| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Trauma [CEZ4083 - 51] |
0 | 1'09 | Piotr Moss | Cello solo. Tense & tragic. | historical narrative scary steady cyclic | F | 108 | |||
|
Ponzi Shame [CEZ4074 - 4] |
0 | 2'41 | Elisabeth Skornik, Guy Skornik | Intermittent dramatic progression. Urgent . Breaks @ 0'20, 0'40, 0'59 | politics social drama horror disturbing | Fm | 140 | |||
|
Market Logic [CEZ4074 - 6] |
0 | 1'58 | Elisabeth Skornik, Guy Skornik | Inexorable & serious. Constant progression. Break @ 0'52. | anticipation scansion insidious walking | Em | 70 | |||
|
The Empty City [CEZ4074 - 24] |
0 | 2'04 | Elisabeth Skornik, Guy Skornik | Frightening & desolate. | rumbling disturbing dissonant drone | Gm | 117 | |||
|
Art for Art's sake [CEV3010 - 35] |
0 | 2'36 | Marc-Olivier Dupin | Dark & tragic. Violin & piano. | contemporary serious music (all) historical narrative desolate funereal | Ebm | 67 | |||
|
Résonnance/Mouvements [CCB1002 - 1] |
0 | 13'48 | Alain Kremski | Alternately jerky & meditative. Piano, timpany, singing bols & gong. | acoustic piano abstract art primitive art Asia | A | 79 | |||
|
De Andere [CCB1003 - 20] |
0 | 2'56 | Line Adam | Tormented & haunting. Piano & string ensemble. | desolate flash back tormented Belgium | Am | 89 | |||
|
Chemin de Ronde [CEV3006 - 46] |
0 | 2'18 | Jarrod Cagwin, Godard Michel | Martial & solemn. Solo rubbed percussion. | historical narrative funereal military march solemn | Ebm | 100 | |||
|
Winter in Camelot [CEV3006 - 56] |
0 | 1'23 | Julien Vega | Solemn & serious. Cello, harp & pad. | calls suspended atmosphere high seas middle-Ages | D | 110 | |||
|
Wounded [CEZ4065 - 32] |
0 | 0'57 | Marc-Olivier Dupin | Pathos, passion & poignancy. Solo cello. | cello tragic destiny disturbing | Gbm | 106 | |||
|
Regrets [CEZ4065 - 33] |
0 | 2'19 | Arnaud de Buchy | Introspective, moving & restrained. Clarinet & cellos. | natural disaster narrative romantic destiny | Bm | 72 | |||
|
The End of the Story [CEZ4065 - 41] |
0 | 0'36 | Cyrille Aufort | Tragic. String orchestra & piano. | poignant destiny tragic final | Gm | 90 | |||
|
Heroes [CEZ4064 - 1] |
0 | 2'41 | Bernard Becker | Powerful, proud & imposing. Military drums @ 1'10. Tense & martial. | adventure epic fantasy orchestral score | Fm | 143 | |||
|
The Trap [CEZ4064 - 22] |
0 | 1'14 | Bernard Becker | Suspense, alternately intriguing & dramatic. Orchestra & percussion. | disturbing adventure inexorable mysterious | C | 112 | |||
|
Introït [CEV3004 - 1] |
0 | 3'28 | Bruno Letort | Tragical & fatal. Choir & orchestra. Sung in Latin.Lyrics | requiem vocal sung in latin mixed choir | Fm | 72 | |||
|
Tu es Béni Seigneur [CEV3004 - 3] |
0 | 2'56 | Bruno Letort | Inspired & solemn. Choir & orchestra. Sung in Russian. | requiem funerals mystical orthodox | Fm | 68 | |||
|
Sanctus [CEV3004 - 6] |
0 | 3'38 | Bruno Letort | Tragical & tormented. Choir & orchestra. Sung in LatinLyrics | requiem catholic sung in latin mixed choir | Abm | 98 | |||
|
Tu es Béni Seigneur 3 [CEV3004 - 7] |
0 | 1'58 | Bruno Letort | Inspired & tragical. A capella choir. Sung in Russian. | mystical funereal requiem a cappella | Ebm | 68 | |||
|
Sanctus Alleluia [CEV3004 - 8] |
0 | 4'02 | Bruno Letort | Dark, mystic & inspired. Repetitive @ 1'48. A capella choir. Sung in Lyrics | mystical funereal requiem catholic | Ab | 108 | |||
|
Pie Jesu [CEV3004 - 9] |
0 | 3'03 | Bruno Letort | Tormented & imposing. Choir & orchestra. Sung in Latin.Lyrics | requiem catholic sung in latin mixed choir | Db | 62 |