| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Eruption Dating [CEO2052 - 14] |
0 | 1'28 | Baptiste Thiry | Suspense. Sad & wandering. | atmospheric interrogative science investigation | Dm | 120 | |||
|
Space Under the Seas [EOS24 - 2] |
0 | 2'39 | Clinton Charles, Sandy Mahut | Nocturnal & mysterious. Acoustic guitar, female choir, piano, synth, | nocturnal steady fantasy mysterious | C | 61 | |||
|
Inner City [MAG6025 - 3] |
0 | 1'33 | Yann Kesz | Real hip hop / beatmaking. Tense, obstinate & urban. Synth, strings, | beat making attitude urban landscape relentless | Dm | 83 | |||
|
Superstructure [MAG6025 - 4] |
3'12 | Yann Kesz | Real hip hop / beatmaking. Bright, percussive & arty. Synth & rhythm. | beat making urban landscape luminous modern | D | 65 | ||||
|
Superstructure (extended) [MAG6025 - 10] |
Alt. | 4'00 | Yann Kesz | Real hip hop / beatmaking with intro. Bright, percussive & arty. Cut | beat making urban landscape luminous modern | D | 65 | |||
|
I Saw You [CEO2047 - 3] |
0 | 1'57 | Patrick Franchomme | Restrained & pensive. @ 0'40 obstinate & tense. Piano, heart-beat, | fx heartbeat social drama electro ambient suspended atmosphere | C | 83 | |||
|
Hacktivist [CEZ4309 - 8] |
0 | 2'12 | Claude Samard | Analog electro. Disturbing, obstinate then violent. Build-up and | building disturbing sudden analog synth | Am | 124 | |||
|
Lost in Computerland [CEZ4309 - 13] |
0 | 3'35 | Arno Riva | Analog electro. Deep, cosmic & mysterious. Analog synth & rhythm. | nocturnal 1980 electro beat space | Fm | 80 | |||
|
Circuit Boards [CEZ4304 - 2] |
0 | 2'02 | Thierry Caroubi | Corporate, craft. Determined, mysterious & cyclic. Electronics. | arts & crafts corporate video electro organic patient | Am | 90 | |||
|
The Clockmaker [CEZ4304 - 13] |
0 | 1'51 | John Greaves, Baptiste Thiry | Craft, corporate, time. Cyclic & constant. Piano, pizz & electronics. | repetitive music patient arts & crafts delicate | G | 110 | |||
|
The Golden Touch [CEZ4304 - 16] |
0 | 1'50 | Jérémy Dirat | Corporate, craft. Interrogative & jerky. Piano & electronics. | corporate video delicate sparkling arts & crafts | Cm | 105 | |||
|
Painting by Numbers [CEZ4304 - 17] |
0 | 1'54 | Thierry Caroubi | Craft, love. Melancholic & peaceful. Electronics & electric guitar. | delicate tender everyday life electronics | D | 130 | |||
|
The Skilful Touch [CEZ4304 - 18] |
0 | 1'52 | Jérémy Dirat | Craft, corporate, science. Delicate & peaceful. Piano & electronics. | patient arts & crafts peaceful dreamy | G | 111 | |||
|
From Small Beginnings [CEZ4304 - 19] |
0 | 2'13 | Jérémy Dirat | Craft, corporate. Interrogative & peaceful. Build up. Electronics, | arts & crafts country & garden electronics peaceful | E | 110 | |||
|
Getting Results [CEZ4304 - 22] |
0 | 2'02 | Jérémy Dirat | Craft, corporate. Interrogatif & prudent. @ 0'34 confiant & | arts & crafts confident delicate electronics | Em | 130 | |||
|
Unique [CEZ4304 - 23] |
0 | 1'52 | Gautier Galard, Laetitia Placido | Corporate, craft, science. Mysterious & melancholic. Piano & | atmospheric airy arts & crafts calm | Dm | 62 | |||
|
Prototype [CEZ4304 - 24] |
0 | 2'06 | Jérémy Dirat | Corporate, craft, science. Interrogative & careful. Electronics & | delicate arts & crafts electronics patient | G | 110 | |||
|
Blunted Scalpel [EOS22 - 1] |
0 | 2'36 | Eric Volpatti | Sound design. Interrogative, sad & cold. Piano, glitch & electronics. | sad cold desert desolate fx backwards | Em | 65 | |||
|
Dropping Bottle [EOS22 - 4] |
0 | 3'07 | Eric Volpatti | Sound design. Mysterious, obstinate & dark. Synth, piano & | interrogative investigation science social drama | Bbm | 148 | |||
|
All the Time [MAG6021 - 3] |
4'20 | Elisabeth Like A Dream | Electro-pop. Atmospheric, frontal & rhythmic. Synth, female singer & Lyrics | modern electro pop sung in English driving | Gbm | 93 | ||||
|
All the Time 2 [MAG6021 - 8] |
Alt. | 4'20 | Elisabeth Like A Dream | Electro-pop. Atmospheric, frontal & rhythmic. Synth & rhythm. | modern electro pop driving band | Gbm | 94 | |||
|
All the Time (edit) [MAG6021 - 9] |
Alt. | 3'39 | Elisabeth Like A Dream | Electro-pop. Atmospheric, frontal & rhythmic. Synth, female singer & | modern electro pop sung in English driving | Gbm | 93 | |||
|
All the Time 2 (edit) [MAG6021 - 10] |
Alt. | 3'39 | Elisabeth Like A Dream | Electro-pop. Atmospheric, frontal & rhythmic. Synth & rhythm. | modern electro pop driving band | Gbm | 93 | |||
|
The World to Come [CEZ4290 - 27] |
2'00 | Gabriel Saban, Philippe Briand | Urgent, dramatic & powerful. Constant progression. Cinematic | docu fiction cinematic orchestra opening credits TV cinematic percussion | Cm | 80 | ||||
|
The World to Come Alternate
[CEZ4290 - 52] |
Alt. | 2'00 | Gabriel Saban, Philippe Briand | Urgent, dramatic & powerful. Constant progression. Cinematic | opening credits TV contemporary history cinematic orchestra docu fiction | Cm | 120 | |||
|
The World to Come Alternate
[CEZ4290 - 53] |
Alt. | 1'52 | Gabriel Saban, Philippe Briand | Solemn & majestic. Cinematic strings. | neo-classical music solemn driving opening credits TV | Cm | 80 |