| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Touch the Sky [ISC027 - 7] |
3'01 | Gabriel Saban, Sandia | Neo-classical. Serious, determinate, inspiring, unifying & radiant. | driving strict synthesizer epic | Am | 126 | ||||
|
Touch the Sky Alternate [ISC027 - 22] |
Alt. | 3'01 | Gabriel Saban, Sandia | Alternate version without percussion. | driving strict synthesizer epic | Am | 126 | |||
|
New Utopia [ISC010 - 3] |
2'52 | Gregory Cotti | Fascinating & futuristic electro arppeggio drown in a multiple aerial | cybernetics dreamy sci-fi science | Cm | 89 | ||||
|
New Utopia Alternate [ISC010 - 11] |
Alt. | 2'52 | Gregory Cotti | Alternate version without lead. | calm sci-fi atmospheric natural disaster | Cm | 89 | |||
|
Night Sky [UBM2310 - 8] |
0 | 1'31 | Achim Zweschper | Pulsating arpeggios in the style of 1980s Sci-Fi soundtracks. | cyclic hypnotic science synthesizer | Gm | 89 | |||
|
Bad Intonation [UBM2310 - 9] |
0 | 1'28 | Achim Zweschper | Analogue synth arpeggios in the style of late 1970s/ early 1980s | relentless science steady electronica | Em | 89 | |||
|
Panorama [CEG5015 - 23] |
0 | 5'27 | Alexandre Bazin | Calm, sparse & narrative. Percussion, piano & electronics. | tropical forest Amazon atmospheric crystalline | B | 111 | |||
|
I Saw You [CEO2047 - 3] |
0 | 1'57 | Patrick Franchomme | Restrained & pensive. @ 0'40 obstinate & tense. Piano, heart-beat, | fx heartbeat social drama electro ambient suspended atmosphere | C | 83 | |||
|
El Match [CEZ4270 - 7] |
2'11 | Norbert Galouo, José Miguel Ortegon Tovar | Latin EDM with a touch of tribal techno. Determined & exciting. | club attitude danceable latin electro | Gm | 128 | ||||
|
El Match Short Version [CEZ4270 - 22] |
Alt. | 1'08 | Norbert Galouo, José Miguel Ortegon Tovar | Latin EDM with a touch of tribal techno. Determined & exciting. | club latin electro introduction team sport | Gm | 128 | |||
|
Première Prise [CEO2034 - 1] |
0 | 2'50 | Vincent Leibovitz | Intro with fade in. Suspended, lonely & sparse. Electric guitar, | suspended atmosphere contemporary series electro ambient post-classical | Em | 81 | |||
|
Exobot Dancefloor [CEZ4221 - 6] |
4'22 | Michel Redolfi | Quirky & robotic. Electronics & vocoder fx. | robotic ufo quirky fx vocoder | Gm | 137 | ||||
|
Exobot Dancefloor 2 [CEZ4221 - 18] |
Alt. | 5'53 | Michel Redolfi | Quirky & robotic. Electronics & vocoder fx. | robotic ufo quirky mechanical | Am | 137 | |||
|
Paperclips [MAG6012 - 2] |
0 | 4'44 | Rupert Cross, Timothee Paris | Electronica. Interrogative but determined. Synth & rhythm. | driving nocturnal urgent lively | Am | 124 | |||
|
Perpetuum Mobile [MAG6010 - 10] |
3'27 | Henning Schmitz | Electronica. Curious & unique. Uninterrupted tempo acceleration & | electronica unclassifiable industry relentless | Gm | 185 | ||||
|
Perpetuum Mobile 2 [MAG6010 - 14] |
Alt. | 3'29 | Henning Schmitz | Electronica. Curious & unique. Uninterrupted tempo acceleration & | fx breathing rhythmic electronica unclassifiable | Gm | 185 | |||
|
Echoes [CEZ4130 - 1] |
0 | 2'03 | Alexandre Bazin | Aery, atmospheric but sustained. Electric guitar, bass & electronics. | architecture & design contemporary art electro ambient simple | E | 128 | |||
|
Transition [CEZ4130 - 3] |
0 | 2'30 | Jonathan Fitoussi | Serious & repetitive. Marimba sound & electronics. | arts & crafts steady architecture & design corporate video | Am | 117 | |||
|
Lights and Shadows [CEZ4130 - 7] |
0 | 2'52 | Alexandre Bazin | Intermitent, wandering & mysterious. Electric guitar & synth. | contemporary art science atmospheric intermittent | Am | 123 | |||
|
Panorama [CEZ4130 - 9] |
0 | 5'29 | Alexandre Bazin | Calm, sparse & narrative. Percussion, piano & electronics. | contemporary art atmospheric crystalline cymbal | B | 111 | |||
|
Knowledge Can Be Cool [CEZ4702 - 5] |
2'11 | Louis Edlinger | Electronica bed. Lively, cool & fun. Synth & rhythm. Ideal for | patient teaching strict beds | D | 87 | ||||
|
Knowledge Can Be Cool
[CEZ4702 - 37] |
Alt. | 2'09 | Louis Edlinger | Alternate no bass. | D | 117 | ||||
|
Knowledge Can Be Cool
[CEZ4702 - 38] |
Alt. | 2'05 | Louis Edlinger | Alternate underscore. | Em | 87 | ||||
|
Knowledge Can Be Cool Edit 60
[CEZ4702 - 39] |
Alt. | 1'00 | Louis Edlinger | 60 second cut. | Em | 87 | ||||
|
Knowledge Can Be Cool Edit 30
[CEZ4702 - 40] |
Alt. | 0'30 | Louis Edlinger | 30 second cut. | D | 87 | ||||
|
Knowledge Can Be Cool Edit 20
[CEZ4702 - 41] |
Alt. | 0'20 | Louis Edlinger | 20 second cut. | D | 87 | ||||
|
Knowledge Can Be Cool Edit
[CEZ4702 - 42] |
Alt. | 0'12 | Louis Edlinger | Sting. | D | 87 | ||||
|
Yes or No [CEZ4702 - 6] |
2'03 | Louis Edlinger | Electronica bed. Bouncy, curious & jerky. Synth & rhythm. Ideal for | beds interrogative teaching strict | Bb | 115 | ||||
|
Yes or No Alternate 1 [CEZ4702 - 43] |
Alt. | 2'03 | Louis Edlinger | Alternate version. | Bb | 115 | ||||
|
Yes or No Alternate 2 [CEZ4702 - 44] |
Alt. | 2'03 | Louis Edlinger | Alternate version. | Bb | 115 | ||||
|
Yes or No Edit 60 sec [CEZ4702 - 45] |
Alt. | 1'00 | Louis Edlinger | 60 second cut. | Bb | 115 | ||||
|
Yes or No Edit 30 sec [CEZ4702 - 46] |
Alt. | 0'30 | Louis Edlinger | 30 second cut. | Bb | 115 | ||||
|
Yes or No Edit 20 sec [CEZ4702 - 47] |
Alt. | 0'20 | Louis Edlinger | 20 second cut. | Bb | 115 | ||||
|
Yes or No Edit Sting [CEZ4702 - 48] |
Alt. | 0'09 | Louis Edlinger | Sting. | Bb | 117 | ||||
|
The Tutorial [CEZ4702 - 7] |
1'52 | Louis Edlinger | Electronica bed. Interrogative, kind & simple. Synth & rhythm. Ideal | teaching confident driving neutral | C | 114 | ||||
|
The Tutorial Alternate 1 [CEZ4702 - 49] |
Alt. | 1'52 | Louis Edlinger | Alternate version. | C | 114 | ||||
|
The Tutorial Alternate 2 [CEZ4702 - 50] |
Alt. | 1'51 | Louis Edlinger | Alternate underscore. | Gm | 114 | ||||
|
The Tutorial Edit 60 sec [CEZ4702 - 51] |
Alt. | 0'59 | Louis Edlinger | 60 second cut. | C | 113 | ||||
|
The Tutorial Edit 30 sec [CEZ4702 - 52] |
Alt. | 0'30 | Louis Edlinger | 30 second cut. | C | 114 | ||||
|
The Tutorial Edit 20 sec [CEZ4702 - 53] |
Alt. | 0'20 | Louis Edlinger | 20 second cut. | C | 113 | ||||
|
The Tutorial Edit Sting [CEZ4702 - 54] |
Alt. | 0'11 | Louis Edlinger | Sting. | C | 113 | ||||
|
The Critical Question [CEZ4702 - 9] |
2'32 | Louis Edlinger | Electronica bed. Suspenseful, discontinuous & aery. Synth & rhythm. | interrogative patient suspense airy | Dm | 156 | ||||
|
The Critical Question
[CEZ4702 - 61] |
Alt. | 2'31 | Louis Edlinger | Alternate no bells. | Dm | 156 | ||||
|
The Critical Question
[CEZ4702 - 62] |
Alt. | 2'31 | Louis Edlinger | Alternate version. | Dm | 162 | ||||
|
The Critical Question Edit 60
[CEZ4702 - 63] |
Alt. | 1'00 | Louis Edlinger | 60 second cut. | Dm | 157 | ||||
|
The Critical Question Edit 30
[CEZ4702 - 64] |
Alt. | 0'30 | Louis Edlinger | 30 second cut. | Dm | 156 | ||||
|
The Critical Question Edit 20
[CEZ4702 - 65] |
Alt. | 0'20 | Louis Edlinger | 20 second cut. | Dm | 155 | ||||
|
The Critical Question Edit
[CEZ4702 - 66] |
Alt. | 0'13 | Louis Edlinger | Sting. | Dm | 155 | ||||
|
Training the Mind [CEZ4702 - 10] |
2'03 | Louis Edlinger | Electronica bed. Animated, intellectual & focused. Synth & rhythm. | patient teaching strict beds | C | 100 | ||||
|
Training the Mind Alternate 1 [CEZ4702 - 67] |
Alt. | 2'03 | Louis Edlinger | Alternate no percs. | C | 100 | ||||
|
Training the Mind Alternate 2 [CEZ4702 - 68] |
Alt. | 1'39 | Louis Edlinger | Underscore version. | C | 100 | ||||
|
Training the Mind Edit 60 sec [CEZ4702 - 69] |
Alt. | 0'59 | Louis Edlinger | 60 second cut. | C | 100 | ||||
|
Training the Mind Edit 30 sec [CEZ4702 - 70] |
Alt. | 0'30 | Louis Edlinger | 30 second cut. | C | 100 | ||||
|
Training the Mind Edit 20 sec [CEZ4702 - 71] |
Alt. | 0'20 | Louis Edlinger | 20 second cut. | C | 100 | ||||
|
Training the Mind Edit Sting [CEZ4702 - 72] |
Alt. | 0'14 | Louis Edlinger | Sting. | C | 133 |