| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Warsovian Cabaret [CEZ4308 - 4] |
0 | 2'43 | Piotr Moss | Retro & better-sweet tango with a burlesque touch. Small ensemble | retro cabaret tango movement tragi-comic old-fashioned | C | 118 | |||
|
A Struggle Against Pollution [CEO2051 - 7] |
0 | 2'12 | Gregory Cotti | Geopolitics. Middle East. Obstinate & mysterious. Hang, oriental | investigation disturbing beds social drama | Em | 120 | |||
|
Illegal Labor [CCB1029 - 18] |
0 | 2'44 | Christophe Zurfluh | Drone. Mechanical, mysterious & urgent. Sequencing & pizz. | contemporary art industry relentless pizzicato | Ab | 118 | |||
|
Building Hope [CEZ4314 - 2] |
3'20 | Laurence Anslow, Daniel Bhattacharya, Nick Cooper, Nico Willems | Corporate. Powerful & unifying. Constant progression. Hang drum, | unifying corporate convention driving triumphant | Am | 130 | ||||
|
Building Hope 1 [CEZ4314 - 25] |
Alt. | 1'25 | Laurence Anslow, Daniel Bhattacharya, Nick Cooper, Nico Willems | Corporate. Delicate & exhilarating. Piano, violin & fx reverse. | destiny passionate airy corporate convention | Am | 130 | |||
|
Making it Real Alternate
[CEZ4303 - 25] |
2'01 | Mathieu Laurent | Melancholic & patient. Piano, electronics & rhythm. | advertising everyday life driving cyclic | Am | 125 | ||||
|
Making it Real [CEZ4303 - 4] |
Alt. | 2'01 | Mathieu Laurent | Corporate. Unifying & moving. Build up. Piano, string orchestra & | corporate convention neo-classical music destiny unifying | Am | 125 | |||
|
A Worthy Enterprise [CEZ4298 - 6] |
0 | 1'24 | Gautier Galard, Laetitia Placido | Heavy & mischievous. Pizz & small instrumental ensemble. | dramedy small ensemble tragi-comic funny | Cm | 116 | |||
|
Slightly Tipsy [CEZ4298 - 10] |
0 | 1'39 | Loïs Blanca, Baptiste Thiry | Insidious & careful. Pizz & small instrumental ensemble. | pizzicato interrogative dissonant pets | Bbm | 108 | |||
|
A Difficult Start [CEZ4299 - 8] |
0 | 1'47 | Julien Vega | Lazy but gradually accelerating. Pizz & small instrumental ensemble. | funny animals pizzicato interiors & cooking shy | Bm | 130 | |||
|
The Finishing Touches [CEZ4299 - 10] |
0 | 1'55 | Julien Vega | Urgent & joyful. Pizz & small instrumental ensemble. | pizzicato animation & cartoons happy & joyful urgent | Am | 162 | |||
|
Cock of the Roost [CEZ4299 - 11] |
0 | 1'52 | Alain Bernard Denis | Heavy & interrogative. Pizz & small instrumental ensemble. | dramedy pizzicato funny animals blooper | Dm | 140 | |||
|
Brakeman's Story [CEZ4293 - 1] |
2'09 | Nicolas Moreau | Tribute to Jimmie Rodgers, Country music pioneer. From ragtime to | 1930 Louisiana banjo jazz ragtime | C | 120 | ||||
|
Brakeman's Story 2 [CEZ4293 - 29] |
Alt. | 1'20 | Nicolas Moreau | Confident & lighthearted. Ragtime. Banjo & folk guitar duet. | 1930 banjo Louisiana jazz ragtime | C | 122 | |||
|
From Memphis to New-Orleans [CEZ4293 - 10] |
2'45 | Nicolas Moreau | Build-up from country picking guitar to New-Orleans jazz. | picking guitar do-it-yourself confident Country & Western | C | 95 | ||||
|
From Memphis to New-Orleans 2 [CEZ4293 - 31] |
Alt. | 1'02 | Nicolas Moreau | Country rag. Light & bouncy. Finger picking guitar solo. | picking guitar do-it-yourself confident Country & Western | Am | 95 | |||
|
Neural implants [EOS21 - 6] |
0 | 2'52 | Samuel Tornqvist | Patient & calm. Piano, synth, hapi drum. | patient acoustic piano beds calm | Em | 90 | |||
|
Brain Damage Alternate Version [CEZ4288 - 37] |
1'29 | John Greaves, Baptiste Thiry | Psychotic & frightful. Electronics, hang & rhythm. | crime movie investigation beds scary | Eb | 100 | ||||
|
Brain Damage [CEZ4288 - 5] |
Alt. | 2'05 | John Greaves, Baptiste Thiry | Frightening & inexorable. Electronics & rhythm. | crime movie disturbing investigation beds | Ebm | 100 | |||
|
Les Écoliers [CCB1025 - 10] |
0 | 5'16 | Renaud Garcia-Fons | Unusual, changing & jazzy. Accordion, double-bass & percussion. | chromatic accordion changing bowed double bass bouncy | Dm | 137 | |||
|
All the Difference 2 [CEO2041 - 15] |
2'54 | Selma Mutal | Patient, solitary & sad. Electronics. | social drama intimate introspective contemporary series | Dbm | 75 | ||||
|
All the Difference [CEO2041 - 4] |
Alt. | 2'10 | Selma Mutal | Intimate, moving & narrative. Marimba & electronics. | social drama contemporary series destiny intimate | Dbm | 84 | |||
|
The Social Ladder 2 [CEO2041 - 16] |
1'34 | Selma Mutal | Interrogative & melancholic. Electronics. | social drama delicate feminine introspective | Dbm | 87 | ||||
|
The Social Ladder [CEO2041 - 11] |
Alt. | 3'10 | Selma Mutal | Delicate, emotional & feminine. Keyboards & electronics. | crystalline social drama delicate introspective | Dm | 84 | |||
|
Active Ants [UBM2264 - 3] |
0 | 0'31 | Daniel Backes, Peter Moslener | Banjo, Tuba and drums accentuate this hectic and joyful track. | funny animation & cartoons blooper comedy | Em | 136 | |||
|
Slack Whistle [UBM2264 - 14] |
0 | 0'41 | Daniel Backes, Peter Moslener | Melodic, whistling, that gets a rocking touch by drums. | do-it-yourself carefree advertising catchy | D | 117 | |||
|
German Dizzy Dance [UBM2264 - 16] |
0 | 0'37 | Daniel Backes, Peter Moslener | Accordion and bells create a feeling of a German Oktoberfest. | circus music funny animation & cartoons blooper | C | 124 |