| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Chelsea Hotel [CEZ4047 - 14] |
0 | 2'40 | Silvano Michelino, Jean-Francois Morin | Easy going, sophisticated & confident. Pop sound of the 60's with | 1960 psychedelia 1970 confident | G | 110 | |||
|
Protesters [CEZ4047 - 16] |
0 | 2'31 | Silvano Michelino | Underground, subversive & wild. Psychedelic sound with fuzz guitar. | pop art unstable pop rock psychedelia | Dm | 100 | |||
|
Beyond the Frame [CEZ4046 - 26] |
0 | 3'01 | Christof Déjean | Hypnotic & trancelike. Slow global groove with melodic cello. | hot desert desolate geopolitics adventure | Gbm | 162 | |||
|
Closing In [CEZ4040 - 11] |
0 | 2'09 | Elisabeth Skornik, Guy Skornik | Intriguing Rhodes & strings over insistent rhythm. | investigation spy action movie interrogative | Dm | 100 | |||
|
Homeward Bound [CEZ4039 - 28] |
0 | 2'49 | Manuel Galvin, Benoît Sourisse | Ever faster... Harmonica, guitar and drums... | trains adventure confident country rock | G | 156 | |||
|
Artificial Intelligence [CEZ4034 - 23] |
0 | 1'32 | Elisabeth Skornik, Guy Skornik | Cool & strange groove, the machines are talking... | industry robotic quirky video game | Ebm | 120 | |||
|
Secret Witness [EOS150 - 3] |
0 | 1'37 | Rémi Demoen, Simon Gruwé | Enigmatic & nocturnal. Suspense. Guitars, synths, strings & | mysterious acoustic piano synthesizer confident | Dbm | 115 | |||
|
Follow the Women in Red [EOS150 - 4] |
0 | 1'47 | Rémi Demoen, Simon Gruwé | Sentimental & confident. Vocals, guitars, violin, piano & percussion. | country & garden confident folk guitar tracking shot | Em | 129 | |||
|
Another Corpse [EOS150 - 8] |
0 | 2'11 | Rémi Demoen, Simon Gruwé | Waiting, & enigmatic. Synth, dulcimer, piano, guitars & percussion. | mysterious acoustic piano investigation panoramic | Fm | 120 | |||
|
Fun in Learning [CEZ4702 - 2] |
1'55 | Louis Edlinger | Electronica bed. Positive, happy & coloured. Synth, humming voice & | teaching driving lively happy & joyful | A | 109 | ||||
|
Fun in Learning Alternate 1 [CEZ4702 - 19] |
Alt. | 1'55 | Louis Edlinger | Alternate no vocals. | A | 109 | ||||
|
Fun in Learning Alternate 2 [CEZ4702 - 20] |
Alt. | 1'44 | Louis Edlinger | Alternate underscore. | Em | 109 | ||||
|
Fun in Learning Edit 60 sec [CEZ4702 - 21] |
Alt. | 1'00 | Louis Edlinger | 60 second cut. | Em | 109 | ||||
|
Fun in Learning Edit 30 sec [CEZ4702 - 22] |
Alt. | 0'30 | Louis Edlinger | 30 second cut. | Em | 109 | ||||
|
Fun in Learning Edit 20 sec [CEZ4702 - 23] |
Alt. | 0'20 | Louis Edlinger | 20 second cut. | Em | 109 | ||||
|
Fun in Learning Edit Sting [CEZ4702 - 24] |
Alt. | 0'11 | Louis Edlinger | Sting. | A | 108 | ||||
|
Training the Mind [CEZ4702 - 10] |
2'03 | Louis Edlinger | Electronica bed. Animated, intellectual & focused. Synth & rhythm. | patient teaching strict beds | C | 100 | ||||
|
Training the Mind Alternate 1 [CEZ4702 - 67] |
Alt. | 2'03 | Louis Edlinger | Alternate no percs. | C | 100 | ||||
|
Training the Mind Alternate 2 [CEZ4702 - 68] |
Alt. | 1'39 | Louis Edlinger | Underscore version. | C | 100 | ||||
|
Training the Mind Edit 60 sec [CEZ4702 - 69] |
Alt. | 0'59 | Louis Edlinger | 60 second cut. | C | 100 | ||||
|
Training the Mind Edit 30 sec [CEZ4702 - 70] |
Alt. | 0'30 | Louis Edlinger | 30 second cut. | C | 100 | ||||
|
Training the Mind Edit 20 sec [CEZ4702 - 71] |
Alt. | 0'20 | Louis Edlinger | 20 second cut. | C | 100 | ||||
|
Training the Mind Edit Sting [CEZ4702 - 72] |
Alt. | 0'14 | Louis Edlinger | Sting. | C | 133 | ||||
|
Inspector Cha Cha Cha [CEZ4704 - 2] |
1'36 | Sebastijan Duh | 60s 70s jazz groove. Lively, positive & happy. Organ, piano, brass | funny comedy lively happy & joyful | Bbm | 78 | ||||
|
Inspector Cha Cha Cha
[CEZ4704 - 18] |
Alt. | 1'34 | Sebastijan Duh | Alternate no vocals. | funny comedy lively happy & joyful | Bbm | 78 | |||
|
Inspector Cha Cha Cha
[CEZ4704 - 19] |
Alt. | 1'35 | Sebastijan Duh | Alternate no drums no perc. | funny comedy lively happy & joyful | Bbm | 104 | |||
|
Inspector Cha Cha Cha
[CEZ4704 - 20] |
Alt. | 2'55 | Sebastijan Duh | Extended alternate. | funny comedy lively happy & joyful | Bbm | 78 | |||
|
Inspector Cha Cha Cha
[CEZ4704 - 21] |
Alt. | 2'54 | Sebastijan Duh | Alternate no vocals. | funny comedy lively happy & joyful | Bbm | 78 | |||
|
Inspector Cha Cha Cha
[CEZ4704 - 22] |
Alt. | 2'54 | Sebastijan Duh | Alternate no drums no perc. | funny comedy lively happy & joyful | Bbm | 78 | |||
|
The Butler Did It [CEZ4704 - 7] |
1'54 | Benoit Cimbé | Small ensemble. Playful, secret & clever. Piano, marimba, pizzicati, | animation & cartoons funny animals ironical & mischievous circus | Bm | 105 | ||||
|
The Butler Did It Alternate 1 [CEZ4704 - 27] |
Alt. | 1'54 | Benoit Cimbé | Alternate no drums. | animation & cartoons funny animals ironical & mischievous circus | Bm | 105 | |||
|
The Butler Did It Alternate 2 [CEZ4704 - 28] |
Alt. | 1'47 | Benoit Cimbé | Alternate no piano no drums. | animation & cartoons funny animals ironical & mischievous circus | Bm | 105 | |||
|
Dark Glasses [CEZ4704 - 8] |
1'40 | Grand David | 70s jazz groove. Cool, warm & classy. Bass, Hammond organ & drums | funny carefree ironical & mischievous relaxed | Abm | 127 | ||||
|
Dark Glasses Alternate [CEZ4704 - 29] |
Alt. | 1'39 | Grand David | Alternate no drums. | funny carefree ironical & mischievous relaxed | Bbm | 127 | |||
|
Quiproquo [CEZ4701 - 2] |
1'47 | Alain Bernard Denis | Bouncy, playful, carefree, retro & teasing. Amusing flute, xylophone, | carefree happy & joyful animation & cartoons French retro comedy | B | 92 | ||||
|
Quiproquo Alternate [CEZ4701 - 16] |
Alt. | 1'47 | Alain Bernard Denis | Version without drums | carefree happy & joyful animation & cartoons French retro comedy | B | 92 | |||
|
Accidental Genius [CEZ4701 - 8] |
2'32 | Colo Colo | Falsely mysterious & insidious, amusing, grotesque & playful. With a | mockumentary mysterious tragi-comic insidious | Am | 115 | ||||
|
Accidental Genius Alternate [CEZ4701 - 22] |
Alt. | 2'33 | Colo Colo | Version without percussion | mockumentary mysterious tragi-comic insidious | Am | 115 | |||
|
Going to Press [CEG5061 - 4] |
2'27 | Jon Du | Cinematic. Pressing, reflextive & light tension. Break @ 0'57 with | original score crime movie insidious investigation | Bbm | 135 | ||||
|
Going to Press Alternate 1 [CEG5061 - 18] |
Alt. | 2'27 | Jon Du | Version without beat | original score crime movie insidious investigation | Bbm | 135 | |||
|
Going to Press Alternate 2 [CEG5061 - 19] |
Alt. | 2'28 | Jon Du | Underscore version | original score crime movie insidious investigation | Bbm | 135 | |||
|
Peeling Back the Layers [CEG5061 - 9] |
2'11 | Thomas Didier | Cinematic. Dramatic, unavoidable & obsessive. Repetitive piano, clock | anticipation investigation patient cinematic | Em | 120 | ||||
|
Peeling Back the Layers
[CEG5061 - 28] |
Alt. | 2'11 | Thomas Didier | Version without percussion | anticipation investigation patient cinematic | Em | 120 | |||
|
Peeling Back the Layers
[CEG5061 - 29] |
Alt. | 2'11 | Thomas Didier | Underscore version | anticipation investigation patient cinematic | Em | 120 | |||
|
Truth Matters More [CEG5061 - 10] |
2'42 | Nill O'maha | Cinematic. Melancholic, repetitive & obsessive. Ethereal electric | cinematic cyclic moving hypnotic | Bm | 128 | ||||
|
Truth Matters More Alternate 1 [CEG5061 - 30] |
Alt. | 2'42 | Nill O'maha | Version without percussion | cinematic cyclic moving hypnotic | Bm | 129 | |||
|
Truth Matters More Alternate 2 [CEG5061 - 31] |
Alt. | 2'41 | Nill O'maha | Underscore version | cinematic cyclic moving hypnotic | Bm | 128 | |||
|
The Snooper [CEG5061 - 11] |
2'12 | Thomas Didier | Cinematic. Haunting, ticking & mysterious. Break @ 0'58. Piano, clock | cinematic interrogative politics cyclic | Am | 100 | ||||
|
The Snooper Alternate 1 [CEG5061 - 32] |
Alt. | 2'13 | Thomas Didier | Version without percussion | cinematic interrogative politics cyclic | Am | 100 | |||
|
The Snooper Alternate 2 [CEG5061 - 33] |
Alt. | 2'13 | Thomas Didier | Underscore version | cinematic interrogative politics cyclic | Am | 100 |