| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Far Away Invasion [EOS24 - 6] |
0 | 2'39 | Clinton Charles, Sandy Mahut | Mysterious & intriguing. Synth, bass, sound design, piano, | mysterious synthesizer electric bass desolate | Dm | 110 | |||
|
Electric Pressure [UBM2271 - 13] |
0 | 1'40 | Daniel Backes, Peter Moslener | Danger, threat, harshness. Ideal for dramatic scenes and to build up | industry science synthesizer disturbing | C | 125 | |||
|
Building Bubbles [UBM2251 - 8] |
0 | 2'07 | Daniel Backes, Peter Moslener | Positive sound bubbles, sounds like glockenspiel with synthesizer, | arpeggiator industry mechanical sport video game | Am | 127 | |||
|
Dense Diffusion [UBM2251 - 12] |
0 | 1'51 | Daniel Backes, Peter Moslener | Profound, repetitive structure with xylophone and synthesizer, | arpeggiator investigation sci-fi science | Fm | 62 | |||
|
Mechanical Timelapse [UBM2251 - 17] |
0 | 1'53 | Daniel Backes, Peter Moslener | Music for images of business, industry and economic growth: hectic, | arpeggiator retrogaming steady industry | Bm | 135 | |||
|
Melancholic Timelapse [UBM2251 - 18] |
0 | 1'51 | Daniel Backes, Peter Moslener | Music for human portraits, career plans and images of industry as | arpeggiator retrogaming steady industry | Em | 100 | |||
|
Raise Intensity [UBM2251 - 19] |
0 | 1'42 | Daniel Backes, Peter Moslener | Dark, ticking and electronic sound with deep bass, good for sense of | arpeggiator crime movie interrogative investigation | Gbm | 102 | |||
|
Mobilisation [UBM2249 - 1] |
0 | 1'55 | Elias Cadre | Subtle serious electronic underscore for images of dark secrets. | complex sci-fi cold science | G | 122 | |||
|
The Duration of the Experiment [CEZ4242 - 12] |
0 | 2'31 | Christophe Zurfluh | Interrogative & patient. Electronics & fx tick-tock. | time (tick-tock) fx tick-tock interrogative mysterious | Dm | 98 | |||
|
Slowly Progressive Space [UBM2216 - 26] |
0 | 2'58 | Achim Zweschper | Interrogative & cosmic. Synth & rhythm. | science beds atmospheric space | Gbm | 140 | |||
|
Signal Flow [UBM2119 - 14] |
0 | 2'51 | Daniel Backes, Peter Moslener | Hear the data! | soundscape atmospheric synthesizer steady | Cm | 130 | |||
|
New World Glitter [UBM2119 - 15] |
0 | 2'52 | Daniel Backes, Peter Moslener | Blissful spheres featuring easy drums & fx. | soundscape airy atmospheric confident | G | 130 | |||
|
Particle Collider [UBM2119 - 16] |
0 | 2'06 | Daniel Backes, Peter Moslener | Vibrating pad & dance-style melody. | soundscape beds kitsch & cheesy mysterious | Dm | 133 | |||
|
The Key Idea [CEZ4103 - 6] |
0 | 2'28 | Elisabeth Skornik, Guy Skornik | Introspective & pensive. Piano & electronics. Backwards fx. | patient atmospheric interrogative suspended atmosphere | Gbm | 70 | |||
|
Brain Strain [CEZ4103 - 7] |
0 | 2'02 | Elisabeth Skornik, Guy Skornik | Constant & mechanical. Electronics. | industry robotic steady corporate (all) | Cm | 120 | |||
|
Floating the Idea [CEZ4103 - 10] |
0 | 2'33 | Elisabeth Skornik, Guy Skornik | Suspended atmosphere. Constant. Keyboards, strings & electronics. | industry investigation suspense suspended atmosphere | Ebm | 108 | |||
|
An Iota of Science [CEZ4103 - 27] |
0 | 2'49 | Elisabeth Skornik, Guy Skornik | Constant & mysterious. Loop, string fx & strange voices. | time (tick-tock) contemporary art steady architecture & design | Em | 130 | |||
|
Cosmic Hobo [CEZ4102 - 27] |
0 | 3'00 | Mathias Delplanque | Melancholic & wandering. Electronics. | science drone space soundscape | D | 68 | |||
|
Statistics [CEZ4094 - 14] |
0 | 1'53 | Two Colors | Positive & determined. Electronics. | cybernetics breaking news anticipation relentless | D | 143 | |||
|
In the Center Of Minimalism [UBM2179 - 8] |
0 | 2'13 | Abstract & minimalist ; conveying achievement. | fx backwards atmospheric wandering investigation | C | 100 |