| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Night Traffic [CEZ4490 - 6] |
0 | 2'09 | Nils Bö | Big beat / break beat. Mysterious, dark & percussive. Synth & rhythm. | urban landscape eSports industry 2000 | Em | 137 | |||
|
Go Don't Go [CEZ4491 - 11] |
0 | 3'47 | Rémo | Hip-hop beat, type beat. Chill, deep & arty. Constant progression. | beat making relaxed nocturnal urban | Dbm | 80 | |||
|
On the Run Again [CEZ4491 - 13] |
0 | 2'39 | Sicaa | Hip-hop beat. Wide, determined & unstoppable. Suggested for street | beat making mysterious relentless urban landscape | Bm | 104 | |||
|
Secrets and Lies [CEC8020 - 7] |
0 | 2'40 | Zhang Hao, Zhao Junrui | 1st part. Dull, duncanny & sparse. Shakuhachi flute, koto & wooden | spy China disturbing kung fu | Am | 95 | |||
|
Confusions [CCB1050 - 6] |
0 | 2'51 | Adrien Degioanni | Ambient electro, experimental electro. Cyclic, confused with a touch | experimental electro complex electro ambient mysterious | Fm | 81 | |||
|
Background Is the Foreground [EOS66 - 5] |
0 | 1'58 | Roberto Negro | Abyssal intro with sound design then music box in a gloomy, lonely & | wandering weird mysterious lullaby | Gm | 65 | |||
|
Electron Velocity [CEZ4486 - 5] |
0 | 2'19 | Elisabeth Skornik, Guy Skornik | Animated, fast, swarming & scientific. Arpeggiator, electronics & low | science cyclic electro industrial bustling | Fm | 130 | |||
|
Secret Laboratory [CEZ4486 - 18] |
0 | 2'56 | Elisabeth Skornik, Guy Skornik | Bright, resonant, metallic & linear. Clear keyboard arpeggio, | science steady electro industrial hypnotic | Am | 106 | |||
|
Oceanographic Research [CEO2131 - 12] |
0 | 2'50 | Baptiste Charvet | Discontinued, serious, investigative & obstinate. Cello, strings & | intermittent interrogative historical narrative relentless | Fm | 84 | |||
|
Offshore Drilling [CEO2131 - 13] |
0 | 2'39 | Baptiste Charvet | Low, resonant & disturbing. Treated double-bass, string quartet & | natural disaster lost civilizations sparse wandering | Fm | 82 | |||
|
Oruro Dark Andes [CEL7012 - 15] |
0 | 3'54 | Daniel Diaz | Haunting, weird, unstructured, introspective & wandering. Charango, | introspective series electric bass interrogative | Gm | 70 | |||
|
Japanesque [CEC8018 - 9] |
0 | 2'49 | Didier Malherbe, Yaping Wang | Serene, mystical & reflective. Yangqin & Japanese bamboo flute. A | Japan arts & crafts traditional Asian mystical | B | 108 | |||
|
Misty Rainforest [CEC8018 - 13] |
0 | 2'06 | Didier Malherbe, Yaping Wang | Contemplative, narrative, ethnic & enigmatic. Yangqin & khen (mouth | traditional Asian natural disaster suspended atmosphere introspective | Ebm | 117 | |||
|
Control Freak [ISC002 - 9] |
0 | 1'59 | Gabriel Saban | Lively & vigourous staccato string movement in a neo-classical | urgent neo-classical music heroic fantasy relentless | Abm | 140 | |||
|
As We Wander Forth [EOS68 - 3] |
0 | 2'06 | Lone Kent | Gentle, longing then hopeful. Acoustic Guitar & electric guitar. | sparse wandering electric guitar narrative | D | 100 | |||
|
The Bullet Tooth [EOS68 - 6] |
0 | 2'22 | Lone Kent | Post-rock. Nostalgic, introspective & narrative. Electric guitar, | introspective wandering electric guitar post-rock | Gm | 91 | |||
|
Good Day for Flying [EOS68 - 8] |
0 | 3'09 | Lone Kent | Post-rock. Aerial, peaceful then confident but a bit nostalgic. | wandering electric guitar melancholic post-rock | B | 106 | |||
|
Footsteps in Sand [EOS68 - 12] |
0 | 2'11 | Lone Kent | Lonesome, arid & suspended. Sparse acoustic guitar & distorted | wandering arid sparse electric guitar | Em | 117 | |||
|
This Land [EOS68 - 13] |
0 | 4'02 | Lone Kent | Sad, lonesome & bluesy. Electric guitars, harmonica & rhythm. | wandering arid sparse electric guitar | C | 82 | |||
|
Just Another Saturday Night [EOS68 - 14] |
0 | 3'41 | Lone Kent | Post-rock. Introspective, lost & wandering. Delayed & ebow electric | wandering introspective electric guitar mysterious | E | 60 |