| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Subtle Manipulations [CEZ4254 - 7] |
0 | 1'41 | Thierry Caroubi | Tense & restrained. Electronics. | beds calm steady restrained | Bbm | 130 | |||
|
Last Seen Alive [CEZ4254 - 10] |
0 | 2'14 | Benoit Cimbé | Sad & solitary. Electronics. | beds wandering desolate social drama | Ebm | 60 | |||
|
Time to Move On [CEZ4254 - 13] |
0 | 1'56 | Thierry Caroubi | Restrained & disturbing suspense. Electronics. | beds suspense spy disturbing | E | 120 | |||
|
Murky Waters [CEZ4254 - 16] |
0 | 2'15 | Lucas Napoleone | Restrained & desolate. Keyboard & electronics. | drone desolate social drama restrained | Ebm | 81 | |||
|
Mind Limit [CEZ4254 - 17] |
0 | 1'52 | John Greaves | Threatening & urgent. Electronics. | beds scary disturbing suspense | Cm | 86 | |||
|
Under Scrutiny [CEZ4254 - 18] |
0 | 2'29 | Thierry Caroubi | Suspended & tense. Cello & electronics. | beds social drama disturbing cold desert | D | 120 | |||
|
Who Knows Why? [CEZ4252 - 2] |
0 | 2'07 | Elisabeth Skornik, Guy Skornik | Tense, regular & urgent. Electronics & piano. | spy beds steady opening credits TV | Gb | 115 | |||
|
According to the Evidence 2 [CEZ4252 - 33] |
2'32 | Elisabeth Skornik, Guy Skornik | Tense, interrogative, continuous & punctuated. Electronics. | investigation mysterious beds punctuated | C | 100 | ||||
|
According to the Evidence [CEZ4252 - 17] |
Alt. | 2'31 | Elisabeth Skornik, Guy Skornik | Reflective, interrogative & discontinuous. Electronics, rhythm & | mysterious spy interrogative shy | Cm | 100 | |||
|
Puzzles [MAG6015 - 10] |
0 | 2'41 | Powell | Future beat. Nocturnal & mysterious. Synth, female sampled voice & | modern future beat urban social drama | Gm | 64 | |||
|
Lost in Mutation [CEZ4242 - 16] |
0 | 2'00 | John Greaves | Disturbing & cyclic. Electronics & sax. | social drama insidious strict suspense | Em | 120 | |||
|
Embedded System [CEZ4240 - 13] |
0 | 2'08 | Martin Duru, Jean-Sebastien Nouveau | Interrogative & melancholic. Electronics. | disturbing sci-fi mysterious nocturnal | Bb | 122 | |||
|
Projection [CEO2034 - 4] |
0 | 2'09 | Vincent Leibovitz | Intro with fade in. Repetitive & cristalline. Electronics. Build up. | arty post-classical sci-fi crystalline | C | 76 | |||
|
Caméra au Poing [CEO2034 - 5] |
0 | 1'43 | Vincent Leibovitz | Intro with fade in. Urgent, tense & moving. Banjo, strings & | panorama cyclic road movie banjo | Em | 102 | |||
|
Foxy Brown [CEZ4232 - 5] |
0 | 1'51 | Grand David | Interrogative and classy. Electric guitar, brass, trumpet, flute & | blaxploitation 1970 jazz shuffle police comedy | Em | 105 | |||
|
Evil Countdown [UBM2244 - 9] |
0 | 1'52 | Tony Delmonte, Anselm Kreuzer | Investigative & tense. Underscore. Cello, electronic percussion, | investigation mysterious time (tick-tock) punctuated | Dm | 100 | |||
|
Money Troubles [CEO2033 - 13] |
0 | 1'08 | Selma Mutal | Interrogative & disturbing. Steel drum, xylophone, synthesizer, | cyclic disturbing interrogative time (tick-tock) | Dm | 76 | |||
|
Lion Speech [MAG6013 - 6] |
0 | 2'25 | J.Kid | Beatmaking. Wandering & nostalgic. Synth, samples & rhythm. | beat making modern social drama melancholic | Am | 89 | |||
|
Malpractice [CEZ4213 - 7] |
0 | 2'13 | Gabriel Saban, Philippe Briand | Cinematic. Tense & determined. Strings, electronics &rhythm. | spy politics driving disturbing | Am | 120 | |||
|
Waiting in the Shadows [CEZ4213 - 16] |
0 | 2'03 | Benoit Cimbé | Restrained & slightly tense. Piano & electronics. | spy science steady investigation | Em | 164 | |||
|
Nightwalk [MAG6010 - 6] |
0 | 5'05 | Henning Schmitz | Ambient. Strange & nocturne. Synth & rhythm. | weird electro ambient disturbing nocturnal | Ebm | 100 |