| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
The Eyes of the Shaman [CEG5002 - 9] |
3'09 | Abaji | Tibet. Geopolitics. Mystical & desolate. Low throat singing, gong, | lost civilizations geopolitics mystical introspective | Ab | 81 | ||||
|
The Eyes of the Shaman 2 [CEG5002 - 29] |
Alt. | 3'09 | Abaji | Geopolitics. TV series. Aftermath. Mystical & desolate. Gong, synths | lost civilizations mystical geopolitics introspective | Ab | 123 | |||
|
The Eyes of the Shaman 3 [CEG5002 - 30] |
Alt. | 3'09 | Abaji | Geopolitics. Mystical & desolate. Low throat singing, gong, synths & | lost civilizations mystical geopolitics introspective | Ab | 111 | |||
|
The Eyes of the Shaman 4 [CEG5002 - 31] |
Alt. | 3'08 | Abaji | Geopolitics. Mystical & desolate. Guzheng, low throat singing, gong, | lost civilizations mystical geopolitics introspective | Abm | 84 | |||
|
Mongol Warriors [CEG5002 - 13] |
2'57 | Abaji | China. Tibet. Mongolia. Geopolitics. Obstinate & frightening. Throat | geopolitics relentless chase cavalcade | C | 140 | ||||
|
Mongol Warriors 2 [CEG5002 - 32] |
Alt. | 2'57 | Abaji | Geopolitics. Obstinate & frightening. Drums, bass, cymbals & | geopolitics investigation mystical non occidental ceremony | C | 140 | |||
|
A Crime is Born [CEZ4288 - 18] |
2'01 | Mathieu Laurent | Urgent & tense. Cinematic strings, rhythm & electronics. | inexorable chase crime movie disturbing | Gm | 131 | ||||
|
A Crime is Born Alternate
[CEZ4288 - 44] |
Alt. | 1'00 | Mathieu Laurent | Underscore. Urgent & chaotic. Electronics & rhythm. | beds disturbing investigation sequencing | Gm | 131 | |||
|
A Crime is Born Alternate
[CEZ4288 - 45] |
Alt. | 1'06 | Mathieu Laurent | Underscore. Urgent & tense. Cinematic string & electronics. | crime movie urgent inexorable staccato | Gm | 131 | |||
|
A Crime is Born Alternate
[CEZ4288 - 46] |
Alt. | 0'54 | Mathieu Laurent | Underscore. Urgent & chaotic. Electronics & rhythm. | chase urgent crime movie percussive | Gm | 131 | |||
|
Slow Menace [CEG5046 - 9] |
2'29 | Xavier Jamaux | Mysterious & spacey Minimal Ambient. Sparse piano with dark synth | electro ambient suspended atmosphere cold desert anticipation | Bbm | 76 | ||||
|
Slow Menace Alternate [CEG5046 - 17] |
Alt. | 2'29 | Xavier Jamaux | Alternate drone version. | drone space suspended atmosphere anticipation | Bbm | 108 | |||
|
Purely Technical [CEO2103 - 2] |
2'03 | Baptiste Thiry | Tense, inexorable & mechanical. Piano, staccato strings & percussion. | politics strict contemporary history industry | Cm | 86 | ||||
|
Purely Technical Alternate 1 [CEO2103 - 22] |
Alt. | 1'34 | Baptiste Thiry | Tense, inexorable & mechanical. Piano, synth & percussion. | investigation relentless disturbing mechanical | Gm | 86 | |||
|
Purely Technical Alternate 2 [CEO2103 - 23] |
Alt. | 1'01 | Baptiste Thiry | Tense, inexorable & mechanical. Piano, string ensemble, fx delay & | relentless suspense disturbing interrogative | Dm | 162 | |||
|
Data Path [UBM2307 - 9] |
0 | 2'02 | Ryan Gold, Sid Sonic | Melancholy percussion for science. Rotating. Deep data delving | politics driving investigation light tension | Eb | 100 | |||
|
Reflections on Time [CEZ4351 - 10] |
2'17 | Elisabeth Skornik, Guy Skornik | Punctuated, narrative, lyric & questioning. String ensemble. | interrogative politics strict string section | Gm | 148 | ||||
|
Reflections on Time Alternate [CEZ4351 - 39] |
Alt. | 2'17 | Elisabeth Skornik, Guy Skornik | Alternate version. Only strings. | French TV serie interrogative historical narrative politics | Gm | 148 | |||
|
Reflections on Time Alternate
[CEZ4351 - 40] |
Alt. | 2'43 | Elisabeth Skornik, Guy Skornik | Alternate underscore version. Electronics, sampled voice, timer & | investigation suspense interrogative politics | Gm | 148 | |||
|
Reflections on Time Alternate
[CEZ4351 - 41] |
Alt. | 2'44 | Elisabeth Skornik, Guy Skornik | Alternate underscore version without timer. | investigation crime movie interrogative politics | Gm | 74 | |||
|
Agony [CET9007 - 9] |
2'12 | Gabriel Saban, Philippe Briand | Terrifying & thrilling intro with demoniac breath. Discontinuous | scary horror relentless sinister | Bbm | 89 | ||||
|
Agony - No Perc [CET9007 - 23] |
Alt. | 2'12 | Gabriel Saban, Philippe Briand | Alternate version without percussion. | horror percussive suspense trailer | Bbm | 89 | |||
|
Agony - No Breath [CET9007 - 24] |
Alt. | 2'09 | Gabriel Saban, Philippe Briand | Alternate version without breath. | scary horror relentless sinister | Bbm | 89 | |||
|
Another Lifetime Alternative
[CCB1027 - 16] |
2'01 | Eric Lohrer, David Taieb | Electro beat. Inevitable, atmospheric & wandering. Electric guitar, | social drama urban landscape wandering investigation | Em | 110 | ||||
|
Another Lifetime [CCB1027 - 2] |
Alt. | 1'07 | Eric Lohrer, David Taieb | Electro beat. Inevitable, atmospheric & wandering. Electric guitar, | wandering loop desolate electric guitar | Em | 110 | |||
|
Refugee [CEZ4128 - 17] |
2'22 | Daniel Diaz, Selma Mutal | Sad & wondering. Piano, double-bass & vibraphone. | destiny historical conflict wandering beds | Dbm | 88 | ||||
|
Refugee #2 [CEZ4128 - 18] |
Alt. | 2'48 | Daniel Diaz, Selma Mutal | Sad & wondering. Piano, double-bass, strings & percussions. | investigation airy historical conflict destiny | Dbm | 88 | |||
|
Yes or No [CEZ4702 - 6] |
2'03 | Louis Edlinger | Electronica bed. Bouncy, curious & jerky. Synth & rhythm. Ideal for | beds interrogative teaching strict | Bb | 115 | ||||
|
Yes or No Alternate 1 [CEZ4702 - 43] |
Alt. | 2'03 | Louis Edlinger | Alternate version. | Bb | 115 | ||||
|
Yes or No Alternate 2 [CEZ4702 - 44] |
Alt. | 2'03 | Louis Edlinger | Alternate version. | Bb | 115 | ||||
|
Yes or No Edit 60 sec [CEZ4702 - 45] |
Alt. | 1'00 | Louis Edlinger | 60 second cut. | Bb | 115 | ||||
|
Yes or No Edit 30 sec [CEZ4702 - 46] |
Alt. | 0'30 | Louis Edlinger | 30 second cut. | Bb | 115 | ||||
|
Yes or No Edit 20 sec [CEZ4702 - 47] |
Alt. | 0'20 | Louis Edlinger | 20 second cut. | Bb | 115 | ||||
|
Yes or No Edit Sting [CEZ4702 - 48] |
Alt. | 0'09 | Louis Edlinger | Sting. | Bb | 117 | ||||
|
The Critical Question [CEZ4702 - 9] |
2'32 | Louis Edlinger | Electronica bed. Suspenseful, discontinuous & aery. Synth & rhythm. | interrogative patient suspense airy | Dm | 156 | ||||
|
The Critical Question
[CEZ4702 - 61] |
Alt. | 2'31 | Louis Edlinger | Alternate no bells. | Dm | 156 | ||||
|
The Critical Question
[CEZ4702 - 62] |
Alt. | 2'31 | Louis Edlinger | Alternate version. | Dm | 162 | ||||
|
The Critical Question Edit 60
[CEZ4702 - 63] |
Alt. | 1'00 | Louis Edlinger | 60 second cut. | Dm | 157 | ||||
|
The Critical Question Edit 30
[CEZ4702 - 64] |
Alt. | 0'30 | Louis Edlinger | 30 second cut. | Dm | 156 | ||||
|
The Critical Question Edit 20
[CEZ4702 - 65] |
Alt. | 0'20 | Louis Edlinger | 20 second cut. | Dm | 155 | ||||
|
The Critical Question Edit
[CEZ4702 - 66] |
Alt. | 0'13 | Louis Edlinger | Sting. | Dm | 155 | ||||
|
The Butler Did It [CEZ4704 - 7] |
1'54 | Benoit Cimbé | Small ensemble. Playful, secret & clever. Piano, marimba, pizzicati, | animation & cartoons funny animals ironical & mischievous circus | Bm | 105 | ||||
|
The Butler Did It Alternate 1 [CEZ4704 - 27] |
Alt. | 1'54 | Benoit Cimbé | Alternate no drums. | animation & cartoons funny animals ironical & mischievous circus | Bm | 105 | |||
|
The Butler Did It Alternate 2 [CEZ4704 - 28] |
Alt. | 1'47 | Benoit Cimbé | Alternate no piano no drums. | animation & cartoons funny animals ironical & mischievous circus | Bm | 105 | |||
|
Wind Power [CEG5063 - 3] |
3'37 | analog_anxiety | Electronica, ambient. Deep, atmospheric & serious. PIano, synth & | strict atmospheric electronica heavy | Cm | 118 | ||||
|
Wind Power Alternate [CEG5063 - 16] |
Alt. | 3'36 | analog_anxiety | Alternate no rhythm. | strict atmospheric heavy urban landscape | Cm | 118 | |||
|
Polluted [CEG5063 - 8] |
1'39 | Constant Michel Eeckman | Ambient. Sad, inexorable & deep. Synth. Ideal for ecology, | natural disaster inexorable electro ambient wandering | Bm | 70 | ||||
|
Polluted Alternate [CEG5063 - 21] |
Alt. | 1'38 | Constant Michel Eeckman | Alternate no rhythm. | inexorable calm wandering science | Bm | 67 | |||
|
Magnetic Horizon [CEG5063 - 11] |
2'49 | Sylvain Pelier | Ambient. Electric, windy & constant. Analog synth. Ideal for weather | wandering electro ambient suspended atmosphere hypnotic | E | 69 | ||||
|
Magnetic Horizon Alternate [CEG5063 - 25] |
Alt. | 2'49 | Sylvain Pelier | Alternate underscore. | wandering electro ambient suspended atmosphere hypnotic | E | 72 | |||
|
Ocean Road [EOS148 - 3] |
0 | 2'32 | Mathieu Harlaut | Nocturnal, enigmatic & melancholic. Rippling. Analog synth. | independent cinema melancholic nocturnal series | Eb | 89 | |||
|
Ambient II [EOS148 - 6] |
0 | 2'06 | Mathieu Harlaut | Wandering, floating & nocturnal. Layers of analog synth. | contemporary series Ambient (all) analog synth atmospheric | Ab | 62 | |||
|
Slow Running [EOS148 - 9] |
0 | 1'36 | Mathieu Harlaut | Enigmatic & determined. Police investigation. Analog synth. | analog synth cyclic electronic score hypnotic | Fm | 132 | |||
|
Liminality [CEG5060 - 10] |
4'12 | Arttu Silvast | Hybrid Scoring. Intro with deep pulse & dark, abrasive textures, | desolate nocturnal toxic atmospheric | Eb | 165 | ||||
|
Liminality Alternate [CEG5060 - 29] |
Alt. | 4'11 | Arttu Silvast | Version without percussion | desolate nocturnal toxic atmospheric | Eb | 164 |