| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Dreary Hazard [UBM2266 - 5] |
0 | 3'10 | Achim Zweschper | Wistful, sinister, hopeless. Appropriate for reportages of war and | arid hot desert desolate beds | Cm | 100 | |||
|
Eerie Wind [UBM2266 - 6] |
0 | 1'27 | Achim Zweschper | Cold, dark sound that conveys the impression of a bitter wind. Saz. | hot desert desolate sound design beds | F | 88 | |||
|
Tiptoeing Around [UBM2266 - 18] |
0 | 3'10 | Achim Zweschper | Desperate, dull. Creates the impression of danger sneaking up. Sitar, | arid hot desert desolate beds | Cm | 100 | |||
|
Deceiving Peace [UBM2266 - 19] |
0 | 1'57 | Achim Zweschper | Ambivalent track. Shifting between emerging hope and threat. Cello, | hunting wild beds tropical forest | Bm | 85 | |||
|
Alarm Music [EOS20 - 2] |
0 | 2'12 | Anthony Mowat | Introspective & desolate. Sequencing, synth, bass, electric guitar, | introspective electric bass desolate road movie | Fm | 162 | |||
|
Move your Turkish Lyra maker [EOS19 - 2] |
0 | 4'49 | Sébastien Saint-Lezin | Complex & mystical. Synthesizer, sequencing, electronic percussion, | noisy complex geopolitics neutral | Em | 98 | |||
|
Pretty Cushy [UBM2235 - 26] |
0 | 0'45 | Vincent Nguyen, Sebastian Parche | The soundtrack for a lazy summer day: slow tempo, warm bass and very | police comedy short steady double bass | Em | 105 | |||
|
Building Bubbles [UBM2251 - 8] |
0 | 2'07 | Daniel Backes, Peter Moslener | Positive sound bubbles, sounds like glockenspiel with synthesizer, | arpeggiator industry mechanical sport video game | Am | 127 | |||
|
Rigid Sketch [UBM2251 - 16] |
0 | 2'09 | Daniel Backes, Peter Moslener | Drums and synthesizer create an atmospheric sound, good for | drums loop steady cold | Gbm | 95 | |||
|
Mobilisation [UBM2249 - 1] |
0 | 1'55 | Elias Cadre | Subtle serious electronic underscore for images of dark secrets. | complex sci-fi cold science | G | 122 | |||
|
Fresh Cash and Pretty Girls [UBM2249 - 8] |
0 | 2'48 | Elias Cadre | Modern, smooth sound with mysterious influence, for scenes of danger, | complex suspended atmosphere abyss muffled | Am | 69 | |||
|
Cover Up [UBM2249 - 9] |
0 | 2'02 | Elias Cadre | Ticking drops and electronic spheres sound like images of secret | complex film noir sci-fi muffled | Bbm | 120 | |||
|
Sitting out the Issues [UBM2249 - 17] |
0 | 2'07 | Elias Cadre | Electronic texture, eerie, pulsating track for an atmosphere | paranormal sci-fi science complex | Bb | 102 | |||
|
Fiction [UBM2249 - 19] |
0 | 1'24 | Elias Cadre | Dark underscore, gloomy, threatening, scary and apocalyptic track for | sci-fi science complex rumbling | A | 61 | |||
|
Whistleblower [UBM2258 - 11] |
0 | 2'23 | Felix Halbe | The track's dynamic increases. Accentuated by strings and | disturbing chase adventure scary | Cm | 150 | |||
|
Busy Toms [UBM2205 - 7] |
0 | 1'26 | Daniel Backes, Peter Moslener | Powerful & imposing. Percussion, kick drum, tom, rimshot, synth. | crystalline percussion exotic percussive powerful & imposing | Bm | 124 | |||
|
Difficult Story [UBM2244 - 14] |
0 | 2'09 | Tony Delmonte, Anselm Kreuzer | Constant & warlike. Underscore. Strings, electronic percussion, | steady nocturnal film noir rumbling | Dm | 60 | |||
|
The Disclosure Project [CEZ4227 - 18] |
0 | 2'45 | Arno Riva | Synth pop. Dark & mysterious. Synth & rhythm. | 1980 electro pop synthesizer nocturnal | Db | 110 | |||
|
Soundscape [UBM2237 - 20] |
0 | 1'12 | Felix Halbe | Neutral; abstract underscore. Technical, artificial, serious. | atmospheric beds spy strict | E | 120 | |||
|
A Special Job [UBM2227 - 4] |
0 | 2'38 | Daniel Backes, Peter Moslener | Slightly mysterious atmosphere meets funky guitar and a | beds spy mysterious driving | Gbm | 114 |