| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Johnny Come Lately [CEZ4401 - 2] |
2'39 | André Charlier, Benoît Sourisse | 70's. TV series. Jazzy. Determined & sophisticated. Jazz guitar, | retro cinema 1970 1980 big band | Fm | 137 | ||||
|
Johnny Come Lately Alternate 1 [CEZ4401 - 21] |
Alt. | 0'06 | André Charlier, Benoît Sourisse | 70's. 80's. Show TV. Jingle. Opening. Powerful & exhilarating. Big | 1970 1980 catchy jazzy | Bbm | 129 | |||
|
Johnny Come Lately Alternate 2 [CEZ4401 - 22] |
Alt. | 0'06 | André Charlier, Benoît Sourisse | 70's. 80's. Show TV. Jingle. Closing. Powerful & exhilarating. Big | 1970 1980 catchy jazzy | Ab | 108 | |||
|
Johnny Come Lately Alternate 3 [CEZ4401 - 23] |
Alt. | 0'09 | André Charlier, Benoît Sourisse | 70's. 80's. Show TV. Jingle. Closing. Powerful & exhilarating. Big | 1970 1980 catchy jazzy | Cm | 136 | |||
|
Cafe Chic [CEZ4297 - 20] |
0 | 3'34 | André Charlier, Benoît Sourisse | Confident & relax. End of the 60s. Jazz sextet with sax, Hammond | jazz sextet alto saxophone urban landscape drums | Dm | 143 | |||
|
Weegee's New-York Street [CEZ4281 - 32] |
0 | 1'09 | Marc-Olivier Dupin | Sad & wandering. Tenor sax, piano & cymbals. | wandering film noir 1950 crime movie | Bb | 106 | |||
|
Drumweaver [CEZ4226 - 5] |
0 | 1'58 | Simon Goubert | Fiery & obstinate. Modern jazz. Solo drums. 214 bpm. | drums percussive solo fiery | Gbm | 214 | |||
|
Femme Fatale [CEZ4075 - 25] |
0 | 2'42 | André Charlier, Benoît Sourisse | Late night moody jazz ballad. Piano, muted trumpet @ 0'41 & drums. | jazz ballad nocturnal new wave (cinema) wandering | E | 65 | |||
|
Op Art [CEZ4047 - 40] |
0 | 2'27 | Michel Gaucher, Benoît Sourisse | "Groovy & rhythmic fun. Entertaining. ""Singing flute"" & Hammond | singing flute pop art 1960 abstract art | Dm | 147 | |||
|
Happy Night Party [CEB6008 - 4] |
0 | 2'31 | Luiz De Aquino Junior, Laurent De Oliveira | Bossa nova lounge. Joyful, friendly & carefree. Brazilian guitar, | chill-out music cocktail bar confident jazzy | Em | 106 | |||
|
Just One More Dance [CEB6008 - 6] |
0 | 2'34 | Glaucus De Oliveira Gonzaga Xavier, Veronique Le Berre De Aquino | Samba/Bossa nova lounge. Exotic, carefree & swaying. Brazilian | cocktail bar chill-out music nocturnal charming | A | 162 | |||
|
Slick Slug [UBM2264 - 15] |
0 | 0'57 | Daniel Backes, Peter Moslener | Cool guitar-riffs with slight rattles in the background for relaxed | jazz club jazzy jazz guitar coastline | A | 111 | |||
|
Jazz Message [CEZ4226 - 6] |
0 | 3'18 | Simon Goubert | Modern jazz. Cool. Solo drums. 124 bpm. | drums jazz shuffle percussive solo | Gm | 124 | |||
|
Ouh La La! [CEZ4220 - 12] |
0 | 2'02 | David Chiron, Ludovic Beier, Philippe Cuillerier, Pierre Blanchard, Samson Schmitt | Bluesy swing. Uplifting & dancing. Swing violin, accordion & rhythm | gypsy jazz Paris 1950 chromatic accordion | C | 120 | |||
|
Laps 6 [CEZ4021 - 26] |
0 | 0'43 | Bernard Parmegiani | Jazz piano & drones. | unclassifiable quirky electroacoustic music sequencing | Dm | 163 | |||
|
Le Public 1 [CEZ4012 - 10] |
0 | 0'32 | Zygmunt Krauze | Quirky & joyful. Jazz big band. | lively big band quirky fiery | Gm | 118 | |||
|
L'Imposture [CEZ4047 - 38] |
0 | 1'54 | Marc-Olivier Dupin | Sophisticated & refined. Brass section with muted trumpet. | new wave (cinema) urban landscape 1950 1960 | Gm | 137 | |||
|
Undercover Operations [CEG5056 - 1] |
2'05 | Hiroki Ishikura | Electro Jazz. Fast, stubborn & urgent. Double bass, brass stabs & | chase suspense double bass electro jazz | Ab | 117 | ||||
|
Undercover Operations
[CEG5056 - 13] |
Alt. | 2'05 | Hiroki Ishikura | Underscore 1. | chase suspense double bass electro jazz | Db | 116 | |||
|
Undercover Operations
[CEG5056 - 14] |
Alt. | 2'05 | Hiroki Ishikura | Underscore 2. | chase suspense double bass electro jazz | Ab | 117 | |||
|
Undercover Operations Edit 1
[CEG5056 - 15] |
Alt. | 0'20 | Hiroki Ishikura | 20 second cut. | chase suspense double bass electro jazz | Ab | 117 | |||
|
Undercover Operations Edit 2
[CEG5056 - 16] |
Alt. | 0'30 | Hiroki Ishikura | 30 second cut. | chase suspense double bass electro jazz | Ab | 117 | |||
|
Undercover Operations Edit 3
[CEG5056 - 17] |
Alt. | 1'00 | Hiroki Ishikura | 60 second cut. | chase suspense double bass electro jazz | Ab | 117 | |||
|
Undercover Operations Edit 4
[CEG5056 - 18] |
Alt. | 0'14 | Hiroki Ishikura | Sting. | chase suspense double bass electro jazz | Db | 117 | |||
|
Balkan Punk Folk [EOS97 - 4] |
0 | 3'36 | Ivan Bejkov | Punk fanfare. Lively, vibrant & fiery. In a balkan spirit. Brass, | drums Balkans electric guitar driving | Bbm | 138 | |||
|
Minor Bop [EOS70 - 8] |
0 | 2'53 | Rodrigo Bauza | Lively, bouncy & light. String quartet. | string quartet lively happy & joyful carefree | Cm | 89 | |||
|
A Confused Game [CEG5030 - 6] |
0 | 2'00 | Sophia Domancich, Gilles Pezerat | Tense, hot pursuit. Jazz orchestra (big band) with trumpet. Suggested | chase driving anticipation film noir | Am | 126 | |||
|
Drum Soliloquy [CEG5030 - 28] |
0 | 2'27 | Simon Goubert | Urgent, current & jolting. Solo drums. | drums urgent chase driving | A | 140 | |||
|
A Classy Dinner [CEO2110 - 12] |
0 | 5'18 | Pablo Pico | Jazzy & chic. Piano, jazz guitar & rhythm. | confident easy listening (all) jazz club relaxed | C | 110 |