| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Manipulation [UBM2278 - 4] |
0 | 2'07 | Lars Jebsen | Slowly developing, creeping, ticking beats, suitable for images of | anticipation spy insidious suspense | Em | 140 | |||
|
Bias [UBM2278 - 6] |
0 | 2'27 | Lars Jebsen | Neutral, electronic music, suitable for images of business, financial | insidious suspense atmospheric anticipation | Em | 80 | |||
|
Propaganda [UBM2278 - 9] |
0 | 2'06 | Lars Jebsen | Tense, dark sounds evoking images of pressure situations, Big Brother | spy suspense anticipation insidious | Em | 110 | |||
|
Hacking [UBM2278 - 13] |
0 | 1'46 | Lars Jebsen | Electronic soundscape suitable for images of cyber-space, new | science suspense spy interrogative | Em | 115 | |||
|
Illusion [UBM2278 - 14] |
0 | 2'01 | Lars Jebsen | Crystal clear electronic sounds for risky deals, ideal for images of | suspense spy insidious investigation | Ab | 93 | |||
|
Fear [UBM2278 - 16] |
0 | 2'23 | Lars Jebsen | Increasing tension, scary, propulsive beats, fragile piano, ideal for | suspense interrogative anticipation spy | Am | 120 | |||
|
Bluff [UBM2278 - 22] |
0 | 2'19 | Lars Jebsen | Dramatic echoing with sounds of strings, suitable for images of dawn | suspense anticipation spy interrogative | Cm | 137 | |||
|
Fact Checking [CEZ4344 - 6] |
0 | 2'30 | Sophia Domancich, Raphaël Marc | Investigation. Crime. TV Series. Hip hop. Interrogative & | social drama nocturnal suspense interrogative | Gm | 92 | |||
|
Misinformation [CEZ4344 - 9] |
0 | 2'38 | Sophia Domancich, Raphaël Marc | Investigation. Crime. TV Series. Frightening & accentuated. Piano & | suspense relentless punctuated investigation | B | 94 | |||
|
Mellow Fruitfulness [CCB1034 - 4] |
0 | 2'08 | Anne-Sophie Versnaeyen | Magical, sad & atmospheric. Synth, viola & sound design. | melancholic acoustic organic beds arts & crafts | Em | 110 | |||
|
Hope on the Horizon [CEZ4339 - 2] |
0 | 2'09 | Baptiste Thiry | Atmospheric, cold & cyclic. Synth, sound design & string section. | cybernetics uplifting industry arpeggio | Fm | 98 | |||
|
Vintage Gaming [CEZ4334 - 2] |
0 | 1'48 | Jean-Pierre Sluys | Synthwave 80's. Retro video games. Confident, energetic & lively. | retrogaming retro American serie opening credits TV synthwave | B | 90 | |||
|
Catching Coins [CEZ4334 - 4] |
0 | 2'35 | Narumi Omori | 8-bit & electronica. Retrogaming. Cheerful, confident & quirky. Synth. | retrogaming 8 bit music naive childhood | C | 150 | |||
|
Clockpulse [UBM2274 - 1] |
0 | 2'32 | Felix Halbe | Time is running and the tension increases. | interrogative time (tick-tock) suspended atmosphere fx tick-tock | Cm | 87 | |||
|
Things Change [UBM2274 - 3] |
0 | 2'03 | Felix Halbe | Metronom and synthesizer create a pensive, thrilling sound. At the | suspense crime movie time (tick-tock) fx tick-tock | Ebm | 80 | |||
|
Ruthless Reality [UBM2274 - 4] |
0 | 1'45 | Sebastian Parche | Electronic track that provides tension and danger. | cold desert beds atmospheric steady | Dbm | 92 | |||
|
Observing Thieves at Work [UBM2274 - 6] |
0 | 2'00 | Felix Halbe | Suitable for scenes of thieves in action. Electronics, synthesizer, | suspense interrogative time (tick-tock) suspended atmosphere | Db | 80 | |||
|
Rise of Fundamentalism [UBM2274 - 7] |
0 | 2'09 | Felix Halbe | Ideal for action scenes in the Middle East. Traditional instruments | spy time (tick-tock) tormented suspended atmosphere | Cm | 143 | |||
|
X-Files [UBM2274 - 9] |
0 | 3'00 | Felix Halbe | Impulsive, oppressive sound that boosts the tension. Keyboard, drums, | suspense crime movie disturbing investigation | Cm | 100 | |||
|
Time Has Come [UBM2274 - 10] |
0 | 2'12 | Sebastian Parche | Ideal for key scenes in crime and action films. Syntesizer, drums, | crime movie time (tick-tock) suspended atmosphere investigation | Dm | 120 |