| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Leslie Get Your Gun [CEO2046 - 5] |
0 | 3'54 | Mark Alberts | Obstinate & sad. Distorted electric guitar & rhythm. | contemporary series distorted electric guitar relentless aggressive & violent | D | 104 | |||
|
Viral Spiral [CEZ4309 - 22] |
0 | 1'41 | Colo Colo | Analog electro. Sad, desolate & deep. Analog synth. | abyss desolate natural disaster drone | Am | 106 | |||
|
Forcing the Issue Alternative
[CCB1027 - 19] |
2'10 | Eric Lohrer, David Taieb | Electro beat. Disturbing, obstinate & inevitable. Synth & rhythm. | relentless mechanical psychotic sinister | Fm | 166 | ||||
|
Forcing the Issue [CCB1027 - 11] |
Alt. | 2'28 | Eric Lohrer, David Taieb | Electro beat. Dark, inevitable & heavy. Synth & rhythm. | electro beat inexorable heavy steady | Fm | 166 | |||
|
Sixth Street Score [CCB1026 - 11] |
0 | 1'49 | Ray Bartok | Experimental rock. Interrogative, confident & percussive. Rock band | band experimental rock relaxed 1980 | Am | 106 | |||
|
Furiani Alternate Version 1 [CEO2040 - 19] |
1'21 | Arnaud de Boisfleury | Desolate & suspended. Piano, organ & strings. | sad suspended atmosphere Fender rhodes interrogative | Gm | 93 | ||||
|
Furiani [CEO2040 - 8] |
Alt. | 1'32 | Arnaud de Boisfleury | Documentary. Restrained & melancholic. Cello, piano & pizz. | beds French cinema sad old-fashioned | Gm | 95 | |||
|
Avant le Match Alternate
[CEO2040 - 20] |
1'36 | Arnaud de Boisfleury | Waiting. Constant. Pizz & tic-tac. | time (tick-tock) beds arts & crafts steady | Am | 72 | ||||
|
Avant le Match [CEO2040 - 12] |
Alt. | 1'36 | Arnaud de Boisfleury | Time. Waiting. Constant. Pizz & tic-tac. | fx tick-tock time (tick-tock) steady beds | Am | 72 | |||
|
Technical Expertise Alternate
[CEZ4304 - 29] |
1'59 | Mathieu Laurent | Mechanical & determined. Hang, piano, electronics & rhythm @ 1'12. | hang drum relentless electronics patient | Cm | 86 | ||||
|
Technical Expertise [CEZ4304 - 12] |
Alt. | 2'24 | Mathieu Laurent | Corporate, craft time. Determined & mechanical. Build up. Piano, | arts & crafts relentless corporate video mechanical | Cm | 172 | |||
|
The People of the Abyss
[CEO2044 - 55] |
1'40 | Gréco Casadesus | Disturbing & mechanical. String ensemble, clarinet & electronics. | panorama adventure high seas beds | Cm | 111 | ||||
|
The People of the Abyss [CEO2044 - 22] |
Alt. | 1'39 | Gréco Casadesus | Dramatic & inexorable. Symphony orchestra & metal percussion. | symphony orchestra historical narrative disturbing restrained | Cm | 111 | |||
|
Psychological Warfare [CEZ4285 - 7] |
0 | 2'10 | Gabriel Saban, Philippe Briand | Powerful & dramatic. Constant progression. Cinematic orchestra, | historical conflict action movie disturbing war (movies) | Cm | 130 | |||
|
Coalition Troops [CEZ4285 - 9] |
0 | 1'56 | Benoit Cimbé | Déterminé & urgent. Constant progression. Electronic percussion | inexorable chase historical conflict war (movies) | Dm | 120 | |||
|
Dime Bag Destiny [CEZ4278 - 3] |
0 | 2'14 | Gabriel Saban, Philippe Briand | Urban drama. Melancholic & childish. Music box, cinematic string, | cinematic beat urban landscape social drama lazy | Fm | 89 | |||
|
Locked in the Project [CEZ4278 - 7] |
0 | 2'02 | Gabriel Saban, Philippe Briand | Urban drama. Sad & solitary. Cinematic string, synth & hip hop rhythm. | cinematic beat social drama wandering urban landscape | Dm | 67 | |||
|
Le Silence de la Forêt [CEO2038 - 16] |
0 | 1'35 | Jérôme Lemonnier | Mysterious & sparse. Hang drum, voices & piano. | suspended atmosphere paranormal scary muffled | A | 66 | |||
|
Explainable [UBM2251 - 7] |
0 | 1'49 | Daniel Backes, Peter Moslener | Positive and motivating sound with xylophone, perfect for a | police comedy steady interrogative introspective | Gm | 93 | |||
|
Hard Times [UBM2249 - 3] |
0 | 1'59 | Elias Cadre | Frightening and dark soundtrack with electronic ticking, ideal for | sci-fi intermittent film noir disturbing | Am | 108 | |||
|
Questionable Advisor [UBM2249 - 4] |
0 | 1'48 | Elias Cadre | Electronic sound with elements of echo, characterized by modern and | abyss film noir cold mysterious | Dbm | 117 | |||
|
Shady Promotion [UBM2249 - 7] |
0 | 2'57 | Elias Cadre | Mysterious and dangerous sound with electronic ticking for images of | abyss sci-fi science complex | Bbm | 69 | |||
|
Fumbling in the Dark [UBM2249 - 10] |
0 | 2'14 | Elias Cadre | Synthesizer, bass and echoes create a dynamic sound, ideal for | atmospheric complex muffled rumbling | G | 74 | |||
|
Insistence [UBM2249 - 11] |
0 | 1'26 | Elias Cadre | Dark, investigative sound, loopable, ideal or images of science and | sci-fi abyss complex cold | A | 108 | |||
|
Signals From Underground [UBM2249 - 14] |
0 | 1'49 | Elias Cadre | Technical, snarring, threatening, loopable electronic spheres for | sci-fi film noir abyss complex | Ab | 112 |