| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Voting Booth [CEZ4209 - 16] |
0 | 1'55 | Thierry Caroubi | Cyclic & sad. Electronics. | fx reverb mark tree social drama fantasy | Ab | 162 | |||
|
Democracy On the Move [CEZ4208 - 13] |
2'17 | Gabriel Saban, Philippe Briand | Obstinate & serious. Constant progression. Strings & percussions. | corporate video fiery opening credits TV politics | Cm | 90 | ||||
|
Democracy On the Move 2 [CEZ4208 - 21] |
Alt. | 2'11 | Gabriel Saban, Philippe Briand | Neoclassical. Obstinate & serious. | proud corporate video neo-classical music politics | Gm | 178 | |||
|
Leadership Contest [CEZ4208 - 15] |
0 | 2'06 | Gabriel Saban, Philippe Briand | Serious & tense. String orchestra, piano & percussion. | opening credits TV investigation politics chaotic | Dbm | 120 | |||
|
Gerrymandering [CEZ4208 - 16] |
0 | 2'45 | Eric Lohrer | Obstinate & cyclic. Strings, snare drum & piano. | relentless industry politics strict | Dbm | 113 | |||
|
Trace Evidence [CEZ4206 - 24] |
0 | 2'39 | Gréco Casadesus, Gregory Cotti | Underscore. Desolate & distressing. Electronics & strings. | suspended atmosphere mysterious beds desolate | Am | 94 | |||
|
Dark Place Bright Light [CEZ4206 - 30] |
0 | 2'14 | Jérôme Lemonnier | Underscore. Suspended & inexorable. Strings, xylophone & electronics. | beds desolate suspended atmosphere historical conflict | E | 93 | |||
|
A Fairy's Touch [CEZ4202 - 16] |
0 | 1'32 | Gabriel Saban, Philippe Briand | Spooky. Like a musical box. Dreamy & nonchalent. Vibraphone, | crystalline animation & cartoons naive calm | Am | 92 | |||
|
Emergency Room [CEZ4204 - 6] |
0 | 2'32 | Philippe Bozec | Inexorable & urgent. Piano, strings & electronics. Fx tick-tock. | social drama inexorable fx tick-tock disturbing | Am | 120 | |||
|
White House [UBM2237 - 1] |
0 | 1'47 | Felix Halbe | Piano and subtle clicking, strings and drums joining. Urgent, hectic, | disturbing politics destiny inexorable | Am | 150 | |||
|
So [UBM2237 - 10] |
0 | 1'57 | Felix Halbe | Calm piano piece, contemplative and mellow. | calm confident introspective electric piano | E | 143 | |||
|
Risky [UBM2237 - 19] |
0 | 2'31 | Felix Halbe | Cinematic track; emotional and beautiful, with increasing intensity. | relentless driving politics destiny | Gm | 81 | |||
|
Lord of Rock [UBM2227 - 7] |
0 | 2'01 | Daniel Backes, Peter Moslener | Heavy yet not aggressive. Guitar-driven rock track for action and | driving teen drama drums lively | A | 97 | |||
|
Eyewitness [UBM2241 - 18] |
0 | 2'48 | Bernhard Hering, Matthias Krüger-Wendel | Guitar and electronics; soundtrack for undercover spy activities. | spy insidious mysterious beds | Gm | 110 | |||
|
It's Fact [UBM2238 - 1] |
0 | 2'13 | Daniel Backes, Peter Moslener | Serious & nocturnal. Synth. | spy nocturnal strict interrogative | Fm | 122 | |||
|
The Time it Takes [CEZ4197 - 3] |
2'26 | Elisabeth Skornik, Guy Skornik | Careful & crystalline. Keyboards & electronics. | arts & crafts corporate video patient time (tick-tock) | D | 120 | ||||
|
The Time it Takes 2 [CEZ4197 - 22] |
Alt. | 2'26 | Elisabeth Skornik, Guy Skornik | Minimalist & sparse. Piano, echo fx & pads. Build-up. | peaceful arts & crafts refined childhood | D | 120 | |||
|
From Idea to Achievement [CEZ4197 - 6] |
2'12 | Elisabeth Skornik, Guy Skornik | Gradual build-up. From intimate to exhilarating. Keyboards, | crescendo corporate video building confident | Am | 104 | ||||
|
From Idea to Achievement 2 [CEZ4197 - 29] |
Alt. | 1'17 | Elisabeth Skornik, Guy Skornik | Serious & urgent. Gradual build-up. Strings & percussion. | building crescendo corporate video uplifting | Am | 103 | |||
|
From Idea to Achievement 3 [CEZ4197 - 30] |
Alt. | 2'03 | Elisabeth Skornik, Guy Skornik | Intimate & crystalline then serious. Keyboards & strings @ 0'37. | corporate video intimate introspective delicate | Am | 104 | |||
|
Source of Innovation [CEZ4197 - 8] |
2'21 | Guy Skornik, Elisabeth Skornik | Positive & determined with a barocco touch. Keybords & strings @ | strict neo-classical music arts & crafts unifying | Cm | 120 | ||||
|
Source of Innovation 2 [CEZ4197 - 35] |
Alt. | 1'13 | Elisabeth Skornik, Guy Skornik | Positive & determined with a barocco touch. String ensemble. | neo-classical music heritage unifying arts & crafts | Cm | 120 | |||
|
Think Global, Act Local [CEZ4197 - 10] |
2'23 | Elisabeth Skornik, Guy Skornik | Precise & peaceful. Piano & electronics. Staccato strings @ 1'30. | restrained suspended atmosphere corporate video strict | A | 86 | ||||
|
Think Global, Act Local 2 [CEZ4197 - 39] |
Alt. | 1'48 | Elisabeth Skornik, Guy Skornik | Precise & peaceful. Electric keyboard & electronics. | restrained arts & crafts suspended atmosphere corporate video | A | 86 | |||
|
Perseverance [CEZ4197 - 11] |
2'03 | Elisabeth Skornik, Guy Skornik | Serious & obstinate. Pizzicato strings & electronics. Build-up. | relentless patient arts & crafts corporate video | A | 113 | ||||
|
Perseverance 2 [CEZ4197 - 40] |
Alt. | 1'46 | Elisabeth Skornik, Guy Skornik | Serious & obstinate. Pizzicato & staccato strings. Build-up. | relentless patient historical narrative strict | Am | 113 | |||
|
Perseverance 3 [CEZ4197 - 41] |
Alt. | 2'02 | Elisabeth Skornik, Guy Skornik | Serious & obstinate. Pizzicato strings & celeste. | relentless patient corporate video pizzicato | Am | 86 | |||
|
Another Approach [CEZ4197 - 12] |
2'32 | Elisabeth Skornik, Guy Skornik | Applied & interrogative. Electronics & strings. | corporate video arts & crafts steady architecture & design | Cm | 164 | ||||
|
Another Approach 2 [CEZ4197 - 42] |
Alt. | 2'20 | Elisabeth Skornik, Guy Skornik | Applied & interrogative. Electronics & strings. No percussion. | corporate video steady architecture & design patient | Cm | 164 | |||
|
Another Approach 3 [CEZ4197 - 43] |
Alt. | 2'09 | Elisabeth Skornik, Guy Skornik | Serious & percussive. Electronic percussion & synth. | corporate video arts & crafts steady architecture & design | Cm | 164 |