| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
A Recent Discovery [CEZ4355 - 11] |
3'17 | Hiroki Ishikura | Sci fi / electro minimalism. Relentless, inexorable & toxic. Constant | inexorable sci-fi science crescendo | Bbm | 120 | ||||
|
A Recent Discovery (extended) [CEZ4355 - 28] |
Alt. | 4'27 | Hiroki Ishikura | Sci fi / electro minimalism. Relentless, inexorable & toxic. Constant | inexorable relentless sci-fi electro minimalism | Bbm | 110 | |||
|
A Fragment of Time [CEZ4351 - 7] |
2'14 | Elisabeth Skornik, Guy Skornik | Jerky, mechanical & obstinate. Build up gradually. Piano & strings @ | time (tick-tock) corporate (all) driving industry | Fm | 120 | ||||
|
A Fragment of Time Alternate [CEZ4351 - 37] |
Alt. | 2'22 | Elisabeth Skornik, Guy Skornik | Alternate version without piano. Pizzicato, marimba & strings @ 0'32. | driving industry unifying repetitive music | Fm | 120 | |||
|
Reflections on the Passing of
[CEZ4351 - 12] |
0 | 2'02 | Elisabeth Skornik, Guy Skornik | Heady, nostalgic, moody & sentimental. Piano arpeggio & light | time (tick-tock) relentless cyclic interrogative | Eb | 148 | |||
|
In Perfect Time [CEZ4351 - 18] |
2'30 | Elisabeth Skornik, Guy Skornik | Patient, narrative, serious but confident. Electronics, timer & | strict cyclic contemporary history relentless | Gm | 80 | ||||
|
In Perfect Time Alternate [CEZ4351 - 44] |
Alt. | 2'29 | Elisabeth Skornik, Guy Skornik | Alternate version without timer. | contemporary history time (tick-tock) cyclic strict | Gm | 80 | |||
|
In Perfect Time Alternate 2 [CEZ4351 - 45] |
Alt. | 2'02 | Elisabeth Skornik, Guy Skornik | Alternate rhythm version with timer & acceleration. Faster & faster. | contemporary history inexorable time (tick-tock) driving | Cm | 172 | |||
|
In Perfect Time Alternate 3 [CEZ4351 - 46] |
Alt. | 2'52 | Elisabeth Skornik, Guy Skornik | Alternate rhythm version with timer & acceleration. Faster & faster. | time (tick-tock) inexorable driving relentless | Cm | 105 | |||
|
Clockpulse [UBM2274 - 1] |
0 | 2'32 | Felix Halbe | Time is running and the tension increases. | interrogative time (tick-tock) suspended atmosphere fx tick-tock | Cm | 87 | |||
|
Things Change [UBM2274 - 3] |
0 | 2'03 | Felix Halbe | Metronom and synthesizer create a pensive, thrilling sound. At the | suspense crime movie time (tick-tock) fx tick-tock | Ebm | 80 | |||
|
Observing Thieves at Work [UBM2274 - 6] |
0 | 2'00 | Felix Halbe | Suitable for scenes of thieves in action. Electronics, synthesizer, | suspense interrogative time (tick-tock) suspended atmosphere | Db | 80 | |||
|
Rise of Fundamentalism [UBM2274 - 7] |
0 | 2'09 | Felix Halbe | Ideal for action scenes in the Middle East. Traditional instruments | spy time (tick-tock) tormented suspended atmosphere | Cm | 143 | |||
|
Rolling Hope [UBM2274 - 8] |
0 | 1'54 | Sebastian Parche | Positive track, suitable for a happy ending as well as images of a | time (tick-tock) cold desert atmospheric fx tick-tock | Gm | 80 | |||
|
Time Has Come [UBM2274 - 10] |
0 | 2'12 | Sebastian Parche | Ideal for key scenes in crime and action films. Syntesizer, drums, | crime movie time (tick-tock) suspended atmosphere investigation | Dm | 120 | |||
|
Rush Hour [UBM2274 - 12] |
0 | 2'07 | Sebastian Parche | Stop and go are also heard in this track, as is the switch of traffic | time (tick-tock) interrogative cyclic crime movie | Fm | 89 | |||
|
Cybercrime [UBM2274 - 16] |
0 | 2'39 | Felix Halbe | Smart hackers are at work. Synthesizer, drones, bass, loopable, | interrogative time (tick-tock) suspended atmosphere disturbing | Em | 93 | |||
|
A New Way Forward [CEZ4320 - 14] |
0 | 1'56 | Jérémy Dirat | Time passing. TV series. Daily life. Interrogative & patient. Piano, | steady interrogative time (tick-tock) beds | A | 102 | |||
|
Touch the Moon [CEZ4319 - 15] |
0 | 2'15 | Mathieu Laurent | Time passing. TV series. Daily life. Interrogative & mysterious. | corporate video investigation patient arts & crafts | Em | 93 | |||
|
Stillness in Time [CCB1029 - 11] |
0 | 3'10 | Christophe Zurfluh | Drone.Nature. Lost civilizations. Atmospheric & panoramic. Synth pad | time (tick-tock) atmospheric neutral fx tick-tock | Cm | 68 | |||
|
The Story Line [CEZ4252 - 6] |
2'22 | Elisabeth Skornik, Guy Skornik | Obstinate, cyclic & serious. Electronics & piano @ 0'43. | time (tick-tock) mysterious cyclic crime movie | Cm | 140 | ||||
|
The Story Line 2 [CEZ4252 - 23] |
Alt. | 2'08 | Elisabeth Skornik, Guy Skornik | Obstinate & serious. Electronics & piano @ 0'30. | relentless crime movie mysterious urgent | Cm | 93 | |||
|
Angular Momentum [CEZ4242 - 3] |
0 | 2'20 | Christophe Zurfluh | Patient & constant. Electronics & fx tick-tock | patient time (tick-tock) steady fx tick-tock | Fm | 93 | |||
|
The Duration of the Experiment [CEZ4242 - 12] |
0 | 2'31 | Christophe Zurfluh | Interrogative & patient. Electronics & fx tick-tock. | time (tick-tock) fx tick-tock interrogative mysterious | Dm | 98 | |||
|
Life Cycles [CEZ4182 - 2] |
0 | 1'45 | John Greaves | Cheeky & interogative. Pizz, harp, keyboards & woodwinds. | narrative time (tick-tock) cyclic interrogative | Bm | 110 | |||
|
News [UBM2183 - 2] |
0 | 2'15 | Felix Halbe | Mysterious, subtle, reflective, increasing. | time (tick-tock) disturbing spy inexorable | Cm | 90 |