| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
The Long Run [CEZ4106 - 1] |
0 | 3'36 | Eric Lohrer, Didier Malherbe | Powerful & inexorable. Taragot, strings, electric guitar & | tracking shot fiery panoramic driving | Gm | 149 | |||
|
Hopes And Dreams [CEZ4105 - 6] |
0 | 2'02 | Mark Alberts | Psychedelic-pop ballad. Confident and dreamy.Pop band with lead | road movie pop ballad confident sting | E | 148 | |||
|
High As The Sun [CEZ4105 - 8] |
0 | 3'04 | Mark Alberts | Rock-pop ballad. Positive & lively. Pop band with guitars & | rock ballad pop ballad confident variety music | C | 92 | |||
|
Driving Force [CEZ4101 - 5] |
0 | 1'32 | Thierry Caroubi | Majestic & moving. Piano, orchestra, choir & percussion. | adventure corporate video final historical narrative | Em | 120 | |||
|
Oil Refinery [CEZ4100 - 5] |
0 | 2'02 | John Greaves | Inexorable & grating. Electronics & bass. | inexorable investigation industry confident | Gb | 83 | |||
|
Rockabilly Fever [CEZ4098 - 12] |
0 | 1'40 | Mark Alberts | Rockabilly revival in the 80's spirit. Stirring & rousing. | rockabilly lively happy & joyful rock'n'roll | E | 127 | |||
|
The Cats are Alright [CEZ4098 - 14] |
0 | 1'36 | Mark Alberts | Rockabilly. Upfront & lively. | rockabilly 1950 1960 danceable | Em | 86 | |||
|
Upbeat Scape [UBM2158 - 7] |
0 | 1'45 | Daniel Backes, Tobias Ellenberg | Uptempo beat with wide pads and synth patterns. | atmospheric investigation beds sport drama | Gbm | 161 | |||
|
Synthetic Evolution [UBM2154 - 3] |
0 | 3'33 | Christoph Lienemann | Biting, insistent, serious. | 1990 1980 lively rhythmic | Gm | 110 | |||
|
Countdown [UBM2154 - 12] |
0 | 2'04 | Christoph Lienemann | Dark, propulsive, energetic. | 1990 1980 sequencing extreme & fighting sport | Eb | 128 | |||
|
Universe [UBM2154 - 14] |
0 | 3'14 | Christoph Lienemann | Warm, anticipating, propulsive. | 1990 1980 kitsch & cheesy sequencing | E | 126 | |||
|
Nanoids [UBM2125 - 5] |
0 | 2'29 | Josef Bach, Arne Schumann | World of the nanorobots. Clicking and ticking electro synths. | relentless 1990 atmospheric electro ambient | B | 137 | |||
|
Superconduction [UBM2125 - 8] |
0 | 2'50 | Josef Bach, Arne Schumann | Weird noises over driving electro rhythm. | atmospheric bustling 1990 lively | Ebm | 128 | |||
|
Gaga Hiphop [UBM2124 - 17] |
0 | 2'19 | Daniel Backes, Peter Moslener | Slow crossover beats with quirky noises and vocal sample. | mechanical sport beds urban fx voice | Abm | 162 | |||
|
Second Life [CEZ4092 - 5] |
0 | 2'09 | Hoosky | Heavy & steady beat with analog synth. | boom bap beat making urban landscape urban | Fm | 92 | |||
|
Time's Running Out [CEZ4090 - 5] |
0 | 2'08 | Elisabeth Skornik, Guy Skornik | Obsessive tick-tock. Electronics, electric guitar & strings @ 0'34 | crime movie time (tick-tock) investigation relentless | Dm | 102 | |||
|
Stalking [CEZ4090 - 7] |
0 | 2'26 | Elisabeth Skornik, Guy Skornik | Mysterious & disturbing. Keyboard, percussion & Fx. | investigation anticipation spy insidious | F | 120 | |||
|
The Fly on the Wall [CEZ4090 - 8] |
0 | 2'12 | Elisabeth Skornik, Guy Skornik | Scary & tragic. Strings, electronics & "Fly Fx" | action movie disturbing investigation tragic | Am | 108 | |||
|
Play It Loud [CEV3024 - 15] |
0 | 1'49 | Mark Alberts | Powerful & lively Heavy metal. | rhythmic team sport urgent 1970 | Em | 120 | |||
|
Riff Rifle [CEV3024 - 26] |
0 | 2'42 | Mark Alberts | Catchy & incisive riff. | riff 1960 jerk retro American serie | A | 108 |