| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Reversatile [CEZ4103 - 19] |
0 | 2'08 | Elisabeth Skornik, Guy Skornik | Mysterious & unstable. Backwards fx, electronics, strings & | flash back fx backwards investigation cyclic | Bb | 92 | |||
|
Aden [CEV3037 - 9] |
0 | 4'31 | Samir Tahar | Introspective & interrogative. Solo Oud. maghreb. | Maghreb ud ethnic & traditional (all) geopolitics | B | 90 | |||
|
Wadi [CEV3037 - 13] |
0 | 4'53 | Samir Tahar | Melancholic & wandering. Solo oud. Maghreb. | Maghreb ud ethnic & traditional (all) non western classical music | E | 101 | |||
|
Kairouan [CEV3037 - 14] |
0 | 4'10 | Samir Tahar | Dreamy & peaceful. Solo oud. Maghreb. | ud Maghreb ethnic & traditional (all) non western classical music | Em | 76 | |||
|
Gemstone [CEV3037 - 16] |
0 | 5'20 | Samir Tahar | Wandering & interrogative & determined @ 1'37. Solo oud. Maghreb. | Maghreb ud ethnic & traditional (all) non western classical music | Em | 139 | |||
|
Albaicin [CEV3037 - 17] |
0 | 3'24 | Samir Tahar | Sad & sentimental. Solo oud. Maghreb. | ud Maghreb ethnic & traditional (all) non western classical music | Em | 112 | |||
|
Dieppe Suite [CEO2004 - 6] |
0 | 1'35 | Marc-Olivier Dupin | Neo-Baroque. Refined. Solo piano. | arpeggio arts baroque music (1600-1750) acoustic piano | Em | 135 | |||
|
The Cliffs Of Dieppe [CEO2004 - 10] |
0 | 1'51 | Marc-Olivier Dupin | cyclic & tragic. Solo piano. Falling arpeggio. Solo piano. | falling sparse historical narrative acoustic piano | D | 72 | |||
|
Industrial Landscape [CEZ4100 - 1] |
0 | 3'18 | Mathias Delplanque | Electro-indus. Determined & serious. | electro industrial steady industry mechanical | Am | 120 | |||
|
Quarks [CEZ4100 - 14] |
0 | 2'35 | Christof Déjean | Blurred & nebulous. Electronics. | science wandering electro ambient suspended atmosphere | Cm | 68 | |||
|
Jungla Urbana [CEV3032 - 6] |
3'08 | Daniel Diaz | Andino groove. Mysterious & restrained. Flutes, charango, double-bass | geopolitics Latin-American Indians Peru Bolivia | Em | 164 | ||||
|
Jungla Urbana 2 [CEV3032 - 54] |
Alt. | 3'08 | Daniel Diaz | Andino groove. Powerful & serious. Flutes, electronics & rhythm. | South America driving Andes flute geopolitics | Em | 164 | |||
|
Procesion [CEV3032 - 41] |
0 | 2'24 | Daniel Diaz, Miguel Balumbrosio | March. Solemn & determined. Percussion ensemble. | percussion ensemble South America Peru scansion | Bm | 114 | |||
|
La Luz Mala [CEV3032 - 44] |
0 | 2'40 | Daniel Diaz | Panoramic & desolate. Quena (Andean flute), double bass, percussion & | lost civilizations kena tropical forest Latin-American Indians | Bm | 113 | |||
|
Paseo Miraflores [CEV3032 - 45] |
0 | 2'22 | Daniel Diaz | Sad & panoramic. Acoustic guitar, bass, percussion & delay fx. | geopolitics fx delay South America panorama | Am | 114 | |||
|
Minas Del Sur [CEV3036 - 3] |
0 | 2'49 | Manuel Delgado-Martinez | Flamenco. Taranta. Wandering & lonely. Solo flamenco guitar. (Spain) | Spain Gypsies Flamenco flamenco guitar taranta | A | 153 | |||
|
Corazon De Fuego [CEV3036 - 4] |
0 | 1'35 | Manuel Delgado-Martinez | Flamenco. Buleria. Lively & determined. Solo flamenco guitar. (Spain) | buleria Flamenco Spain Gypsies flamenco guitar | G | 151 | |||
|
Flor De Soledad [CEV3036 - 12] |
0 | 1'48 | Manuel Delgado-Martinez | Melancholic & sentimental. Solo flamenco guitar. (Spain) | flamenco guitar Flamenco Spain Gypsies geopolitics | G | 120 | |||
|
Llueve [CEV3036 - 13] |
0 | 2'02 | Manuel Delgado-Martinez | Introspectif & desolate. Solo flamenco guitar. (Spain) | Flamenco flamenco guitar geopolitics desolate | Am | 86 | |||
|
Tu Sangre [CEV3036 - 17] |
0 | 3'03 | Manuel Delgado-Martinez | Flamenco. Solea por buleria. Tormented & passionate. Male voice, Lyrics | Flamenco Spain Gypsies flamenco guitar traditional male soloist voice | B | 132 | |||
|
Celestino [CCB1004 - 18] |
0 | 2'25 | Alice Guerlot-Kourouklis | Electro ambiant. Aquatic & restrained. Electronics. | humid wandering mysterious sequencing | Em | 80 |