| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Victim [UBM2278 - 3] |
0 | 1'38 | Lars Jebsen | Prudent, hopeful and melancholic beginning, alternating with pushing, | suspense disturbing anticipation spy | Em | 110 | |||
|
Manipulation [UBM2278 - 4] |
0 | 2'07 | Lars Jebsen | Slowly developing, creeping, ticking beats, suitable for images of | anticipation spy insidious suspense | Em | 140 | |||
|
Hazard [UBM2278 - 8] |
0 | 2'42 | Lars Jebsen | There's danger ahead, modern, distanced sound, ideal for images of | suspense spy relentless anticipation | Cm | 129 | |||
|
Illusion [UBM2278 - 14] |
0 | 2'01 | Lars Jebsen | Crystal clear electronic sounds for risky deals, ideal for images of | suspense spy insidious investigation | Ab | 93 | |||
|
Only the Facts [CEZ4344 - 4] |
0 | 2'51 | Sophia Domancich, Raphaël Marc | Investigation. Crime. TV Series. Sad & desolate. Piano, electronics & | investigation desolate suspense wandering | Bm | 62 | |||
|
Bitter Betrayal [CEZ4344 - 7] |
0 | 2'16 | Sophia Domancich, Raphaël Marc | Investigation. Crime. TV Series. Melancholic & disillusioned. Piano, | social drama suspended atmosphere interrogative investigation | Gm | 152 | |||
|
Misinformation [CEZ4344 - 9] |
0 | 2'38 | Sophia Domancich, Raphaël Marc | Investigation. Crime. TV Series. Frightening & accentuated. Piano & | suspense relentless punctuated investigation | B | 94 | |||
|
On the Spot Reporting [CEZ4344 - 13] |
0 | 2'03 | Sophia Domancich, Simon Goubert | Investigation. Crime. TV Series. Jerky & urgent. Piano, electronics & | suspense investigation relentless percussive | Cm | 88 | |||
|
Changing the Future [CEZ4339 - 9] |
0 | 2'24 | Gabriel Saban, Philippe Briand | Atmospheric, suspended atmosphere & determined. Synth, sound design & | corporate (all) unifying industry crescendo | F | 140 | |||
|
Carried Away [UBM2276 - 7] |
0 | 2'08 | Bernhard Hering, Matthias Krüger-Wendel | An easy track with elated flute, piano and guitar. Suitable for | relaxed daytime TV kitsch & cheesy lazy | Am | 110 | |||
|
Clockpulse [UBM2274 - 1] |
0 | 2'32 | Felix Halbe | Time is running and the tension increases. | interrogative time (tick-tock) suspended atmosphere fx tick-tock | Cm | 87 | |||
|
Things Change [UBM2274 - 3] |
0 | 2'03 | Felix Halbe | Metronom and synthesizer create a pensive, thrilling sound. At the | suspense crime movie time (tick-tock) fx tick-tock | Ebm | 80 | |||
|
Cartel [UBM2274 - 5] |
0 | 2'07 | Felix Halbe | Strictly tapped track which can be looped into sequences, ticking | time (tick-tock) suspended atmosphere crime movie relentless | Gm | 90 | |||
|
Observing Thieves at Work [UBM2274 - 6] |
0 | 2'00 | Felix Halbe | Suitable for scenes of thieves in action. Electronics, synthesizer, | suspense interrogative time (tick-tock) suspended atmosphere | Db | 80 | |||
|
X-Files [UBM2274 - 9] |
0 | 3'00 | Felix Halbe | Impulsive, oppressive sound that boosts the tension. Keyboard, drums, | suspense crime movie disturbing investigation | Cm | 100 | |||
|
Rush Hour [UBM2274 - 12] |
0 | 2'07 | Sebastian Parche | Stop and go are also heard in this track, as is the switch of traffic | time (tick-tock) interrogative cyclic crime movie | Fm | 89 | |||
|
Search [UBM2274 - 14] |
0 | 2'15 | Felix Halbe | Warm piano and dangerous sounding synths create a dramatic tension | time (tick-tock) interrogative disturbing investigation | Em | 107 | |||
|
Spycam [UBM2274 - 15] |
0 | 2'17 | Felix Halbe | The danger is imminent. Ideal for exciting thrillers and images of | time (tick-tock) spy suspended atmosphere disturbing | Bm | 120 | |||
|
Cybercrime [UBM2274 - 16] |
0 | 2'39 | Felix Halbe | Smart hackers are at work. Synthesizer, drones, bass, loopable, | interrogative time (tick-tock) suspended atmosphere disturbing | Em | 93 | |||
|
Wait Tense [UBM2274 - 17] |
0 | 1'49 | Felix Halbe | The calm before the storm is audible. The tension increases. | time (tick-tock) suspended atmosphere crime movie interrogative | G | 90 |