| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Political Battle Alternate
[CEZ4290 - 50] |
1'53 | Gabriel Saban, Philippe Briand | Powerful, urgent & solemn. Constant progression. Cinematic orchestra. | docu fiction opening credits TV contemporary history politics | Cm | 88 | ||||
|
Political Battle [CEZ4290 - 24] |
Alt. | 1'55 | Gabriel Saban, Philippe Briand | Powerful, urgent & solemn. Constant progression. Cinematic orchestra | docu fiction opening credits TV contemporary history relentless | Cm | 117 | |||
|
Neural implants [EOS21 - 6] |
0 | 2'52 | Samuel Tornqvist | Patient & calm. Piano, synth, hapi drum. | patient acoustic piano beds calm | Em | 90 | |||
|
Musical Automata [EOS21 - 9] |
0 | 2'26 | Samuel Tornqvist | Abstract & mysterious. Violin, piano, synth. | complex investigation neo-classical music polyrhythms | Am | 130 | |||
|
Psychological Warfare [CEZ4285 - 7] |
0 | 2'10 | Gabriel Saban, Philippe Briand | Powerful & dramatic. Constant progression. Cinematic orchestra, | historical conflict action movie disturbing war (movies) | Cm | 130 | |||
|
Killed in Action [CEZ4285 - 12] |
0 | 2'12 | Lucas Napoleone | Sad & desolate. Constant progression. Cinematic orchestra, trumpet @ | desolate social drama tragic sad | C | 94 | |||
|
Dangerous Path [UBM2266 - 2] |
0 | 3'00 | Achim Zweschper | Gloomy sound, ideal for images of destruction and threat. Percussion. | complex beds intermittent film noir | Gm | 88 | |||
|
Ticking Threat [UBM2266 - 3] |
0 | 2'16 | Achim Zweschper | Dreary, slow, dark, increasing threat. Turkish vocals, oud. | complex toxic beds fx delay | E | 117 | |||
|
Gloomy Alley [UBM2266 - 4] |
0 | 3'18 | Achim Zweschper | Creepy track, ideal for increasing tension. Vocals, percussion. | arid hot desert desolate beds | D | 88 | |||
|
Dreary Hazard [UBM2266 - 5] |
0 | 3'10 | Achim Zweschper | Wistful, sinister, hopeless. Appropriate for reportages of war and | arid hot desert desolate beds | Cm | 100 | |||
|
Creeping Danger [UBM2266 - 9] |
0 | 2'16 | Achim Zweschper | Increasing threat and danger are transported by this melancholy | tropical forest beds complex humid | E | 87 | |||
|
Tiptoeing Around [UBM2266 - 18] |
0 | 3'10 | Achim Zweschper | Desperate, dull. Creates the impression of danger sneaking up. Sitar, | arid hot desert desolate beds | Cm | 100 | |||
|
Deceiving Peace [UBM2266 - 19] |
0 | 1'57 | Achim Zweschper | Ambivalent track. Shifting between emerging hope and threat. Cello, | hunting wild beds tropical forest | Bm | 85 | |||
|
The Enemy Approaches [UBM2266 - 23] |
0 | 2'09 | Achim Zweschper | Fearful, dark, strained. The enemy approaches. Hopeless. | beds scary horror abyss | G | 84 | |||
|
Pure Hatred [UBM2266 - 24] |
0 | 3'11 | Achim Zweschper | Hateful, gloomy, dangerous. Ideal for images of war and destruction. | desolate beds horror disturbing | C | 100 | |||
|
Alarm Music [EOS20 - 2] |
0 | 2'12 | Anthony Mowat | Introspective & desolate. Sequencing, synth, bass, electric guitar, | introspective electric bass desolate road movie | Fm | 162 | |||
|
Zero Gravity Station [EOS20 - 4] |
0 | 3'29 | Anthony Mowat | Patient & introspective. Sequencing, synth, drums, bass, electric | panoramic introspective patient desolate | Dm | 75 | |||
|
Down at the Station [EOS20 - 5] |
0 | 2'23 | Anthony Mowat | Urban & mysterious. Sequencing, synth, electronic percussion. | investigation urban film noir crime movie | Db | 72 | |||
|
Super Subway Comedian [EOS20 - 9] |
0 | 2'03 | Anthony Mowat | Nocturnal & introspective. Sequencing, synth, drums, bass, electric | nocturnal electric bass dub introspective | Am | 72 | |||
|
Hope is a Rare Thing [EOS20 - 11] |
0 | 2'54 | Anthony Mowat, Olivier Samouillan | Introspective & mystical. Drums, bass, piano, synth, sequencing. | nocturnal string section drums dub | Em | 70 | |||
|
Alep in fire [EOS19 - 1] |
0 | 4'04 | Sébastien Saint-Lezin | Driving & complex. Synthesizer, sequencing, electronic percussion, | complex driving urgent noisy | Cm | 135 |