| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Woodworking 2 [CEZ4099 - 24] |
2'14 | Daniel Diaz, Selma Mutal | Patient & obstinate. Constant progression. Marimba, piano, double | corporate video arts & crafts panoramic time (tick-tock) | Cm | 105 | ||||
|
Woodworking [CEZ4099 - 4] |
Alt. | 2'34 | Daniel Diaz, Selma Mutal | Obstinate & effervescent. Xylophone, marimba, glockenspiel & piano. | confident arts & crafts industry driving | Cm | 105 | |||
|
Bipolar [CEZ4100 - 23] |
0 | 1'56 | Ludovic Poulet | Electro-indus. Determined & obsessive. | robotic electro industrial industry sequencing | Dm | 105 | |||
|
Cotton Mill [CEZ4100 - 29] |
0 | 3'37 | Daniel Diaz | Fluid & obsessive. Electric guitars & delay fx. | fx delay melancholic panoramic contemporary series | G | 108 | |||
|
What ?... Nothing ! [CEZ4023 - 52] |
0 | 2'20 | Denis Levaillant | Toxic & abstract. Electronics & piano. | noisy wandering disturbing metallic | Bm | 133 | |||
|
Nuked [CEZ4097 - 9] |
2'53 | Denis Levaillant | Chaotic & nightmarish. Percussion, cello, waterphone & electronics. | historical conflict sinister horror beds | Em | 62 | ||||
|
Nuked 2 [CEZ4097 - 38] |
Alt. | 2'42 | Denis Levaillant | Horrendous & insidious. Cello, accordion & treated water sounds, | desolate historical conflict scary wandering | Am | 109 | |||
|
Nuked 3 [CEZ4097 - 39] |
Alt. | 1'03 | Denis Levaillant | Horrendous & insidious. Cello, accordion & treated water sounds, | historical narrative desolate natural disaster drone | Fm | 78 | |||
|
Time Corridor [CEZ4097 - 16] |
2'41 | Denis Levaillant | Urgent & constant. Celesta & electronics. | desolate investigation mysterious nocturnal | Db | 120 | ||||
|
Time Corridor 2 [CEZ4097 - 50] |
Alt. | 2'41 | Denis Levaillant | Frightening & diabolical. Accordion, treated double bass & | scary horror paranormal psychotic | Db | 108 | |||
|
State Of Shock [CEZ4097 - 24] |
2'20 | Denis Levaillant | Terrifying & tumultuous. Timpani, snare drum & electronics. | scary horror fantasy insidious | Bbm | 130 | ||||
|
State Of Shock 2 [CEZ4097 - 61] |
Alt. | 2'20 | Denis Levaillant | Magmatic & insidious. Treated orchestra & electronics. | suspended atmosphere horror space muffled | Bbm | 118 | |||
|
Reality Breaks 3 [CEZ4097 - 26] |
1'10 | Denis Levaillant | Drone. Brutal & scary. Percussion ensemble with dholaks (Indian | spy investigation time (tick-tock) steady | D | 90 | ||||
|
Reality Breaks [CEZ4097 - 1] |
Alt. | 2'50 | Denis Levaillant | Brutal & scary. Dholaks (Indian percussion) & intemittent darbouka & | natural disaster sinister historical conflict scary | D | 90 | |||
|
Drops Desert Part 1 [CCB1004 - 6] |
0 | 5'13 | Alice Guerlot-Kourouklis | Electro minimal song. Oniric & restrained. Femal voice, cello, Lyrics | wandering social drama sequencing dreamy | Em | 119 | |||
|
Financial Report [CEZ4094 - 4] |
0'42 | Elisabeth Skornik, Guy Skornik | Urgent & serious. Electronics. | investigation breaking news driving politics | A | 120 | ||||
|
Financial Report 2 [CEZ4094 - 21] |
Alt. | 0'42 | Elisabeth Skornik, Guy Skornik | Urgent & accentuated. Electronics & strings. | investigation breaking news driving politics | A | 120 | |||
|
Financial Report 3 [CEZ4094 - 22] |
Alt. | 0'57 | Elisabeth Skornik, Guy Skornik | Urgent & repetitive. Electronics. | investigation breaking news driving politics | A | 120 | |||
|
Financial Report 4 [CEZ4094 - 23] |
Alt. | 0'26 | Elisabeth Skornik, Guy Skornik | Jingle. Urgent. Electronics. | investigation breaking news driving politics | A | 120 | |||
|
Investigative 03 [UBM2176 - 3] |
0 | 1'57 | Bernhard Hering, Matthias Krüger-Wendel, Martin Wester | Imminent lurking danger ; atmospheric ; compatible with track 2. | investigation suspense disturbing spy | Am | 100 | |||
|
Investigative 11 [UBM2176 - 11] |
0 | 2'58 | Bernhard Hering, Matthias Krüger-Wendel, Martin Wester | Spherical, surrealistic, suspenseful. | beds disturbing investigation mysterious | E | 100 | |||
|
Investigative 22 [UBM2176 - 22] |
0 | 2'29 | Bernhard Hering, Matthias Krüger-Wendel, Martin Wester | Eerie, atmospheric, subtle. | disturbing mysterious suspense beds | Dm | 128 | |||
|
Subconscious Vibes [UBM2179 - 4] |
0 | 3'11 | Reflective vibraphone sphere. | circus music weather report beds high-pitched | Gm | 120 | ||||
|
Fall Into The Pulse [UBM2179 - 17] |
0 | 3'19 | Descriptive ; steadily floating. | confident groovy patient sequencing | Am | 90 | ||||
|
A Sense Of Complexity [UBM2179 - 19] |
0 | 2'42 | Modern electronic sphere ; flashy. | steady wandering sequencing mysterious | Em | 120 | ||||
|
Hard Business [UBM2179 - 21] |
0 | 3'10 | Tough, propulsive, energetic. | beds airy sequencing urban | Em | 107 | ||||
|
Digital Networks [UBM2179 - 22] |
0 | 3'19 | Technical yet down-to-earth. | 1990 atmospheric undulating beds | Bbm | 120 | ||||
|
Wailing Horns [UBM2162 - 19] |
0 | 1'33 | Achim Zweschper | Warm, ongoing, motivational. | industry insidious mysterious relentless | C | 99 | |||
|
Mean Danger [UBM2180 - 2] |
0 | 2'45 | Anselm Kreuzer | Dark subtle drone, irradiation danger. | drone sparse mysterious atmospheric | G | 136 |