| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Black Cards [UBM2378 - 5] |
0 | 2'43 | Marwin Farwig | Dark, serious track, the intensity of which gradually increases. | attitude trap (music) steady sport drama | Ab | 91 | |||
|
Spider Alarm [UBM2557 - 1] |
0 | 1'25 | Andreas Schulz | Dark, muted piano forms the onomatopoeic backdrop for a composition | cinematic jazz introspective historical narrative docu fiction | Bb | 120 | |||
|
No War [UBM2557 - 3] |
0 | 2'28 | Andreas Schulz | Cascading solo saxophone for sophisticated documentaries and feature | psychological drama wandering alto saxophone abstract art | Ebm | 98 | |||
|
The Participants [UBM2468 - 4] |
0 | 2'01 | Daniel Backes, Peter Moslener | Beautifully instrumented, slightly folky composition for acoustic | narrative everyday life arts & crafts carefree | Cm | 108 | |||
|
Long Term Issues [UBM2468 - 8] |
0 | 1'45 | Daniel Backes, Peter Moslener | Serious, not too somber track for medical posts about diseases, their | anticipation interrogative medecine time (tick-tock) | Bbm | 107 | |||
|
Growing Up [EOS124 - 4] |
0 | 2'23 | Simon Gruwé | Introspective then resolute & luminous. Piano, guitar, strings & | confident destiny social drama introspective | D | 162 | |||
|
Possibilities [EOS124 - 9] |
0 | 2'18 | Simon Gruwé | Hopeful, emotional with resilience & hope. Piano, Strings, guitar. | resillience corporate (all) destiny social drama | Ab | 133 | |||
|
My Best Friend [EOS124 - 12] |
0 | 2'38 | Simon Gruwé | Tender, nostalgic & simple. Piano, guitars & percussion. | beds social drama corporate video intimate | G | 81 | |||
|
Redemption [EOS124 - 14] |
0 | 2'15 | Simon Gruwé | Introspective, soulful & resilient. Piano, guitars, ethereal wordless | confident destiny social drama introspective | Am | 120 | |||
|
Journey [UBM2567 - 6] |
0 | 1'23 | Andreas Schulz | Autumn: flocks of birds head south, leaves sail out of the treetops | original score independent cinema melancholic narrative | Dm | 125 | |||
|
Empty Corridors [UBM2567 - 7] |
0 | 2'02 | Andreas Schulz | Flowing, unobtrusive score for cinematic dramas and documentaries | investigation original score independent cinema steady | Gb | 123 | |||
|
End [UBM2567 - 9] |
0 | 0'45 | Andreas Schulz | The end is a beginning is a floating in the unknown. The story seems | acoustic piano original score social drama melancholic | Cm | 86 | |||
|
Roots Of Progress [UBM2510 - 6] |
0 | 2'08 | Ronnie W Verboom | A subtle unrest characterizes this mid-paced track. Ideal for | destiny moving contemporary history interrogative | Gm | 112 | |||
|
Serrer Dans Ses Bras [UBM2510 - 8] |
0 | 2'11 | Ronnie W Verboom | Slightly somber piano music for reports on art or historical dramas. | neo-classical music historical narrative acoustic piano social drama | Bbm | 89 | |||
|
Remote Life [UBM2510 - 11] |
0 | 2'32 | Ronnie W Verboom | A room disappears into darkness. Only the moon throws its pale light | melancholic acoustic piano calm destiny | Ebm | 63 | |||
|
Harbor Investigation [CEC8056 - 8] |
3'18 | Pei Zhao, Haojie Zheng | Electronic score & synthwave. Cosmic, trippy, contemplative & eerie. | investigation mysterious atmospheric hypnotic | Bm | 134 | ||||
|
Harbor Investigation Edit 1
[CEC8056 - 40] |
Alt. | 1'00 | Pei Zhao, Haojie Zheng | 60 second cut | investigation mysterious atmospheric hypnotic | Bm | 134 | |||
|
Harbor Investigation Edit 2
[CEC8056 - 41] |
Alt. | 1'00 | Pei Zhao, Haojie Zheng | 60 second cut | investigation mysterious atmospheric hypnotic | B | 134 | |||
|
Harbor Investigation Edit 3
[CEC8056 - 42] |
Alt. | 0'30 | Pei Zhao, Haojie Zheng | 30 second cut | investigation mysterious atmospheric hypnotic | Bm | 134 | |||
|
Harbor Investigation Edit 4
[CEC8056 - 43] |
Alt. | 0'30 | Pei Zhao, Haojie Zheng | 30 second cut | investigation mysterious atmospheric hypnotic | Bm | 134 | |||
|
Harbor Investigation Edit 5
[CEC8056 - 44] |
Alt. | 0'15 | Pei Zhao, Haojie Zheng | 15 second cut | investigation mysterious atmospheric hypnotic | Bm | 133 | |||
|
Harbor Investigation Edit 6
[CEC8056 - 45] |
Alt. | 0'15 | Pei Zhao, Haojie Zheng | 15 second cut | investigation mysterious atmospheric hypnotic | Bm | 134 | |||
|
Hanging Time [CEG5048 - 5] |
1'55 | Julien Vega | Atmospheric, dreamy, anticipating & peaceful. Piano, electronics & | anticipation patient interrogative time (tick-tock) | E | 106 | ||||
|
Hanging Time Alternate 1 [CEG5048 - 20] |
Alt. | 1'55 | Julien Vega | Alternate minimalist version | introspective original score moving anticipation | E | 71 | |||
|
Hanging Time Alternate 2 [CEG5048 - 21] |
Alt. | 1'55 | Julien Vega | Alternate minimalist version | anticipation patient interrogative time (tick-tock) | E | 106 | |||
|
Doubt and Reflexion [CEG5048 - 9] |
1'55 | Antoine Glatard | Disturbing, uncertain, mysterious, suspended & anticipating. | anticipation original score legal drama disturbing | Ab | 118 | ||||
|
Doubt and Reflexion Alternate [CEG5048 - 25] |
Alt. | 1'52 | Antoine Glatard | Alternate minimalist version | disturbing legal drama mysterious original score | Ab | 118 | |||
|
Paris Jerusalem [ISC080 - 8] |
0 | 2'47 | Sandia | Contemporary jazz. Israeli / Middle Eastern influenced. Slow, | melancholic intimate jazz club sentimental | Bm | 117 | |||
|
Time Erases Nothing [CEZ4633 - 11] |
2'30 | Isabelle Salmon, Mathieu Laurent | Storytelling. Suspended, elusive, pensive & constant. Guitar, light | original score folk guitar insidious mysterious | Em | 110 | ||||
|
Time Erases Nothing Alternate [CEZ4633 - 32] |
Alt. | 2'31 | Isabelle Salmon, Mathieu Laurent | Alternate reduced version. Harmony & melody only. | original score folk guitar insidious mysterious | Em | 110 |