dealing [CEZ4056 - 22] |
0 | 1'32 | Nicolas Mizrachi, Jean-Francois Morin | Opaque. Quirky throbbing beat with dynamic cello improvisation. | pulsation tormented muffled crime movie | Abm | 106 |