| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Babel [CEO2017 - 16] |
0 | 1'42 | Armand Frydman | Carefree & confident. Soprano sax, vibraphone & cello. | confident geopolitics carefree Israel | Cm | 113 | |||
|
Trail [EOS02 - 9] |
0 | 2'50 | David Poirier, Sébastien Saint-Lezin | Gloomy & tense. Distorted electric guitar, melotron, synth & | sinister intermittent crime movie cold | Gbm | 63 | |||
|
Cygnus X [EOS01 - 11] |
0 | 3'12 | Anthony Mowat, Choi Young Shin | Alarming & lugubrious. Viola, synth, electronics & percussion @ 1'48. | building drone metallic sinister | Gm | 60 | |||
|
Under History Wheel [CEO2012 - 1] |
2'03 | Bruno Alexiu | Tragic & imposing overture. Orchestra with French horns & timpanies. | Soviet Russia historical conflict inexorable warlike | A | 128 | ||||
|
Under History Wheel #2 [CEO2012 - 2] |
Alt. | 1'37 | Bruno Alexiu | Urgent & lyrical. Symphonic orchestra. Constant progression. Powerful | historical conflict inexorable tragic warlike | Am | 124 | |||
|
Under History Wheel #3 [CEO2012 - 3] |
Alt. | 0'54 | Bruno Alexiu | Threatening & heavy. Symphonic orchestra. | warlike historical narrative historical conflict inexorable | D | 136 | |||
|
Under History Wheel #4 [CEO2012 - 4] |
Alt. | 0'45 | Bruno Alexiu | Tragic & lyrical. Symphonic orchestra. | historical conflict inexorable historical narrative politics | Gm | 126 | |||
|
Under History Wheel #5 [CEO2012 - 5] |
Alt. | 1'07 | Bruno Alexiu | Tragic & powerful. Symphonic orchestra & mixed choir @ 0'31. | historical conflict inexorable historical narrative tragic | Gm | 122 | |||
|
Under History Wheel #6 [CEO2012 - 6] |
Alt. | 1'19 | Bruno Alexiu | Tragic & threatening. Symphonic orchestra & mixed choir @ 0'18. | tragic historical conflict scansion punctuated | Gm | 108 | |||
|
Under History Wheel #7 [CEO2012 - 7] |
Alt. | 0'56 | Bruno Alexiu | Tragic & dark. Symphonic orchestra & mixed choir @ 0'18. | historical conflict destiny historical narrative inexorable | Gbm | 110 | |||
|
Under History Wheel #8 [CEO2012 - 8] |
Alt. | 0'59 | Bruno Alexiu | Interrogative & narrative wait. Symphonic orchestra. | historical narrative destiny historical conflict sinister | Abm | 83 | |||
|
Roma 1922 #4 [CEO2012 - 12] |
1'26 | Bruno Alexiu | Sad & interrogative wait. Symphonic orchestra. | historical narrative historical conflict sinister tragic | D | 91 | ||||
|
Roma 1922 [CEO2012 - 9] |
Alt. | 3'00 | Bruno Alexiu | Solemn & tragic. Symphonic orchestra. | destiny historical narrative tragic inexorable | Gm | 118 | |||
|
Reconquered [CEO2012 - 38] |
0 | 1'46 | Bruno Alexiu | Dramatic & inexorable. Break @ 0'50. Symphonic orchestra. | intermittent final inexorable sudden | Bm | 97 | |||
|
Pastime [CEZ4113 - 21] |
0 | 1'25 | Daniel Diaz | Playful & melancholic. Acoustic guitar, xylophone, piano & melodica. | country & garden childhood gardening naive | Gbm | 102 | |||
|
Set 'Em Up Joe [CEZ4109 - 1] |
2'19 | Benoît Sourisse, André Charlier | Sensual & nocturnal. Hammond organ & rhythm. | jazz ballad Fender rhodes bluesy lazy | Gm | 108 | ||||
|
Set 'Em Up Joe 2 [CEZ4109 - 2] |
Alt. | 2'19 | Benoît Sourisse, André Charlier | Sensual & nocturnal. Solo Hammond organ. | Fender rhodes bluesy lazy intimate | Gm | 82 | |||
|
The Night Crossing [CEZ4109 - 3] |
0 | 2'47 | Stephan Oliva | Sad & wandering. Piano, double bass & drums. | jazz ballad acoustic piano contemporary jazz double basses (all) | Bm | 112 | |||
|
Riverdale [CEZ4109 - 8] |
0 | 2'35 | Vincent Leibovitz | Cyclic, interrogative & determined. Acoustic guitar, organ, | electronica investigation contemporary series urban | Dm | 95 | |||
|
Dizzy Spell [CEZ4109 - 23] |
0 | 0'40 | Sophia Domancich | Desolate & wandering. Electronics, electric guitar & drums. | film noir suspense atmospheric nocturnal | Gm | 104 | |||
|
Prelude To A Murder [CEZ4109 - 26] |
0 | 1'04 | Paul Martin Pritchard | Suspense. Progression. Frightening. Double bass, vibraphone trumpet & | horror suspense 1960 film noir | Am | 130 | |||
|
Film Noir [CEZ4107 - 1] |
0 | 0'45 | Paul Martin Pritchard | Mysterious & sophisticated. Saxophone, trumpet, vibes & rhythm. | film noir tenor saxophone nocturnal B movie | Gm | 108 | |||
|
Stool Pigeon [CEZ4107 - 19] |
0 | 1'38 | Paul Martin Pritchard | Suspense. Interrogative & unstable. Trumpet, double bass & drums. | suspense muted trumpet cinematic jazz double basses (all) | Cm | 152 | |||
|
Lemur Larks 2 [CEZ4106 - 11] |
2'23 | Eric Lohrer, Didier Malherbe | Bouncy & mischievous. Malian Traditional flute, cavaquinho, electric | bouncy world music confident exotic | Em | 142 | ||||
|
Lemur Larks [CEZ4106 - 10] |
Alt. | 2'25 | Eric Lohrer, Didier Malherbe | Bouncy & mischievous. Malian traditional flute, cavaquinho & electric | funny animals birds world music confident | Em | 142 | |||
|
Another Day [CEZ4105 - 10] |
0 | 2'32 | Mark Alberts | Psychedelic-pop ballad with a touch of 70's. Progression. Pop band | psychedelia 1970 pop art pop ballad | G | 144 | |||
|
Bird of Paradise [CEZ4105 - 27] |
0 | 2'14 | Mark Alberts | Country ballad with a Hawaiian feel. Relaxed & exotic. Pop band with | country ballad country (all) exotic Hawaiian guitar | C | 94 | |||
|
Eureka [CEZ4103 - 2] |
0 | 2'26 | Elisabeth Skornik, Guy Skornik | Positive & determined. Electronics, orchestra & percussion. Break @ | breaking news driving industry investigation | Dm | 120 | |||
|
The Key Idea [CEZ4103 - 6] |
0 | 2'28 | Elisabeth Skornik, Guy Skornik | Introspective & pensive. Piano & electronics. Backwards fx. | patient atmospheric interrogative suspended atmosphere | Gbm | 70 | |||
|
In The Back of the Mind [CEZ4103 - 22] |
0 | 2'27 | Elisabeth Skornik, Guy Skornik | Toxic, inexorable & insidious. Piano & drone. Rhythm @ 1'20. | abyss historical conflict suspended atmosphere inexorable | Am | 60 |