| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
The Day After [CEZ4357 - 5] |
0 | 2'23 | Baptiste Thiry | Uplifting & moving. Progressive crescendo. Acoustic guitar, piano & | cinematic corporate (all) unifying panorama | C | 86 | |||
|
Victimes des Nazis [CEO2072 - 7] |
0 | 1'22 | Baptiste Thiry | Restrained, sad & suspended. Piano & string orchestra. | social drama sad sparse contemporary history | Gm | 72 | |||
|
L'Amour du Théâtre [CEO2069 - 2] |
0 | 1'41 | Baptiste Thiry | Carefree & joyful. Piano, pizz & string section. | delicate destiny carefree romantic | C | 92 | |||
|
Une Histoire Improbable [CEO2069 - 14] |
0 | 0'56 | Baptiste Thiry | Interrogative, melancholic & restrained. Keyboard, string ensemble & | delicate atmospheric social drama suspended atmosphere | G | 61 | |||
|
A Surviving Shadow [CEZ4343 - 13] |
0 | 2'18 | Bruno Alexiu | Confident, majestic & punctuated. Symphony orchestra with keyboard. | corporate video unifying uplifting panorama | D | 120 | |||
|
L'Idéal Féminin [CEO2065 - 13] |
0 | 1'07 | Baptiste Thiry | French movies. 60's. Delicate & peaceful. Solo piano. | delicate intimate peaceful refined | A | 63 | |||
|
Inevitability [CEZ4244 - 1] |
0 | 1'38 | Julien Vega | Sad & cyclic. Constant progression. Piano & electronics. | post-classical acoustic piano everyday life corporate video | Bm | 140 | |||
|
The Birth of Ambition [CEZ4244 - 4] |
0 | 2'17 | Gabriel Saban, Philippe Briand | Urgent & melancholic. Piano & electronics. | post-classical everyday life corporate video panorama | G | 140 | |||
|
That Rainy Day [CEZ4244 - 7] |
0 | 1'37 | Lucas Napoleone | Sad & exhilarating. Piano & electronics. | social drama arpeggio sad everyday life | Ebm | 105 | |||
|
Water Sculptures [CEZ4244 - 8] |
0 | 1'51 | Thomas Edward Walter | Urgent & exhilarating. Underscore. Piano & electronics. | arpeggio cyclic post-classical corporate video | D | 162 | |||
|
The Brightening Air [CEZ4244 - 15] |
0 | 2'30 | Julien Vega | Dreamy & desolate. Piano & electronics. | everyday life suspended atmosphere post-classical dreamy | D | 133 | |||
|
Closing Doors [CEZ4244 - 24] |
0 | 2'20 | Julien Vega | Desolate & wandering. Piano & electronics. | social drama punctuated scansion crescendo | D | 60 | |||
|
Everything Comes to an End
[CEZ4492 - 5] |
3'17 | Jérémy Vino & Guillaume Godfrind | Epic & exhilarating electro. Powerful & heavy @ 0'20. Build-up with | electronica mysterious nocturnal time-lapse | Em | 71 | ||||
|
Everything Comes to an End [CEZ4492 - 23] |
Alt. | 3'52 | Guillaume Godfrind | Originale version. | confident cyclic flowing hypnotic | D | 142 | |||
|
The Illusionist [CEZ4673 - 4] |
4'40 | Antoine Berquet | Electro ambient. Introspective, delicate & subtile. Synth & piano. | crystalline delicate electro ambient hypnotic | Fm | 120 | ||||
|
The Illusionist Edit 60 sec [CEZ4673 - 28] |
Alt. | 1'00 | Antoine Berquet | 60 second cut. | crystalline delicate electro ambient hypnotic | Fm | 121 | |||
|
The Illusionist Edit 30 sec [CEZ4673 - 29] |
Alt. | 0'30 | Antoine Berquet | 30 second cut. | crystalline delicate electro ambient hypnotic | Fm | 122 | |||
|
The Illusionist Edit 20 sec [CEZ4673 - 30] |
Alt. | 0'20 | Antoine Berquet | 20 second cut. | crystalline delicate electro ambient hypnotic | Fm | 118 | |||
|
The Illusionist Edit Sting [CEZ4673 - 31] |
Alt. | 0'11 | Antoine Berquet | Sting. | crystalline delicate electro ambient hypnotic | Db | 123 | |||
|
Turn Back Time [UBM2570 - 15] |
0 | 2'03 | Christoph Lienemann | Ticking track for investigative journalism and thought-provoking | social drama investigation time (tick-tock) trap (music) | Dm | 140 | |||
|
Possibilities [EOS124 - 9] |
0 | 2'18 | Simon Gruwé | Hopeful, emotional with resilience & hope. Piano, Strings, guitar. | resillience corporate (all) destiny social drama | Ab | 133 | |||
|
Hope [UBM2567 - 5] |
0 | 1'25 | Andreas Schulz | Dripping cascades in major, a musical sign of the dawn of better | calm waterfall independent cinema delicate | F | 118 | |||
|
You Are My Light [MPMA0030 - 5] |
2'00 | Mark Himley | Ambient, piano lead melodies for those emotional, building moments. | delicate narrative airy romantic | C | 60 | ||||
|
You Are My Light - 30 Sec [MPMA0030 - 14] |
Alt. | 0'30 | Mark Himley | Ambient, piano lead melodies for those emotional, building moments. | delicate narrative airy romantic | C | 60 | |||
|
You Are My Light - 15 Sec [MPMA0030 - 15] |
Alt. | 0'15 | Mark Himley | Ambient, piano lead melodies for those emotional, building moments. | delicate narrative airy romantic | C | 60 | |||
|
You Are My Light - 60 Sec [MPMA0030 - 16] |
Alt. | 1'00 | Mark Himley | Ambient, piano lead melodies for those emotional, building moments. | delicate narrative airy romantic | C | 60 | |||
|
You Are My Light - Sting [MPMA0030 - 17] |
Alt. | 0'07 | Mark Himley | Ambient, piano lead melodies for those emotional, building moments. | delicate narrative airy romantic | C | 60 | |||
|
Lost Moments [CEZ4603 - 15] |
0 | 1'51 | Jia Lee | Ambient / Felt. Long & deep pads with arp synth, strings textures & | introspective independent cinema sparse melancholic | Bb | 118 | |||
|
Atlas [CEZ4521 - 10] |
2'24 | Gabriel Saban | Cinematic & atmospheric track with inspiring pads & electronic FX. | panorama tracking shot calm confident | G | 79 | ||||
|
Atlas Alternate [CEZ4521 - 45] |
Alt. | 2'23 | Gabriel Saban | Minimalist & neutral alternate version. | panorama tracking shot calm confident | G | 80 |