| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Result Contested [CEZ4209 - 11] |
1'55 | Thierry Caroubi | Urgent & dramatic. Strings, electronics & percussion. | investigation spy marimba relentless | Ab | 120 | ||||
|
Result Contested 2 [CEZ4209 - 22] |
Alt. | 1'08 | Thierry Caroubi | Urgent & dramatic. Strings orchestra. | historical narrative string section destiny moving | Fm | 132 | |||
|
Counting Votes [CEZ4209 - 12] |
0 | 2'02 | Baptiste Thiry | Sad & disturbing. Electronics. | investigation politics fx backwards nocturnal | Am | 101 | |||
|
Meet the Voters [CEZ4209 - 13] |
0 | 2'35 | Eric Lohrer | Interrogative & cyclic. Electronics & strings. | weather report neutral politics confident | D | 130 | |||
|
Voting Booth [CEZ4209 - 16] |
0 | 1'55 | Thierry Caroubi | Cyclic & sad. Electronics. | fx reverb mark tree social drama fantasy | Ab | 162 | |||
|
Democracy On the Move [CEZ4208 - 13] |
2'17 | Gabriel Saban, Philippe Briand | Obstinate & serious. Constant progression. Strings & percussions. | corporate video fiery opening credits TV politics | Cm | 90 | ||||
|
Democracy On the Move 2 [CEZ4208 - 21] |
Alt. | 2'11 | Gabriel Saban, Philippe Briand | Neoclassical. Obstinate & serious. | proud corporate video neo-classical music politics | Gm | 178 | |||
|
Leadership Contest [CEZ4208 - 15] |
0 | 2'06 | Gabriel Saban, Philippe Briand | Serious & tense. String orchestra, piano & percussion. | opening credits TV investigation politics chaotic | Dbm | 120 | |||
|
Gerrymandering [CEZ4208 - 16] |
0 | 2'45 | Eric Lohrer | Obstinate & cyclic. Strings, snare drum & piano. | relentless industry politics strict | Dbm | 113 | |||
|
Trace Evidence [CEZ4206 - 24] |
0 | 2'39 | Gréco Casadesus, Gregory Cotti | Underscore. Desolate & distressing. Electronics & strings. | suspended atmosphere mysterious beds desolate | Am | 94 | |||
|
Dark Place Bright Light [CEZ4206 - 30] |
0 | 2'14 | Jérôme Lemonnier | Underscore. Suspended & inexorable. Strings, xylophone & electronics. | beds desolate suspended atmosphere historical conflict | E | 93 | |||
|
Emergency Room [CEZ4204 - 6] |
0 | 2'32 | Philippe Bozec | Inexorable & urgent. Piano, strings & electronics. Fx tick-tock. | social drama inexorable fx tick-tock disturbing | Am | 120 | |||
|
Agents Nightshift [UBM2241 - 9] |
0 | 2'13 | Bernhard Hering, Matthias Krüger-Wendel | Subtle electronic sounds for images of research, forensics, data | beds atmospheric spy disturbing | C | 108 | |||
|
The Time it Takes [CEZ4197 - 3] |
2'26 | Elisabeth Skornik, Guy Skornik | Careful & crystalline. Keyboards & electronics. | arts & crafts corporate video patient time (tick-tock) | D | 120 | ||||
|
The Time it Takes 2 [CEZ4197 - 22] |
Alt. | 2'26 | Elisabeth Skornik, Guy Skornik | Minimalist & sparse. Piano, echo fx & pads. Build-up. | peaceful arts & crafts refined childhood | D | 120 | |||
|
From Idea to Achievement [CEZ4197 - 6] |
2'12 | Elisabeth Skornik, Guy Skornik | Gradual build-up. From intimate to exhilarating. Keyboards, | crescendo corporate video building confident | Am | 104 | ||||
|
From Idea to Achievement 2 [CEZ4197 - 29] |
Alt. | 1'17 | Elisabeth Skornik, Guy Skornik | Serious & urgent. Gradual build-up. Strings & percussion. | building crescendo corporate video uplifting | Am | 103 | |||
|
From Idea to Achievement 3 [CEZ4197 - 30] |
Alt. | 2'03 | Elisabeth Skornik, Guy Skornik | Intimate & crystalline then serious. Keyboards & strings @ 0'37. | corporate video intimate introspective delicate | Am | 104 | |||
|
Source of Innovation [CEZ4197 - 8] |
2'21 | Guy Skornik, Elisabeth Skornik | Positive & determined with a barocco touch. Keybords & strings @ | strict neo-classical music arts & crafts unifying | Cm | 120 | ||||
|
Source of Innovation 2 [CEZ4197 - 35] |
Alt. | 1'13 | Elisabeth Skornik, Guy Skornik | Positive & determined with a barocco touch. String ensemble. | neo-classical music heritage unifying arts & crafts | Cm | 120 | |||
|
Serial Process [CEZ4197 - 9] |
2'04 | Elisabeth Skornik, Guy Skornik | Obstinate & serious. Piano, electronics & strings @ 0'45. | strict cyclic industry steady | Fm | 92 | ||||
|
Serial Process 2 [CEZ4197 - 36] |
Alt. | 2'03 | Elisabeth Skornik, Guy Skornik | Obstinate & serious. Piano, electronics & strings @ 0'45. Alt mix. | strict cyclic corporate video steady | Fm | 93 | |||
|
Serial Process 3 [CEZ4197 - 37] |
Alt. | 1'18 | Elisabeth Skornik, Guy Skornik | Obstinate & serious. Piano, electronics. No strings. | strict cyclic steady social drama | Fm | 92 | |||
|
Serial Process 4 [CEZ4197 - 38] |
Alt. | 1'36 | Elisabeth Skornik, Guy Skornik | Percussive & determined. Electronic percussion & keyboard. | strict cyclic industry steady | Fm | 93 | |||
|
Think Global, Act Local [CEZ4197 - 10] |
2'23 | Elisabeth Skornik, Guy Skornik | Precise & peaceful. Piano & electronics. Staccato strings @ 1'30. | restrained suspended atmosphere corporate video strict | A | 86 | ||||
|
Think Global, Act Local 2 [CEZ4197 - 39] |
Alt. | 1'48 | Elisabeth Skornik, Guy Skornik | Precise & peaceful. Electric keyboard & electronics. | restrained arts & crafts suspended atmosphere corporate video | A | 86 | |||
|
Perseverance [CEZ4197 - 11] |
2'03 | Elisabeth Skornik, Guy Skornik | Serious & obstinate. Pizzicato strings & electronics. Build-up. | relentless patient arts & crafts corporate video | A | 113 | ||||
|
Perseverance 2 [CEZ4197 - 40] |
Alt. | 1'46 | Elisabeth Skornik, Guy Skornik | Serious & obstinate. Pizzicato & staccato strings. Build-up. | relentless patient historical narrative strict | Am | 113 | |||
|
Perseverance 3 [CEZ4197 - 41] |
Alt. | 2'02 | Elisabeth Skornik, Guy Skornik | Serious & obstinate. Pizzicato strings & celeste. | relentless patient corporate video pizzicato | Am | 86 | |||
|
Another Approach [CEZ4197 - 12] |
2'32 | Elisabeth Skornik, Guy Skornik | Applied & interrogative. Electronics & strings. | corporate video arts & crafts steady architecture & design | Cm | 164 | ||||
|
Another Approach 2 [CEZ4197 - 42] |
Alt. | 2'20 | Elisabeth Skornik, Guy Skornik | Applied & interrogative. Electronics & strings. No percussion. | corporate video steady architecture & design patient | Cm | 164 | |||
|
Another Approach 3 [CEZ4197 - 43] |
Alt. | 2'09 | Elisabeth Skornik, Guy Skornik | Serious & percussive. Electronic percussion & synth. | corporate video arts & crafts steady architecture & design | Cm | 164 | |||
|
Towards Perfection [CEZ4197 - 13] |
2'34 | Elisabeth Skornik, Guy Skornik | Obstinate & mischievous. Pizzicato strings & electronic percussion. | strict patient arts & crafts relentless | Cm | 162 | ||||
|
Towards Perfection 2 [CEZ4197 - 44] |
Alt. | 2'33 | Elisabeth Skornik, Guy Skornik | Obstinate, bizarre & mischievous. Strings & electronic percussion. | patient arts & crafts relentless strict | Cm | 162 | |||
|
Towards Perfection 3 [CEZ4197 - 45] |
Alt. | 1'21 | Elisabeth Skornik, Guy Skornik | Bizarre & mischievous. Pizzicato & staccato strings. | mockumentary patient arts & crafts insects | Cm | 80 | |||
|
By Appointement to Her Majesty [CEZ4197 - 14] |
2'12 | Elisabeth Skornik, Guy Skornik | Beatlesque. Tender & refined. Staccato strings & electronics. | England corporate video arts & crafts string quartet | Bm | 120 | ||||
|
By Appointement to Her
[CEZ4197 - 46] |
Alt. | 1'54 | Elisabeth Skornik, Guy Skornik | Serious & punctuated. Electronics & strings @ 0'32. | England arts & crafts corporate video fx reverb | D | 120 | |||
|
By Appointement to Her
[CEZ4197 - 47] |
Alt. | 2'11 | Elisabeth Skornik, Guy Skornik | Beatles-ish. Tender & refined. Strings & bassoon. | England heritage arts & crafts corporate video | Bm | 120 |