| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Pulsed Energy Projectile [CEZ4285 - 13] |
0 | 2'04 | Sebastijan Duh | Agressive & urgent. Distant fight. Percussions & electronics. | historical conflict action movie war (movies) inexorable | Cm | 135 | |||
|
Command Center [CEZ4285 - 19] |
1'56 | Julien Vega | Threatening & minimalist. Agressive & violent @ 0'48. Electronics & | historical conflict action movie aggressive & violent cinematic | Bm | 140 | ||||
|
Command Center Alternate
[CEZ4285 - 33] |
Alt. | 1'57 | Julien Vega | Underscore. War sound effects & urgent. Electronics. | historical conflict aggressive & violent war (movies) percussive | Gbm | 140 | |||
|
Misleading Survey [CEZ4284 - 5] |
0 | 1'50 | Julien Baril | Tense & disturbing. Hybrid orchestra. | disturbing investigation historical conflict suspended atmosphere | Em | 120 | |||
|
Those Facts [UBM2271 - 6] |
0 | 1'55 | Daniel Backes, Peter Moslener | Tension, drama, time ticking away. Ideal for investigative images and | crime movie disturbing investigation mysterious | B | 100 | |||
|
Cloud Bells [UBM2271 - 11] |
0 | 1'38 | Daniel Backes, Peter Moslener | Airy, delicate track that evokes the picture of clouds going by. | arpeggiator science neutral percussive | G | 62 | |||
|
Electric Pressure [UBM2271 - 13] |
0 | 1'40 | Daniel Backes, Peter Moslener | Danger, threat, harshness. Ideal for dramatic scenes and to build up | industry science synthesizer disturbing | C | 125 | |||
|
Sinister Scene [UBM2270 - 15] |
0 | 2'13 | Daniel Backes, Peter Moslener | Gloomy, heavy track with a deep piano. Ideal for dark images and | interrogative investigation film noir disturbing | Em | 75 | |||
|
Clouds [UBM2267 - 10] |
0 | 1'46 | Karsten Lipp, Andre Matov | Electronic Track with synthesizer and spheres, electronics. Ideal for | weather report neutral patient sound design | Fm | 115 | |||
|
Side Stories [UBM2265 - 17] |
0 | 0'45 | Daniel Backes, Peter Moslener | Neutral yet serious. Suitable for news. Synthesizer. | confident advertising corporate (all) electric piano | Dm | 127 | |||
|
Underground Echoes [EOS20 - 1] |
0 | 3'43 | Anthony Mowat, Olivier Samouillan | Mysterious & strange. Sequencing, synth, electronic percussion, bass, | investigation mysterious crime movie disturbing | B | 86 | |||
|
Dusty Road [CEZ4279 - 24] |
0 | 1'20 | Adrien Robert Patterson | Arid & atmospheric. Electric guitar & sound design with backward fx. | fx backwards neutral arid drone | G | 118 | |||
|
Alex et Angelo [CEO2038 - 11] |
0 | 1'30 | Jérôme Lemonnier | Obstinate & serious. Hang, synth & fx reverse. | hang drum strict scansion science | Gm | 92 | |||
|
Behind The Scenes [CEZ4252 - 16] |
2'31 | Elisabeth Skornik, Guy Skornik | Interrogative & continuous. Electronics, piano @ 0'39 & strings @ | fx backwards calm architecture & design corporate video | D | 104 | ||||
|
Behind the Scenes 2 [CEZ4252 - 32] |
Alt. | 2'12 | Elisabeth Skornik, Guy Skornik | Powerful & continuous. Rhythm, electronics & piano @ 0'37. Underscore. | rhythmic corporate video neutral powerful & imposing | D | 104 | |||
|
The Birth of Ambition [CEZ4244 - 4] |
0 | 2'17 | Gabriel Saban, Philippe Briand | Urgent & melancholic. Piano & electronics. | post-classical everyday life corporate video panorama | G | 140 | |||
|
Genome [CEZ4242 - 17] |
0 | 2'19 | Gréco Casadesus, Gregory Cotti | Suspended & bustling. Electronics. | electro ambient suspended atmosphere underwater luminous | Am | 65 | |||
|
Free Fall [CEZ4242 - 18] |
0 | 2'21 | Christophe Zurfluh | Suspended & patient. Piano & electronics. | peaceful science calm suspended atmosphere | C | 81 | |||
|
Sequential Circuits [CEZ4240 - 19] |
0 | 1'43 | John Greaves | Tense & urgent. Electronics. | steady cybernetics interrogative beds | Gbm | 120 | |||
|
Le Corps de Métier [CEO2034 - 2] |
0 | 2'09 | Vincent Leibovitz | Panoramic & wandering. Banjo, guitar & electronics. | road movie arid panorama electro folk | Em | 142 | |||
|
Projection [CEO2034 - 4] |
0 | 2'09 | Vincent Leibovitz | Intro with fade in. Repetitive & cristalline. Electronics. Build up. | arty post-classical sci-fi crystalline | C | 76 | |||
|
Caméra au Poing [CEO2034 - 5] |
0 | 1'43 | Vincent Leibovitz | Intro with fade in. Urgent, tense & moving. Banjo, strings & | panorama cyclic road movie banjo | Em | 102 |