| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Dangerous Path [UBM2266 - 2] |
0 | 3'00 | Achim Zweschper | Gloomy sound, ideal for images of destruction and threat. Percussion. | complex beds intermittent film noir | Gm | 88 | |||
|
Ticking Threat [UBM2266 - 3] |
0 | 2'16 | Achim Zweschper | Dreary, slow, dark, increasing threat. Turkish vocals, oud. | complex toxic beds fx delay | E | 117 | |||
|
Gloomy Alley [UBM2266 - 4] |
0 | 3'18 | Achim Zweschper | Creepy track, ideal for increasing tension. Vocals, percussion. | arid hot desert desolate beds | D | 88 | |||
|
Dreary Hazard [UBM2266 - 5] |
0 | 3'10 | Achim Zweschper | Wistful, sinister, hopeless. Appropriate for reportages of war and | arid hot desert desolate beds | Cm | 100 | |||
|
Creeping Danger [UBM2266 - 9] |
0 | 2'16 | Achim Zweschper | Increasing threat and danger are transported by this melancholy | tropical forest beds complex humid | E | 87 | |||
|
Abandoned Site [UBM2266 - 11] |
0 | 2'48 | Achim Zweschper | Oppressive, gloomy track. Ideal to show isolated, lonely places. | mystical desolate rumbling beds | C | 100 | |||
|
Constant Pressure [UBM2266 - 16] |
0 | 2'15 | Achim Zweschper | Oppressive, threatening track. Pressure is constantly built. sitar | tropical forest beds complex humid | E | 117 | |||
|
No Rest [UBM2266 - 17] |
0 | 2'16 | Achim Zweschper | Dark, sinister, frightful ticking. Tibetan glockenspiel. | tropical forest beds complex humid | E | 117 | |||
|
Tiptoeing Around [UBM2266 - 18] |
0 | 3'10 | Achim Zweschper | Desperate, dull. Creates the impression of danger sneaking up. Sitar, | arid hot desert desolate beds | Cm | 100 | |||
|
Deceiving Peace [UBM2266 - 19] |
0 | 1'57 | Achim Zweschper | Ambivalent track. Shifting between emerging hope and threat. Cello, | hunting wild beds tropical forest | Bm | 85 | |||
|
Seeing the Extent [UBM2266 - 20] |
0 | 3'01 | Achim Zweschper | Disillusion, concussion. Suitable for pictures of destruction. | desolate beds complex geopolitics | Gm | 88 | |||
|
The Enemy Approaches [UBM2266 - 23] |
0 | 2'09 | Achim Zweschper | Fearful, dark, strained. The enemy approaches. Hopeless. | beds scary horror abyss | G | 84 | |||
|
Pure Hatred [UBM2266 - 24] |
0 | 3'11 | Achim Zweschper | Hateful, gloomy, dangerous. Ideal for images of war and destruction. | desolate beds horror disturbing | C | 100 | |||
|
Preparing for the Fight [UBM2266 - 25] |
0 | 1'23 | Achim Zweschper | Determined, proud. War preparation. Sitar, choir. | rumbling kung fu beds abyss | E | 90 | |||
|
Recovery [UBM2266 - 26] |
0 | 1'20 | Achim Zweschper | Relief, salvation, relaxation. War is over. Flute, strings. | introspective beds desolate flute | Em | 65 | |||
|
Pushy Bass [UBM2265 - 16] |
0 | 0'40 | Daniel Backes, Peter Moslener | Fast, urgent, positive. Ideal for advertisement and fairs. Bass. | double bass carefree comical world jazz | Gm | 124 | |||
|
Underground Echoes [EOS20 - 1] |
0 | 3'43 | Anthony Mowat, Olivier Samouillan | Mysterious & strange. Sequencing, synth, electronic percussion, bass, | investigation mysterious crime movie disturbing | B | 86 | |||
|
Deeper Underground [EOS20 - 3] |
0 | 2'50 | Anthony Mowat, Olivier Samouillan | Desolate & mystical. Sequencing, synth, electronic percussion, bass. | panorama panoramic airy electric bass | D | 61 | |||
|
A Strange Traveller [EOS20 - 7] |
0 | 3'22 | Anthony Mowat | Patient & rhythmic. Drums, bass, synth, electric guitar. | film noir neutral drums steady | Dm | 162 | |||
|
A Stranger Traveller [EOS20 - 15] |
0 | 3'28 | Anthony Mowat | Patient & rhythmic. Drums, bass, synth, electric guitar. | film noir drums steady investigation | Dm | 162 |