| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Dynamic 18 [UBM2114 - 18] |
0 | 2'09 | Bernhard Hering, Matthias Krüger-Wendel, Martin Wester | Ostinato orchestra pulse, narrative, driving. | breaking news historical conflict disturbing suspense | Am | 101 | |||
|
Dynamic 25 [UBM2114 - 25] |
0 | 2'47 | Bernhard Hering, Matthias Krüger-Wendel, Martin Wester | Pushing orchestra, pianobasses, accents. | warlike chaotic relentless scansion | Cm | 80 | |||
|
No Fun Limit [UBM2124 - 10] |
0 | 2'11 | Daniel Backes, Peter Moslener | Upbeat and postive fun rock anthem. | blooper beds atmospheric confident | Eb | 128 | |||
|
Lonely and Gloomy [UBM2128 - 6] |
0 | 2'25 | Daniel Backes, Peter Moslener | Sad piano for depressed and isolated moments. | atmospheric desolate suspended atmosphere fx phasing | Dbm | 80 | |||
|
Spooky Island [UBM2128 - 9] |
0 | 2'43 | Daniel Backes, Peter Moslener | Eerie drones and reverse effects over light ticking percussion | disturbing atmospheric suspended atmosphere spy | Am | 120 | |||
|
The Sky and the Sea [UBM2128 - 11] |
0 | 2'50 | Daniel Backes, Peter Moslener | Spherical intro leads to postive uptempo beats. | soundscape confident social drama sequencing | G | 119 | |||
|
Scoop [CEZ4090 - 3] |
0 | 2'20 | Elisabeth Skornik, Guy Skornik | Time tick-tock. Obstiné. Piano & strings @ 1'34. | anticipation investigation sport drama insidious | Ebm | 92 | |||
|
Time's Running Out [CEZ4090 - 5] |
0 | 2'08 | Elisabeth Skornik, Guy Skornik | Obsessive tick-tock. Electronics, electric guitar & strings @ 0'34 | crime movie time (tick-tock) investigation relentless | Dm | 102 | |||
|
Paparazzi [CEZ4090 - 13] |
0 | 2'00 | Elisabeth Skornik, Guy Skornik | Suspense. Insidious. Electronics, tremolo strings & camera shutter Fx. | anticipation spy fx camera insidious | Em | 128 | |||
|
Paparazzi Part 2 [CEZ4090 - 14] |
0 | 2'00 | Elisabeth Skornik, Guy Skornik | Suspense. Insidious. Electronics & tremolo strings. | urban landscape investigation news politics | Em | 128 | |||
|
Show Me How [CEZ4089 - 19] |
0 | 2'30 | Gilles Maugenest | Patient & childlike. Ukulele, ocarina, piano & percussion. | childhood tender carefree naive | D | 83 | |||
|
When I'm Big [CEZ4089 - 33] |
0 | 2'42 | Daniel Diaz | Serious & determined. Guitar, piano, flute, melodica & double bass. | everyday life romantic country & garden calm | Em | 116 | |||
|
Tragedy [CEV3022 - 8] |
0 | 2'23 | Marc-Olivier Dupin | Sudden &dramatic. Piano, cymbalum. Crotales & vibes. | scary small ensemble Twentieth century music powerful & imposing | C | 115 | |||
|
Ode [CEV3022 - 9] |
0 | 1'35 | Marc-Olivier Dupin | Interrogativ & tense. Cymbalum, harp, vibes, piano & crotales. | antiquity cimbalom peplum interrogative | Cm | 72 | |||
|
Dialogue With Gods [CEV3022 - 10] |
0 | 1'24 | Marc-Olivier Dupin | Delicate & fluide. Piano, cymbalum & crotales. | antiquity cimbalom lost civilizations interrogative | Am | 123 | |||
|
Phedre [CEV3022 - 12] |
0 | 1'44 | Marc-Olivier Dupin | Sudden & expectant. Piano, harp, cymbalum, vibes & crotales. | mysterious historical narrative magical interrogative | C | 103 | |||
|
Thalia [CEV3022 - 13] |
0 | 1'34 | Marc-Olivier Dupin | Melancholic & soft. Piano, cymbalum, clarinet, harp & crotales. | antiquity peplum 1900 1920 | Bb | 123 | |||
|
The Coryphaeus [CEV3022 - 22] |
0 | 1'20 | Christofer Bjurström | Sudden & plaintive. Flute & piano. | antiquity lost civilizations concert flute disturbing | Gm | 68 | |||
|
Ambrosia [CEV3022 - 23] |
0 | 1'15 | Piotr Moss | Interrogative & unusual. Piano, double-bass & percussion. | social drama mysterious antiquity lost civilizations | Bb | 70 | |||
|
Le Vieux Ciné [CEZ4085 - 40] |
0 | 1'59 | John Greaves | Sweet & nostalgic waltz. Piano, accordion & recorder. | retro cinema intimate sentimental swaying | D | 93 |