| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Petite Terre [CEZ4118 - 22] |
0 | 1'35 | Imade Saputra | Determined & cyclic. Solo dzenze la chi tsuva (zither). | dzenze la chi tuva ethnic & traditional (all) Mayotte geopolitics | Bb | 178 | |||
|
Jerusalem [CEO2017 - 3] |
0 | 2'43 | Armand Frydman | Moving & sad. Solo cello & bowed double-bass. | Israel Judaism kaddish cello | Fm | 82 | |||
|
The Bible [CEO2017 - 6] |
0 | 4'48 | Armand Frydman | Tragic & haunting. Cello ensemble & double-bass. | cello ensemble tormented Israel sinister | Fm | 100 | |||
|
The Moses Legacy [CEO2017 - 10] |
0 | 2'19 | Armand Frydman | Oriental theme. Sensual & swaying. Soprano sax, darbuka & double-bass. | Middle-East & Maghreb docu fiction Judaism derbouka | E | 126 | |||
|
Occident [CEO2017 - 11] |
0 | 3'00 | Armand Frydman | Sad & solemn. Cello & double-bass duet. | poignant tormented cello steady | Bbm | 60 | |||
|
Calamity [EOS02 - 2] |
0 | 3'05 | David Poirier, Sébastien Saint-Lezin | Melancholic & wandering. Electric guitar, bass, synth & rhythm. Delay | social drama scary fx delay undulating | Am | 126 | |||
|
Blitz [CEO2012 - 35] |
0 | 1'29 | Bruno Alexiu | Threatening & inexorable. Constant progression. Timpani & symphonic | timpani historical conflict crescendo horror | Em | 107 | |||
|
War Consequences [CEO2012 - 36] |
0 | 1'36 | Bruno Alexiu | Tense & inexorable. Constant progression. Timpani & symphonic | inexorable destiny historical narrative tragic | Cm | 82 | |||
|
Miguel y Santiago [CEO2003 - 1] |
0 | 2'01 | Selma Mutal | Nostalgic, restrained & ethereal in a Andean Spirit. Acoustic guitar, | social drama melancholic panoramic contemporary series | Em | 67 | |||
|
Miguel y Mariela [CEO2003 - 2] |
0 | 3'45 | Selma Mutal | Meticulous & melancholic. Acoustic guitar, piano, fretless bass & | social drama intimate melancholic panoramic | Gm | 93 | |||
|
En la Playa [CEO2003 - 3] |
0 | 0'53 | Selma Mutal | Pensive & patient. Charengo & fretless bass. | patient romantic social drama intimate | Bb | 106 | |||
|
Buscando a Santiago [CEO2003 - 4] |
0 | 1'00 | Selma Mutal | Nostlagic & chrystal clear. Acoustic guitar, piano & strings. | romantic social drama melancholic panoramic | Em | 133 | |||
|
De la Mano [CEO2003 - 5] |
0 | 3'17 | Javier Fuentes-León | Intimate & delicate. Solo acoustic guitar. | social drama intimate melancholic contemporary series | G | 61 | |||
|
Regreso al Mar [CEO2003 - 7] |
0 | 1'00 | Selma Mutal | Contemplative & calm. Charengo & piano. | romantic intimate patient social drama | Bm | 88 | |||
|
La Vela [CEO2003 - 10] |
0 | 1'01 | Selma Mutal | Intimate & elegiac. Piano & strings. | romantic melancholic patient social drama | Em | 89 | |||
|
Lanzando la Piedra [CEO2003 - 11] |
0 | 0'35 | Selma Mutal | Bucolic & restrained. Charengo, acoustic guitar & piano. | romantic social drama patient country & garden | Bm | 106 | |||
|
El Final [CEO2003 - 13] |
0 | 3'02 | Selma Mutal | Aerial & quiet. Acoustic guitar & strings. | romantic social drama melancholic panoramic | Em | 89 | |||
|
Saliendo de Casa [CEO2003 - 14] |
0 | 0'44 | Selma Mutal | Delicate & pensive. Piano, acoustic guitar & cordes. | intimate patient social drama melancholic | Gm | 92 | |||
|
Out Of Step [CEZ4112 - 4] |
0 | 1'18 | Piotr Moss | Doubtful & disturbing. Piano, cello with phasing fx. | suspended atmosphere horror unclassifiable disturbing | Am | 77 | |||
|
Tip Toe In The Dark [CEZ4112 - 14] |
0 | 0'41 | Piotr Moss | Mysterious & sparse. Cello pizzicato & breath. | primitive art suspended atmosphere horror unclassifiable | C | 61 |