| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Gotham [CEZ4250 - 11] |
0 | 3'39 | Luigi Marletta, Morgan Sansous | Percussive & agressive. Rock band. Alternative/nu metal. | nu metal aggressive & violent distorted electric guitar percussive | Am | 91 | |||
|
Heavy and Dirty [CEZ4250 - 12] |
0 | 3'56 | Luigi Marletta, Morgan Sansous | Bass guitar intro 0'32. Massive & tense. Rock band. Alternative/nu | nu metal aggressive & violent fiery distorted electric guitar | Dbm | 148 | |||
|
Spider Wolf [CEZ4250 - 13] |
0 | 4'12 | Luigi Marletta, Morgan Sansous | Bass guitar intro 0'34. Agressive, heavy & worrying. Rock band & | nu metal aggressive & violent action game heavy | Dm | 150 | |||
|
Who Knows Who? [CEZ4252 - 1] |
2'09 | Elisabeth Skornik, Guy Skornik | Intriguing, mysterious & sparse. Paino, sound design, strings @ 0'55 | mysterious narrative suspense interrogative | Gbm | 115 | ||||
|
Who Knows Who? 2 [CEZ4252 - 20] |
Alt. | 2'07 | Elisabeth Skornik, Guy Skornik | Mysterious, minimalist & sparse. Piano & sound design. | mysterious suspense sparse interrogative | Gbm | 114 | |||
|
Hypothesis [CEZ4252 - 3] |
2'35 | Elisabeth Skornik, Guy Skornik | Tense, regular & serious. Electronics & piano. | loop historical conflict relentless politics | Cm | 120 | ||||
|
Hypothesis 2 [CEZ4252 - 21] |
Alt. | 2'10 | Elisabeth Skornik, Guy Skornik | Tense, constant & serious. Electronics & piano. | loop historical conflict relentless politics | Cm | 120 | |||
|
Alternate Hypothesis [CEZ4252 - 4] |
0 | 2'20 | Elisabeth Skornik, Guy Skornik | Mysterious & worrying. Regular pulsation. Electronics, percussion & | punctuated relentless crime movie disturbing | C | 120 | |||
|
The Story Line [CEZ4252 - 6] |
2'22 | Elisabeth Skornik, Guy Skornik | Obstinate, cyclic & serious. Electronics & piano @ 0'43. | time (tick-tock) mysterious cyclic crime movie | Cm | 140 | ||||
|
The Story Line 2 [CEZ4252 - 23] |
Alt. | 2'08 | Elisabeth Skornik, Guy Skornik | Obstinate & serious. Electronics & piano @ 0'30. | relentless crime movie mysterious urgent | Cm | 93 | |||
|
Stand by the Truth [CEZ4252 - 8] |
2'22 | Elisabeth Skornik, Guy Skornik | Questionning & reflective. Synth pads with constant bass line, piano | mysterious investigation wandering atmospheric | G | 109 | ||||
|
Stand By The Truth 2 [CEZ4252 - 26] |
Alt. | 2'12 | Elisabeth Skornik, Guy Skornik | Questioning & reflective. Synth pads with constant bass line, choir, | mysterious investigation wandering atmospheric | G | 109 | |||
|
Public Opinion [CEZ4252 - 9] |
2'45 | Elisabeth Skornik, Guy Skornik | Tense & insidious. Electronics & pizzicato strings. | mysterious crime movie interrogative corporate video | Fm | 162 | ||||
|
Public Opinion 2 [CEZ4252 - 27] |
Alt. | 2'35 | Elisabeth Skornik, Guy Skornik | Tense, suspended & uncertain. Electronics & treated strings with | mysterious crime movie interrogative cyclic | F | 161 | |||
|
At the Crossroads [CEZ4252 - 10] |
2'12 | Elisabeth Skornik, Guy Skornik | Disturbing & questioning. Electronics & strings @ 0'58. | investigation mysterious crime movie social drama | Cm | 90 | ||||
|
At the Crossroads 2 [CEZ4252 - 28] |
Alt. | 2'38 | Elisabeth Skornik, Guy Skornik | Disturbing & questioning. Electronics, sound design @ 0'42 & strings | investigation mysterious crime movie social drama | Cm | 90 | |||
|
Confidential Information [CEZ4252 - 11] |
0 | 2'25 | Elisabeth Skornik, Guy Skornik | Obstinate, mysterious & interrogative. Electronics & pizzicato | arts & crafts patient politics corporate video | Gm | 98 | |||
|
Shocking Information [CEZ4252 - 12] |
0 | 2'05 | Elisabeth Skornik, Guy Skornik | Percussive & punctuated. Electronics, sequence & piano @ 0'50. | punctuated heavy historical conflict docu fiction | Gm | 98 | |||
|
Deep Down Inside [CEZ4252 - 13] |
2'28 | Guy Skornik, Elisabeth Skornik | Obstinate, patient & classy. Staccato strings & electronics. | arts & crafts corporate video neo-classical music patient | Cm | 124 | ||||
|
Deep Down Inside 2 [CEZ4252 - 29] |
Alt. | 1'42 | Elisabeth Skornik, Guy Skornik | Obstinate, mysterious & mischievous. Bassoon & strings. | arts & crafts corporate video neo-classical music patient | Cm | 125 | |||
|
Spreading Rumors [CEZ4252 - 14] |
0 | 2'44 | Elisabeth Skornik, Guy Skornik | Urgent & mysterious. Séquence, string pad & piano. | industry mysterious corporate video interrogative | Cm | 120 | |||
|
According to the Evidence [CEZ4252 - 17] |
2'31 | Elisabeth Skornik, Guy Skornik | Reflective, interrogative & discontinuous. Electronics, rhythm & | mysterious spy interrogative shy | Cm | 100 | ||||
|
According to the Evidence 2 [CEZ4252 - 33] |
Alt. | 2'32 | Elisabeth Skornik, Guy Skornik | Tense, interrogative, continuous & punctuated. Electronics. | investigation mysterious beds punctuated | C | 100 | |||
|
Top Secret [CEZ4252 - 18] |
2'40 | Elisabeth Skornik, Guy Skornik | Suspense, intriguing & insidious. Electronics. Strings & brass @ | mysterious urban investigation spy | Eb | 62 | ||||
|
Top Secret 2 [CEZ4252 - 34] |
Alt. | 1'52 | Elisabeth Skornik, Guy Skornik | Urgent, weird & intriguing. Electronics. Build up gradually. | punctuated crime movie heavy mysterious | Bbm | 124 | |||
|
Hidden Mystery [CEZ4252 - 19] |
2'49 | Elisabeth Skornik, Guy Skornik | Weird, mysterious & linear. Electronics, sound design & strings. | investigation paranormal social drama spy | Am | 96 | ||||
|
Hidden Mystery 2 [CEZ4252 - 35] |
Alt. | 2'49 | Elisabeth Skornik, Guy Skornik | Strange, mysterious & linear. Electronics, sound design & strings. | fx backwards unstable suspense chaotic | Am | 96 | |||
|
Première Prise [CEO2034 - 1] |
0 | 2'50 | Vincent Leibovitz | Intro with fade in. Suspended, lonely & sparse. Electric guitar, | suspended atmosphere contemporary series electro ambient post-classical | Em | 81 | |||
|
Chute Libre [CEO2034 - 7] |
0 | 4'46 | Vincent Leibovitz | Intro with fade in. Pensive, desolate & repetitive. Séquence, piano, | moving desolate introspective trailer | Am | 73 | |||
|
Mercury [UBM2234 - 1] |
0 | 2'50 | Axel Coon, Linus Sandberg | Powerful & changing. Synth, electronic percussion, electronics. | club EDM uplifting electronic percussion | Abm | 124 |