| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Fumbling in the Dark [UBM2249 - 10] |
0 | 2'14 | Elias Cadre | Synthesizer, bass and echoes create a dynamic sound, ideal for | atmospheric complex muffled rumbling | G | 74 | |||
|
Insistence [UBM2249 - 11] |
0 | 1'26 | Elias Cadre | Dark, investigative sound, loopable, ideal or images of science and | sci-fi abyss complex cold | A | 108 | |||
|
What Makes Him Tick [UBM2249 - 12] |
0 | 2'36 | Elias Cadre | Threatening, criminal, thrilling, frightening, dark sound for secret | complex film noir sci-fi abyss | Bm | 104 | |||
|
Agitation [UBM2249 - 13] |
0 | 2'58 | Elias Cadre | Technical, scientific, threatening, dark and pulsating sound for | atmospheric police comedy rumbling synthesizer | Dbm | 97 | |||
|
Signals From Underground [UBM2249 - 14] |
0 | 1'49 | Elias Cadre | Technical, snarring, threatening, loopable electronic spheres for | sci-fi film noir abyss complex | Ab | 112 | |||
|
Conflict of Interests [UBM2249 - 15] |
0 | 1'44 | Elias Cadre | Dynamic, mid-tempo, loopable, electronic, snarring moments. | film noir sci-fi abyss complex | Dm | 61 | |||
|
Spreading Misinformation [UBM2249 - 16] |
0 | 1'49 | Elias Cadre | Deep bass, slow tempo, cold, dark, reduced and pulsating. | complex sci-fi abyss cold | Dbm | 117 | |||
|
Sitting out the Issues [UBM2249 - 17] |
0 | 2'07 | Elias Cadre | Electronic texture, eerie, pulsating track for an atmosphere | paranormal sci-fi science complex | Bb | 102 | |||
|
Hacker Blues [UBM2249 - 18] |
0 | 1'55 | Elias Cadre | Weird, electronic, gloomy sound, reduced and subtle for documentaries | sci-fi science complex cold | B | 108 | |||
|
Fiction [UBM2249 - 19] |
0 | 1'24 | Elias Cadre | Dark underscore, gloomy, threatening, scary and apocalyptic track for | sci-fi science complex rumbling | A | 61 | |||
|
March for Justice [UBM2249 - 20] |
0 | 2'17 | Elias Cadre | Technical, slow threatening sound, loopable, reduced, subtle with | complex dramedy synthesizer sound design | Fm | 60 | |||
|
Terror Training Camp [UBM2258 - 7] |
0 | 2'08 | Felix Halbe | A threatful sound is created by synthesizer. Works for images of | driving investigation synthesizer scary | C | 90 | |||
|
Dark Intention [CEZ4254 - 1] |
0 | 2'34 | Benoit Cimbé | Sudden & frightening. Electronics. | beds spy investigation suspense | Cm | 106 | |||
|
Synapses [CEZ4242 - 6] |
0 | 2'24 | Christophe Zurfluh | Patient & iridescent. Electronics. | rising space harmonics luminous | Dm | 89 | |||
|
Epicentre [CEZ4242 - 7] |
0 | 2'27 | Christophe Zurfluh | Deep & mysterious. Electronics. | underground abyss space science | Abm | 100 | |||
|
Free Fall [CEZ4242 - 18] |
0 | 2'21 | Christophe Zurfluh | Suspended & patient. Piano & electronics. | peaceful science calm suspended atmosphere | C | 81 | |||
|
Big Data [CEZ4240 - 2] |
0 | 2'43 | Hannah-Belle Abdullah, Jean-Francois Morin | Positive & urgent. Electronics. | cybernetics space strict arpeggiator | Dm | 150 | |||
|
Post-Human Era [CEZ4240 - 6] |
0 | 2'20 | Martin Duru, Jean-Sebastien Nouveau | Tense, cyclic & urgent. Electronics. | cybernetics arpeggiator space steady | Cm | 119 | |||
|
Plutonium Freight [CEZ4240 - 14] |
0 | 1'53 | John Greaves | Disturbing & determined. Electronics & electric guitar. | disturbing interrogative science atmospheric | C | 90 | |||
|
Première Prise [CEO2034 - 1] |
0 | 2'50 | Vincent Leibovitz | Intro with fade in. Suspended, lonely & sparse. Electric guitar, | suspended atmosphere contemporary series electro ambient post-classical | Em | 81 |