| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Time Flies [CEZ4151 - 1] |
2'10 | Elisabeth Skornik, Guy Skornik | Repetitive, serious & determined. Builds up gradually. String | neo-classical music repetitive music politics corporate video | Am | 136 | ||||
|
Time Flies 2 [CEZ4151 - 15] |
Alt. | 2'10 | Elisabeth Skornik, Guy Skornik | Repetitive, serious & determined. Fast piano arpeggios & string | repetitive music politics corporate video acoustic piano | Am | 136 | |||
|
Time Flies 3 [CEZ4151 - 16] |
Alt. | 1'51 | Elisabeth Skornik, Guy Skornik | Repetitive, serious & determined. String orchestra playing staccato. | steady corporate video neo-classical music politics | Am | 136 | |||
|
Time Flies 4 [CEZ4151 - 17] |
Alt. | 2'10 | Elisabeth Skornik, Guy Skornik | Repetitive & flowing. Fast piano arpeggios. | arpeggio cyclic corporate video flowing | Am | 136 | |||
|
Another Corpse [EOS150 - 8] |
0 | 2'11 | Rémi Demoen, Simon Gruwé | Waiting, & enigmatic. Synth, dulcimer, piano, guitars & percussion. | mysterious acoustic piano investigation panoramic | Fm | 120 | |||
|
Fun in Learning [CEZ4702 - 2] |
1'55 | Louis Edlinger | Electronica bed. Positive, happy & coloured. Synth, humming voice & | teaching driving lively happy & joyful | A | 109 | ||||
|
Fun in Learning Alternate 1 [CEZ4702 - 19] |
Alt. | 1'55 | Louis Edlinger | Alternate no vocals. | A | 109 | ||||
|
Fun in Learning Alternate 2 [CEZ4702 - 20] |
Alt. | 1'44 | Louis Edlinger | Alternate underscore. | Em | 109 | ||||
|
Fun in Learning Edit 60 sec [CEZ4702 - 21] |
Alt. | 1'00 | Louis Edlinger | 60 second cut. | Em | 109 | ||||
|
Fun in Learning Edit 30 sec [CEZ4702 - 22] |
Alt. | 0'30 | Louis Edlinger | 30 second cut. | Em | 109 | ||||
|
Fun in Learning Edit 20 sec [CEZ4702 - 23] |
Alt. | 0'20 | Louis Edlinger | 20 second cut. | Em | 109 | ||||
|
Fun in Learning Edit Sting [CEZ4702 - 24] |
Alt. | 0'11 | Louis Edlinger | Sting. | A | 108 | ||||
|
Yes or No [CEZ4702 - 6] |
2'03 | Louis Edlinger | Electronica bed. Bouncy, curious & jerky. Synth & rhythm. Ideal for | beds interrogative teaching strict | Bb | 115 | ||||
|
Yes or No Alternate 1 [CEZ4702 - 43] |
Alt. | 2'03 | Louis Edlinger | Alternate version. | Bb | 115 | ||||
|
Yes or No Alternate 2 [CEZ4702 - 44] |
Alt. | 2'03 | Louis Edlinger | Alternate version. | Bb | 115 | ||||
|
Yes or No Edit 60 sec [CEZ4702 - 45] |
Alt. | 1'00 | Louis Edlinger | 60 second cut. | Bb | 115 | ||||
|
Yes or No Edit 30 sec [CEZ4702 - 46] |
Alt. | 0'30 | Louis Edlinger | 30 second cut. | Bb | 115 | ||||
|
Yes or No Edit 20 sec [CEZ4702 - 47] |
Alt. | 0'20 | Louis Edlinger | 20 second cut. | Bb | 115 | ||||
|
Yes or No Edit Sting [CEZ4702 - 48] |
Alt. | 0'09 | Louis Edlinger | Sting. | Bb | 117 | ||||
|
Test It Check It [CEZ4702 - 12] |
2'47 | Louis Edlinger | Electronica bed. Ethereal, pensive & serious. Synth. Ideal for | teaching airy suspended atmosphere strict | Dm | 76 | ||||
|
Test It Check It Alternate 1 [CEZ4702 - 79] |
Alt. | 2'38 | Louis Edlinger | Alternate version. | G | 151 | ||||
|
Test It Check It Alternate 2 [CEZ4702 - 80] |
Alt. | 2'41 | Louis Edlinger | Underscore version. | Dm | 151 | ||||
|
Test It Check It Edit 60 sec [CEZ4702 - 81] |
Alt. | 1'00 | Louis Edlinger | 60 second cut. | Dm | 150 | ||||
|
Test It Check It Edit 30 sec [CEZ4702 - 82] |
Alt. | 0'30 | Louis Edlinger | 30 second cut. | Dm | 151 | ||||
|
Test It Check It Edit 20 sec [CEZ4702 - 83] |
Alt. | 0'20 | Louis Edlinger | 20 second cut. | Dm | 149 | ||||
|
Test It Check It Edit Sting [CEZ4702 - 84] |
Alt. | 0'12 | Louis Edlinger | Sting. | Dm | 75 | ||||
|
Same Thing Again [CEZ4704 - 4] |
0 | 1'40 | Alain Bernard Denis | In a 60s 70s retro spirit. Malicious, funny & light. Harpsichord, | police comedy funny animals blooper ironical & mischievous | Cm | 162 | |||
|
Joke's On Me [CEZ4704 - 5] |
1'59 | Baptiste Thiry | In a 70s retro spirit. Mischievous, comical & joker. Piano, Fender | French retro comedy kitsch & cheesy police comedy ironical & mischievous | Am | 124 | ||||
|
Joke's On Me Alternate [CEZ4704 - 25] |
Alt. | 1'58 | Baptiste Thiry | Alternate no drums. | French retro comedy kitsch & cheesy police comedy ironical & mischievous | Am | 125 | |||
|
The Gentleman Thief [CEZ4704 - 6] |
1'59 | Julien Vega | 60s 70s jazz groove. Mysterious, chic & quirky. Piano, strings, | police comedy ironical & mischievous investigation mysterious | Am | 120 | ||||
|
The Gentleman Thief Alternate [CEZ4704 - 26] |
Alt. | 1'59 | Julien Vega | Alternate no perc. | police comedy ironical & mischievous investigation mysterious | Am | 118 | |||
|
Quiproquo [CEZ4701 - 2] |
1'47 | Alain Bernard Denis | Bouncy, playful, carefree, retro & teasing. Amusing flute, xylophone, | carefree happy & joyful animation & cartoons French retro comedy | B | 92 | ||||
|
Quiproquo Alternate [CEZ4701 - 16] |
Alt. | 1'47 | Alain Bernard Denis | Version without drums | carefree happy & joyful animation & cartoons French retro comedy | B | 92 | |||
|
Possibly An Accident [CEZ4701 - 3] |
3'20 | Piotr Moss | Parody of Carmen's Habanera. Tragicomic, tipsy, haughty, sarcastic & | tragi-comic mockumentary blooper ironical & mischievous | G | 112 | ||||
|
Possibly An Accident Alternate [CEZ4701 - 17] |
Alt. | 3'20 | Piotr Moss | Version without drums | tragi-comic mockumentary blooper ironical & mischievous | G | 112 | |||
|
Going to Press [CEG5061 - 4] |
2'27 | Jon Du | Cinematic. Pressing, reflextive & light tension. Break @ 0'57 with | original score crime movie insidious investigation | Bbm | 135 | ||||
|
Going to Press Alternate 1 [CEG5061 - 18] |
Alt. | 2'27 | Jon Du | Version without beat | original score crime movie insidious investigation | Bbm | 135 | |||
|
Going to Press Alternate 2 [CEG5061 - 19] |
Alt. | 2'28 | Jon Du | Underscore version | original score crime movie insidious investigation | Bbm | 135 | |||
|
Media Storm [CEG5061 - 5] |
1'18 | Nill O'maha | Film score. Solemn, grave & dramatic. Intro with anxious strings & | tragic punctuated cinematic social drama | Fm | 77 | ||||
|
Media Storm Alternate 1 [CEG5061 - 20] |
Alt. | 1'16 | Nill O'maha | Version without drum | tragic punctuated cinematic social drama | Bbm | 77 | |||
|
Media Storm Alternate 2 [CEG5061 - 21] |
Alt. | 1'17 | Nill O'maha | Underscore version | tragic punctuated cinematic social drama | Bbm | 77 | |||
|
Backroom Deal [CEG5061 - 8] |
2'14 | Jérémy Dirat | Cinematic. Thoughtful, narrative & discrete. Break @ 1'03, @ 1'28. | suspense anticipation investigation cinematic | Gm | 97 | ||||
|
Backroom Deal Alternate 1 [CEG5061 - 26] |
Alt. | 2'15 | Jérémy Dirat | Version without percussion | suspense anticipation investigation cinematic | Gm | 97 | |||
|
Backroom Deal Alternate 2 [CEG5061 - 27] |
Alt. | 2'15 | Jérémy Dirat | Underscore version | suspense anticipation investigation cinematic | Gm | 97 | |||
|
Peeling Back the Layers [CEG5061 - 9] |
2'11 | Thomas Didier | Cinematic. Dramatic, unavoidable & obsessive. Repetitive piano, clock | anticipation investigation patient cinematic | Em | 120 | ||||
|
Peeling Back the Layers
[CEG5061 - 28] |
Alt. | 2'11 | Thomas Didier | Version without percussion | anticipation investigation patient cinematic | Em | 120 | |||
|
Peeling Back the Layers
[CEG5061 - 29] |
Alt. | 2'11 | Thomas Didier | Underscore version | anticipation investigation patient cinematic | Em | 120 | |||
|
A Web of Manipulation [CEG5061 - 12] |
1'43 | Nill O'maha | Cinematic. Resilient, melancholic & reflective. Piano, light beat, | suspense investigation steady insidious | F | 97 | ||||
|
A Web of Manipulation
[CEG5061 - 34] |
Alt. | 1'43 | Nill O'maha | Version without percussion | suspense investigation steady insidious | F | 97 | |||
|
A Web of Manipulation
[CEG5061 - 35] |
Alt. | 1'43 | Nill O'maha | Underscore version | suspense investigation steady insidious | F | 123 | |||
|
Whisper Goodbye [ISC120 - 4] |
2'56 | Alexa Ray, Bruno Reis, Ruben K | Cinematic pop. Trailer. Panoramic and atmospheric intro with synth Lyrics | romantic cinematic pop poignant moving | Bbm | 60 | ||||
|
Whisper Goodbye Alternate [ISC120 - 12] |
Alt. | 2'56 | Alexa Ray, Bruno Reis, Ruben K | Instrumental version. | romantic cinematic pop poignant moving | Bbm | 60 | |||
|
Tears among the Fallen
[CEC8067 - 10] |
3'47 | Zhang Hao, Qingfeng Mu | Soothing, poetic & delicate. Piano, guzheng, dizi, celesta, erhu, | chinese cinema cinematic destiny moving | Dm | 63 | ||||
|
Tears among the Fallen
[CEC8067 - 19] |
Alt. | 3'47 | Zhang Hao, Qingfeng Mu | Version without percussion | chinese cinema destiny moving airy | Dm | 63 | |||
|
Tears among the Fallen
[CEC8067 - 20] |
Alt. | 3'49 | Zhang Hao, Qingfeng Mu | Piano solo version | moving narrative romantic destiny | Dm | 63 | |||
|
Fear Of Symptoms [CEG5060 - 5] |
3'26 | Arttu Silvast | Hybrid Scoring. Poignant, sad & sorrowful. Piano, electric guitar | social drama poignant desolate contemporary history | Fm | 110 | ||||
|
Fear Of Symptoms Alternate [CEG5060 - 20] |
Alt. | 3'26 | Arttu Silvast | Underscore version | social drama poignant desolate contemporary history | Fm | 110 | |||
|
Curing, At All Cost [CEG5060 - 7] |
3'18 | Arttu Silvast | Hybrid Scoring. Sad & sorrowful piano intro evolving with percussion | desolate social drama contemporary history sad | Em | 100 | ||||
|
Curing, At All Cost Alternate
[CEG5060 - 24] |
Alt. | 3'17 | Arttu Silvast | Version without percussion | desolate social drama contemporary history sad | Em | 100 | |||
|
Curing, At All Cost Alternate
[CEG5060 - 25] |
Alt. | 3'17 | Arttu Silvast | Underscore version | desolate social drama contemporary history sad | Em | 100 | |||
|
Beneath their Gaze [CEG5064 - 10] |
2'15 | Jérémy Dirat | Cinematic. Worried, inexorable & sad. Pizz, piano, synth & | psychological drama interrogative insidious inexorable | Dm | 154 | ||||
|
Beneath their Gaze Alternate [CEG5064 - 23] |
Alt. | 2'15 | Jérémy Dirat | Alternate underscore. | psychological drama interrogative insidious inexorable | Dm | 154 |