| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Dark Fantasy [CEZ4250 - 9] |
0 | 3'18 | Luigi Marletta, Morgan Sansous | Haunting, weird & tense. Rock band & electronics. Alternative/nu | alternative metal funny scary epic distorted electric guitar | Am | 86 | |||
|
From the Bottom of my Grave [CEZ4250 - 10] |
0 | 3'56 | Luigi Marletta, Morgan Sansous | Distressing & percussive. Rock band & electronics. Alternative/nu | nu metal scary percussive aggressive & violent | Am | 137 | |||
|
Gotham [CEZ4250 - 11] |
0 | 3'39 | Luigi Marletta, Morgan Sansous | Percussive & agressive. Rock band. Alternative/nu metal. | nu metal aggressive & violent distorted electric guitar percussive | Am | 91 | |||
|
Heavy and Dirty [CEZ4250 - 12] |
0 | 3'56 | Luigi Marletta, Morgan Sansous | Bass guitar intro 0'32. Massive & tense. Rock band. Alternative/nu | nu metal aggressive & violent fiery distorted electric guitar | Dbm | 148 | |||
|
Spider Wolf [CEZ4250 - 13] |
0 | 4'12 | Luigi Marletta, Morgan Sansous | Bass guitar intro 0'34. Agressive, heavy & worrying. Rock band & | nu metal aggressive & violent action game heavy | Dm | 150 | |||
|
Who Knows Why? [CEZ4252 - 2] |
0 | 2'07 | Elisabeth Skornik, Guy Skornik | Tense, regular & urgent. Electronics & piano. | spy beds steady opening credits TV | Gb | 115 | |||
|
Hypothesis [CEZ4252 - 3] |
2'35 | Elisabeth Skornik, Guy Skornik | Tense, regular & serious. Electronics & piano. | loop historical conflict relentless politics | Cm | 120 | ||||
|
Hypothesis 2 [CEZ4252 - 21] |
Alt. | 2'10 | Elisabeth Skornik, Guy Skornik | Tense, constant & serious. Electronics & piano. | loop historical conflict relentless politics | Cm | 120 | |||
|
The Story Line [CEZ4252 - 6] |
2'22 | Elisabeth Skornik, Guy Skornik | Obstinate, cyclic & serious. Electronics & piano @ 0'43. | time (tick-tock) mysterious cyclic crime movie | Cm | 140 | ||||
|
The Story Line 2 [CEZ4252 - 23] |
Alt. | 2'08 | Elisabeth Skornik, Guy Skornik | Obstinate & serious. Electronics & piano @ 0'30. | relentless crime movie mysterious urgent | Cm | 93 | |||
|
Stand by the Truth [CEZ4252 - 8] |
2'22 | Elisabeth Skornik, Guy Skornik | Questionning & reflective. Synth pads with constant bass line, piano | mysterious investigation wandering atmospheric | G | 109 | ||||
|
Stand By The Truth 2 [CEZ4252 - 26] |
Alt. | 2'12 | Elisabeth Skornik, Guy Skornik | Questioning & reflective. Synth pads with constant bass line, choir, | mysterious investigation wandering atmospheric | G | 109 | |||
|
Public Opinion [CEZ4252 - 9] |
2'45 | Elisabeth Skornik, Guy Skornik | Tense & insidious. Electronics & pizzicato strings. | mysterious crime movie interrogative corporate video | Fm | 162 | ||||
|
Public Opinion 2 [CEZ4252 - 27] |
Alt. | 2'35 | Elisabeth Skornik, Guy Skornik | Tense, suspended & uncertain. Electronics & treated strings with | mysterious crime movie interrogative cyclic | F | 161 | |||
|
At the Crossroads [CEZ4252 - 10] |
2'12 | Elisabeth Skornik, Guy Skornik | Disturbing & questioning. Electronics & strings @ 0'58. | investigation mysterious crime movie social drama | Cm | 90 | ||||
|
At the Crossroads 2 [CEZ4252 - 28] |
Alt. | 2'38 | Elisabeth Skornik, Guy Skornik | Disturbing & questioning. Electronics, sound design @ 0'42 & strings | investigation mysterious crime movie social drama | Cm | 90 | |||
|
Inevitability [CEZ4244 - 1] |
0 | 1'38 | Julien Vega | Sad & cyclic. Constant progression. Piano & electronics. | post-classical acoustic piano everyday life corporate video | Bm | 140 | |||
|
Free Fall [CEZ4242 - 18] |
0 | 2'21 | Christophe Zurfluh | Suspended & patient. Piano & electronics. | peaceful science calm suspended atmosphere | C | 81 | |||
|
Latest News [CEZ4239 - 1] |
0'24 | Lucas Napoleone | Breaking news. Opening & closing. Punchy & serious. Orchestra, | breaking news corporate convention uplifting opening credits TV | Ebm | 162 | ||||
|
Latest News 2 [CEZ4239 - 23] |
Alt. | 0'39 | Lucas Napoleone | Breaking news. Bed. Strings, rhythm & electronics. | breaking news strict suspended atmosphere disturbing | Eb | 118 | |||
|
Latest News 3 [CEZ4239 - 24] |
Alt. | 0'06 | Lucas Napoleone | Breaking news. Jingle. Strings, percussions & electronics. | jingle driving cinematic orchestra breaking news | Eb | 163 | |||
|
Latest News 4 [CEZ4239 - 25] |
Alt. | 0'07 | Lucas Napoleone | Breaking news. Jingle. Strings & electronics. | breaking news cinematic orchestra cinematic percussion driving | Eb | 185 | |||
|
World News [CEZ4239 - 3] |
0'40 | Eric Caissy | Breaking news. Opening & closing. Punchy & exhilarating. Orchestra & | breaking news corporate convention opening credits TV driving | C | 142 | ||||
|
World News 2 [CEZ4239 - 29] |
Alt. | 0'07 | Eric Caissy | Breaking news. Jingle. Closing. Orchestra, percussion & electronics. | jingle breaking news driving epic | C | 130 | |||
|
People Events [CEZ4239 - 5] |
0'28 | Gabriel Saban, Philippe Briand | Breaking news. Opening & closing. Punchy & serious. Orchestra, rhythm | breaking news team sport driving opening credits TV | Dm | 120 | ||||
|
People Events 2 [CEZ4239 - 32] |
Alt. | 2'15 | Gabriel Saban, Philippe Briand | Breaking news. Bed @ 0'17. Punchy & serious. Orchestra, rhythm & | breaking news beds driving opening credits TV | Dm | 120 | |||
|
People Events 3 [CEZ4239 - 33] |
Alt. | 0'09 | Gabriel Saban, Philippe Briand | Breaking news. Jingle. Opening or Closing. Electronics & rhythm. | flight jingle breaking news driving | Dm | 119 | |||
|
News at Midnight [CEZ4239 - 6] |
0'33 | Sebastijan Duh | Breaking news. Opening & closing. Punchy & exhilarating. Orchestra, | breaking news rising strict scansion | F | 115 | ||||
|
News at Midnight 2 [CEZ4239 - 34] |
Alt. | 0'52 | Sebastijan Duh | Breaking news. Bed. Punchy & serious. Orchestra, rhythm & electronics. | breaking news steady beds driving | Fm | 115 | |||
|
News at Midnight 3 [CEZ4239 - 35] |
Alt. | 0'09 | Sebastijan Duh | Breaking news. Jingle. Opening or closing. Orchestra, Electronics & | jingle rising breaking news driving | F | 114 | |||
|
News at Midnight 4 [CEZ4239 - 36] |
Alt. | 0'09 | Sebastijan Duh | Breaking news. Jingle. Opening or closing. Orchestra, Electronics & | jingle rising breaking news driving | F | 112 | |||
|
News at Midnight 5 [CEZ4239 - 37] |
Alt. | 0'11 | Sebastijan Duh | Breaking news. Jingle. Opening or closing. Orchestra, Electronics & | jingle rising breaking news driving | F | 111 | |||
|
News at Midnight 6 [CEZ4239 - 38] |
Alt. | 0'06 | Sebastijan Duh | Breaking news. Jingle. Closing. Orchestra, Electronics & rhythm. | breaking news driving final instrumental | F | 113 | |||
|
International Headlines [CEZ4239 - 18] |
0'19 | Lucas Napoleone | Breaking news. Opening & closing. Punchy & exhilarating. Orchestra, | breaking news corporate convention driving epic | C | 122 | ||||
|
International Headlines 2 [CEZ4239 - 73] |
Alt. | 0'53 | Lucas Napoleone | Breaking news. Bed. Punchy & urgent. Electronics, choir & rhythm. | breaking news beds steady scansion | C | 122 | |||
|
International Headlines 3 [CEZ4239 - 74] |
Alt. | 0'07 | Lucas Napoleone | Breaking news. Jingle. Electronics, choir & rhythm. | jingle rising breaking news mixed choir | C | 121 | |||
|
International Headlines 4 [CEZ4239 - 75] |
Alt. | 0'06 | Lucas Napoleone | Breaking news. Logo. Electronics, choir & rhythm. | breaking news climax driving uplifting | C | 122 | |||
|
Too Young to Love [CEZ4236 - 8] |
2'06 | Mark Alberts | Slow in the style of the 50's & 60's. Small ensemble with solo tenor | country ball slow (dance) romantic comedy 1960 | B | 66 | ||||
|
Too Young to Love 2 [CEZ4236 - 24] |
Alt. | 2'06 | Mark Alberts | Slow in the style of the 50's & 60's. Small ensemble with solo vocal. | country ball slow (dance) romantic comedy 1960 | B | 66 | |||
|
Waltz Around Nashville [CEZ4236 - 15] |
0 | 2'59 | Mark Alberts | Country waltz in the spirit of the 50's & 60's. Tender & dreamy. | country ballad Country & Western fx reverb coastline | G | 108 |